 Künstlerattribute:
|
| • |
Weiblich |
| • |
Malerei |
Die meisten Ausstellungen sind in: |
| Land |
№ |
| USA | 81 |
| Deutschland | 8 |
| Vereinigtes Königreich | 3 |
Die meisten Ausstellungen sind mit: |
| Künstler |
Rang |
№ |
| Nicole Eisenman |
1159 |
12 |
Most exhibitions held at: |
| Institution |
№ |
| |
Susanne Vielmetter Los Angeles Projects, USA |
6 |
| |
Sikkema Jenkins & Co., USA |
5 |
| |
University Galleries at Illinois State University, USA |
3 |
Biografie: 
1966 Geboren in Detroit, MI (US)
1973 Beloit College
1975 New York University
1979 School of Visual Arts, NY, BFA
1995 Bard College, NY, MFA, Elaine de Kooning Memorial Fellowship
Lebt und arbeitet in New York, NY (US)
Weblinks: | | Öffentliche Ausstellungen (Auswahl) 100
Einzelausstellungen 17
2012
| |
| Amy Sillman - Sutton Lane - Brussels, Brüssel |
| |
| Amy Sillman - castillo/corrales, Paris |
2011
| |
| Amy Sillman - Capitain Petzel Gallery, Berlin |
2010
| |
| Transformer (...or, how many lightbulbs does it take to change a painting?) - Sikkema Jenkins & Co., New York, NY |
2008
| |
| Amy Sillman - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
| |
| Opener 15: Amy Sillman: Third Person Singular - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Third Person Singular - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Directions - Amy Sillman - Hirshhorn Museum and Sculpture Garden, Washington, DC |
2007
| |
| Amy Sillman: Suitors & Strangers - Blaffer Gallery - The Art Museum of the University of Houston, Houston, TX |
| |
| Amy Sillman - Person, Place or Thing - Galerie Carlier | Gebauer, Berlin |
2006
| |
| Amy Sillman - Sikkema Jenkins & Co., New York, NY |
2005
| |
| Amy Sillman - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
2004
| |
| Ramp Project - Amy Sillman - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
2003
| |
| Amy Sillman - I am curious (yellow) - Sikkema Jenkins & Co., New York, NY |
2002
| |
| Amy Sillman - Shane Campbell Gallery - Chicago, Chicago, IL |
| |
| Amy Sillman - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
2001
| |
| Amy Sillman - Galleria Marabini, Bologna |
Gruppenausstellungen 83
2012
| |
| Blues For Smoke - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Paper Band - Jason McCoy Gallery, New York, NY |
| |
| Painting in Space - Luhring Augustine Gallery, New York, NY |
| |
| Contemporary Painting, 1960 to the Present - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Ulrike Müller - Herstory Inventory: 100 feministische Zeichnungen von 100 KünstlerInnen - Kunsthaus Bregenz, Bregenz |
| |
| Pinky's Rule - Sikkema Jenkins & Co., New York, NY |
2011
| |
| Body Gesture - Elizabeth Leach Gallery, Portland, OR |
| |
| The Air We Breathe - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Creating the New Century - Contemporary Art from the Dicke Collection - Fort Collins Museum of Contemporary Art (FCMOCA), Fort Collins, CO |
| |
| Mouthing (The Sentient Limb) - Hyde Park Art Center, Chicago, IL |
 |
| Anfang gut. Alles gut. - Kunsthaus Bregenz, Bregenz |
|
| Captain Pamphile - Ein Bildroman in Stücken - Deichtorhallen Hamburg, Hamburg |
| |
| New York to London and Back - The Medium of Contingency - Thomas Dane Gallery, London (England) |
2010
| |
| The Way it Wasn't (Celebrating ten years of castillo/corrales, Paris) - Midway Contemporary Art, Minneapolis, MN |
| |
| Captain Pamphile - nach einem Roman von Alexandre Dumas - Städtische Galerie Waldkraiburg, Waldkraiburg |
| |
| Shifting the Gaze: Painting and Feminism - The Jewish Museum of New York, New York, NY |
| |
| Summer Group Show - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
| |
| Shape Language - Nicole Klagsbrun Gallery, New York, NY |
| |
| The Facebook Show - Museum of New Art - MONA, Pontiac (MI) |
| |
| Hecate´s Lab - Senior & Shopmaker Gallery, New York, NY |
| |
| Visionaries: Contemporary Art from Santa Barbara’s Private Collections - Santa Barbara Contemporary Arts Forum, Santa Barbara, CA |
| |
| Collect With Us - Armand Bartos Fine Art, New York, NY |
| |
| The Nice Thing About Castillo/Corrales... - castillo/corrales, Paris |
| |
| Inaugural Group Exhibition - Susanne Vielmetter Berlin Projects, Berlin |
| |
| Inaugural Group Exhibition - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
2009
| |
| Picturing the Studio - SAIC - School of the Art Institute of Chicago, Chicago, IL |
| |
| Cold Press - Page Bond Gallery, Richmond, VA |
 |
| Mirror Mirror: Contemporary Portraits and the Fugitive Self - Brigham Young University Museum of Art, Provo, UT |
| |
| Flüchtige Zeiten - Westfälischer Kunstverein, Münster |
| |
| Levity - Hendershot Gallery, New York, NY |
| |
| Blue - James Graham & Sons, New York, NY |
| |
| Cave Painting - PSM Gallery, Berlin |
| |
| Alle Herzen fliegen zu (Zeichnungen und Servietten plus Diverses) - General Public, Berlin |
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York, NY |
| |
| Primitif Complique - Galerie Les filles du calvaire - Bruxelles, Brüssel |
| |
| The Ballad That Becomes An Anthem - ACME, Los Angeles, CA |
|
| Seriously Funny - Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ |
2008
| |
| Oranges and Sardines: Conversations on Abstract Painting - Hammer Museum, Los Angeles, CA |
|
| Prospect.1 New Orleans - Prospect New Orleans, New Orleans, LA |
| |
| Under the Influence - Art and Culture Center of Hollywood, Hollywood, CA |
| |
| The Future Must Be Sweet - International Print Center New York, New York, NY |
| |
| Happy Vacation - Thrust Projects, New York, NY |
| |
| Color Climax - James Graham & Sons, New York, NY |
 |
| IT´S GOUCHE & GOUACHE ONLY - Andrea Meislin Gallery, New York, NY |
| |
| Scharf, Sillman & Winters - Red Dot Contemporary, West Palm Beach, FL |
2007
| |
| Poets on Painters - University Galleries at Illinois State University, Normal, Il |
|
| Performa 07 - The Second Biennial of New Visual Art Performance - Performa, New York, NY |
| |
| The Recognitions - The Fireplace Project, East Hampton, NY |
| |
| The Line of Time, an the Plane of Now - Wallspace Gallery, New York, NY |
| |
| The Line of Time and the Plane of Now - Harris Lieberman, New York, NY |
| |
| The Good, the Bad, and the Ugly - - New Langton Arts, San Francisco, CA (closed, 2009) |
2006
| |
| Gifts go in one direction - Apexart, New York, NY |
| |
| New Now Next - The Contemporary Blanton - Blanton Museum of Art, Austin, TX |
| |
| Landscape Confection - Orange County Museum of Art, Newport Beach, CA |
| |
| Frontiers - Collecting the Art of Our Time - Worcester Art Museum, Worcester, MA |
2005
| |
| Frontiers: Collecting the Art of Our Time - Worcester Art Museum, Worcester, MA |
| |
| CUT - Susanne Vielmetter Los Angeles Projects, Culver City, CA |
|
| Landscape Confection - Contemporary Arts Museum Houston, Houston, TX |
2004
| |
| The Print Show - - Exit Art, New York, NY (closed, 2012) |
| |
| Dana Schutz, Amy Sillman, Kara Walker - Sikkema Jenkins & Co., New York, NY |
| |
| 200 Drawings: Annie Herron and Barry Blinderman Select from the Pierogi Flatfile - University Galleries at Illinois State University, Normal, Il |
| |
| True Stories - Nerman Museum of Contemporary Art, Overland Park, KS |
| |
| Great Adventures - Björkholmen Gallery, Stockholm |
| |
| POST MoDERN - The Greene Naftali Gallery, New York, NY |
2003
| |
| Self Portraits: A Vogue Portfolio - - Deitch Projects - 76 Grand Street, New York, NY (closed, 2010) |
| |
| Rendered - Sara Meltzer Gallery, New York, NY |
| |
| Group Show - G Fine Art, Washington, DC |
| |
| Comic Release: Negotiating Identity for a New Generation - The Miller Gallery at Carnegie Mellon University, Pittsburg, PA |
2001
|
| Brooklyn! - - The Palm Beach Institute of Contemporary Art (PBICA), Lake Worth, FL (closed) |
| |
| Pixerina Witcherina - University Galleries at Illinois State University, Normal, Il |
2000
| |
| Greater New York: New Art in New York Now - MoMA PS1, New York, NY |
| |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, New York, NY (closed, 2012) |
1999
| |
| The Stroke: An Overview of Contemporary Painting - - Exit Art, New York, NY (closed, 2012) |
1998
| |
| From Here to Eternity: Painting in 1998 - Meulensteen (Former Max Protetch), New York, NY |
| |
| Personal Touch - Art in General, New York, NY |
1995
| |
| Imaginary Beings - - Exit Art, New York, NY (closed, 2012) |
1994
| |
| Out West and Back East - Santa Monica Museum of Art, Santa Monica, CA |
1993
| |
| 1920: The Subtlety of Subversion/The Continuity of Intervention - - Exit Art, New York, NY (closed, 2012) |
1986
| |
| Selections 34 - The Drawing Center, New York, NY |
| |
| On, Of, and About Paper - BRIC Rotunda Gallery, New York, NY |
1984
| |
| Michael Byron, Lisa Hoke, Amy Sillman - New Museum of Contemporary Art, New York, NY |
| Händlerverzeichnis 5 |
Deutschland
| | Susanne Vielmetter Berlin Projects, Berlin
|
USA
| | Susanne Vielmetter Los Angeles Projects, Culver City, CA
|
| | Senior & Shopmaker Gallery, New York, NY
|
| | Sikkema Jenkins & Co., New York, NY
|
| | Riverhouse Editions - van Straaten Gallery, Steamboat Springs, CO
|
Sammlungen 2
USA
| | The Baltimore Museum of Art, Baltimore, MD
|
Vereinigtes Königreich
Kataloge
|
