Adam Art Gallery Te Pātaka Toi
Gate 3, Kelburn Parade
Wellington
Neuseeland
Stadtplan
Hotelreservierungen
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| tel |
+64 4 463 5489 |
| fax |
+64 4 463 5024 |
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| www.adamartgallery.org.nz |
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 Institution's artists also shown at: |
| Institution |
№ |
№ |
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Auckland Art Gallery, Neuseeland |
45 |
9 |
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Wellington City Gallery, Neuseeland |
25 |
9 |
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Christchurch Art Gallery Te Puna o Waiwhetu, Neuseeland |
24 |
9 |
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Dunedin Public Art Gallery, Neuseeland |
22 |
8 |
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Artis Gallery, Neuseeland |
13 |
2 |
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Profil |
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Gründungsjahr: 1999
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Frühere Ausstellungen 82
2012
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 | We Will Work With You! |
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| Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011 |
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 | Dark Sky |
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| Camera Work |
2011
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| In Camera: A Project Series Around And About Collecting |
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| Points Of Contact: Jim Allen, Len Lye, HÉlio Oiticica |
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| Designs For Living |
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| The Commons Project: Performance Series In Public/private Space |
2010
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| Designs For Living |
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| The Importance of Being Ernst |
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| The Otolith Group: A Long Time Between Suns |
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| Object Lessons: A Musical Fiction |
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| Play On |
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| Drawing with Light |
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| Source Material—five Conversations With The Past |
2009
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| Source Material—five Conversations With The Past |
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| Wall Works |
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| The Future is unwritten |
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| Billy Apple - New York 1969-1973 |
2008
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| I, here, now |
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| Te Mata |
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| The Subject Now |
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| Collect/project |
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| Sound Circuit |
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| Opposites Attract |
2007
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| Pulp Fictions: The Art of Giovanni Battista Piranesi |
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| Interior Life |
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| Primary Products |
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| Four Times Painting |
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| Darcy Lange: Study of an artist at work |
2006
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| Archiving Fever |
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| The Captain’s Ghost |
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| Islanded: Contemporary Art From New Zealand, Singapore And Taiwan |
2005
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| Play: Portraiture And Performance In Recent Video Art From Australia |
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| Artiface: Artists’ Portraits In Prints |
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| Breaking Ice: Re-visioning Antarctica |
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| Still Present: Exploring Psychiatric Institutions In Photography |
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| Destiny Deacon: Walk + Don’t Look Blak |
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| Lisa Reihana: New Works |
2004
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| The Expatriates: Frances Hodgkins And Barrie Bates |
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| Quiet: Recent Photographs By Christine Webster |
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| Two Laws…one Big Spirit |
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| Gordon Walters: Prints + Design |
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| Telecom Prospect 2004 |
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| Concrete Horizons: Contemporary Art From China |
2003
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| Before Addled Art: The Graphic Art Of Lionel Lindsay |
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| Tatau: Pe’a: Photographs By Mark Adams, Measina Samoa: Stories Of The Malu By Lisa Taouma |
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| Bombs Away |
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| Nalini Malani |
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| Kainga Tahi Kainga Rua New Work On Banaba By Brett Graham |
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| Practice |
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| David Clegg: The Imaginary Museum |
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| Dirty Pixels |
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| Terrence Handscomb: Under Southern Skies |
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| Slow Release: Recent Photography From New Zealand |
2002
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| Islands In The Sun: Prints By Indigenous Artists Of Australia And The Australasian Region |
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| Beats With That? |
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| Materialise |
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| Chris Barry: Out Of Place |
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| John Reynolds: Hevn Not To Scale |
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| Pauline Rhodes, Conduits And Containers: Leakage From The Text |
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| Joseph Grigely: Conversations With The Hearing |
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| Man’s Inhumanity: 14 Pacified Implements |
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| Alive!: Still Life Into The Twenty First Century |
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| Lights And Shadows |
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| Elastic Horizon |
2001
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| Intersculpt 2001 |
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| The Cutting Edge: Avant-garde Printmaking In Europe 1900 - 1950 |
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| Votive: Sacred And Ecstatic Bodies |
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| Botanica |
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| Parallel Worlds |
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| Paper Graphica: Works From Paper Graphica |
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| Secret Sounds |
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| Happiness |
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| Stray Leaves |
2000
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| Zhang Huan: Performances on Video |
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| The Numbers Game |
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| Ann Shelton: Abigail’s Party |
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| Gavin Hipkins: The Habitat |
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| Guests And Foreigners, Rules And Meanings (te Kore) |
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| Language Matters |
1999
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| Manufacturing Meaning: The University Of Wellington Art Collection In Context |
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