Künstlerattribute:
|
| • |
Männlich |
| • |
Malerei, Skulptur, Objekt, Klangkunst |
| • |
Young British Artists |
Die meisten Ausstellungen sind in:
|
| Land |
№ |
| Deutschland | 86 |
| USA | 73 |
| Vereinigtes Königreich | 57 |
| Frankreich | 44 |
| Schweiz | 28 |
Most exhibitions held at:
|
| Institution |
№ |
| |
Casey Kaplan Gallery, USA |
16 |
| |
Corvi-Mora, Vereinigtes Königreich |
8 |
| |
Galerie Eva Presenhuber, Schweiz |
7 |
| |
Kerlin Gallery, Irland (Republik) |
7 |
| |
Air de Paris, Frankreich |
7 |
Biografie: 
1964 Geboren in Aylesbury (UK)
1983 - 1984 Hertfordshire College of Art
1984 - 1987 Goldsmiths College, University of London, B.A.
Weblinks:
www.liamgillick.info | | Öffentliche Ausstellungen (Auswahl) 459 
bis 31.7.
bis 9.6.
bis 26.5.
bis 26.5.
Einzelausstellungen 63
2012
| |
| From 199A to 199B: Liam Gillick - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Scorpion And Und Et Felix - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick - Scorpion And Felix - Galerie Eva Presenhuber, Zürich |
2011
 |
| Liam Gillick - SIT ON THE MACHINE - Galerie Micheline Szwajcer, Antwerpen |
| |
| Liam Gillick - Air de Paris, Paris |
| |
| Liam Gillick: A Game of War Structure - Irish Museum of Modern Art - IMMA, Dublin |
2010
| |
| Liam Gillick - Ein langer Spaziergang... Zwei kurze Stege...* - Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
| |
| Seven structures and a large vodka soda... - Kerlin Gallery, Dublin |
| |
| Liam Gillick - Fort Worth Contemporary Arts, Fort Worth, TX |
| |
| Liam Gillick - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick - Everything good goes - Galerie Meyer Kainer, Wien |
2009
| |
| Two Short Plays - Eastside Projects, Birmingham (England) |
| |
| Liam Gillick: Three Perspectives and a Short Scenario - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Liam Gillick, Literally Based H.Z., 2006 - Irish Museum of Modern Art - IMMA, Dublin |
2008
| |
| Liam Gillick - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick - Three perspectives and a short scenario - Kunsthalle Zürich, Zürich |
| |
| Liam Gillick - Witte de With Center for Contemporary Art, Rotterdam |
2007
| |
| The State / Commune Itself as a Super State / Commune - Galerie Micheline Szwajcer, Antwerpen |
| |
| Liam Gillick - Corvi-Mora, London (England) |
| |
| Three Perspectives and a short scenario - Witte de With Center for Contemporary Art, Rotterdam |
2006
| |
| Liam Gillick - Kerlin Gallery, Dublin |
2005
| |
| As You Approach the Edge of Town The Lights Are No Softer Than They Were In The Centre - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick - Galerie Meyer Kainer, Wien |
| |
| Liam Gillick - Corvi-Mora, London (England) |
 |
| Liam Gillick - Texte court sur la possibilité de créer une économie de l - Palais de Tokyo, Paris |
| |
| Liam Gillick - Galerie Eva Presenhuber, Zürich |
2004
| |
| Liam Gillick - Galerie Micheline Szwajcer, Antwerpen |
| |
| On Site - Liam Gillick - Milwaukee Art Museum, Milwaukee, WI |
| |
| Strike - Basekamp space, Philadelphia, PA |
| |
| Liam Gillick - Galeria Javier López, Madrid |
2003
 |
| Projects 79: Liam Gillick, Literally - MoMA - Museum of Modern Art, New York, NY |
| |
| LIAM GILLICK - communes, bars and greenrooms - The Power Plant, Toronto, ON |
 |
| Liam Gillick - Exterior Days - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick: ... and punctuated everydays - Galerie Max Hetzler, Berlin |
2002
| |
| Liam Gillick - Relative Progress - 2002 - Pain in Building - 1999 - Mamco - musée d´art moderne et contemporain, Genf |
| |
| Liam Gillick - Galerie Rüdiger Schöttle, München |
| |
| Liam Gillick - Galerie Meyer Kainer, Wien |
| |
| Liam Gillick - The Wood Way - Whitechapel Art Gallery, London (England) |
| |
| Liam Gillick - Ann Lee You Proposes - 2001 - Mamco - musée d´art moderne et contemporain, Genf |
2001
 |
| Liam Gillick: Annlee You Proposes - Tate Britain, London (England) |
| |
| Liam Gillick - Corvi-Mora, London (England) |
| |
| Liam Gillick - Galeria Javier López, Madrid |
| |
| Liam Gillick - Galerie Eva Presenhuber, Zürich |
2000
| |
| Liam Gillick - Woody - Center for Contemporary Art, CCA Kitakyushu, Kitakyushu |
| |
| Liam Gillick - Casey Kaplan Gallery, New York, NY |
| |
| Liam Gillick: consulation filter - Westfälischer Kunstverein, Münster |
| |
| Liam Gillick - Galleri Charlotte Lund, Stockholm |
1999
| |
| Liam Gillick - David - Frankfurter Kunstverein, Frankfurt/Main |
1998
| |
| Liam Gillick - - Schipper & Krome, Köln (closed, 2000) |
| |
| Liam Gillick - Corvi-Mora, London (England) |
| |
| Mc Namara Papers / Erasmus and Ibuka! Realizations / The What if? Scenarios - Liam Gillick - Kunstverein in Hamburg, Hamburg |
1997
| |
| Liam Gillick - Le Consortium, Dijon |
1996
| |
| Liam Gillick: The What If? Scenario - Corvi-Mora, London (England) |
1995
| |
| Ibuka! - - Galleria Emi Fontana, Mailand (closed) |
| |
| Ibuka! (Part 1) - Air de Paris, Paris |
1994
| |
| Liam Gillick - - Schipper & Krome, Köln (closed, 2000) |
1993
| |
| Mcnamara, Hog Bikes And Grsspr - Air de Paris, Paris |
1989
| |
| 84 Diagrams - Gallery Karsten Schubert, London (England) |
Gruppenausstellungen 392
2013
| |
| Collection Joseph Kouli - Mains d'oeuvres, Saint Ouen |
| |
| Abstraction Manifeste - Centre d’art contemporain de Quimper - le Quartier, Quimper |
 |
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
| |
| Again, A Time Machine - Kunsthall Oslo, Oslo |
| |
| Inhabited Architecture - Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao |
| |
| The Mystery Spot - Fondation d´entreprise Ricard, Paris |
| |
| where is the power - Fort Worth Contemporary Arts, Fort Worth, TX |
| |
| True Stories/Scripted Realities - Te Tuhi Centre for the Arts, Manukau City |
| |
| Various Stages - Bedingte Bühnen - Kunsthaus Dresden, Dresden |
| |
| Take Off Your Silver Spurs And Help Me Pass The Time - Galerie Nikolaus Ruzicska, Salzburg |
| |
| Paris Air Show Summer - Art & Rapy - Contemporary Art Gallery, Monaco |
| |
| Group Exhibition - Kerlin Gallery, Dublin |
| |
| Last Day - Cartel, London (England) |
| |
| Painting in Space - Luhring Augustine Gallery, New York, NY |
| |
| Soundworks - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Segment #2 - Borusan Contemporary, Istanbul |
| |
| Wir treffen uns am Abend - COCO (Contemporary Concerns), Wien |
| |
| Giorgio Sadotti - This This Monster This Things' - Focal Point Gallery, Southend-on-Sea, Essex (England) |
| |
| How to Make – Ideen, Notationen, Materialisierungen - Kunsthaus Dresden, Dresden |
| |
| Turtle Salon - Meter Room, Coventry (England) |
| |
| True Stories: Scripted Realities - Govett-Brewster Art Gallery, New Plymouth |
| |
| Positions on Conceptual Art - Galerie Rüdiger Schöttle, München |
| |
| Utopie Gesamtkunstwerk - 21er Haus, Wien |
| |
| The Poster Show - Galerie Carlier | Gebauer, Berlin |
| |
| Liam Gillick / Siggi Hofer / Stefan Sandner - Schrift Bild - Galerie Meyer Kainer, Wien |
| |
| Abstract Possible: The Stockholm Synergies - Tensta Konsthall, Spånga |
| |
| Rotary Connection - Casey Kaplan Gallery, New York, NY |
| |
| A for artists / E for Exhibitions / Part I and II - Galerie van Gelder, Amsterdam |
2011
| |
| Segment #1A - Borusan Contemporary, Istanbul |
| |
| multiples & co - Villa du Parc - Centre d'Art Contemporain, Annemasse |
| |
| 3rd Athens Biennale 2011 - MONODROME - Athens Biennial, Athen |
| |
| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venedig |
| |
| Now: Obras De La Colección Jumex - Instituto Cultural Cabañas, Guadalajara |
| |
| Time/bank: Time/food - Abrons Art Center, New York, NY |
| |
| Segment #1 - Borusan Contemporary, Istanbul |
| |
| Göteborg International Biennial for Contemporary Art 2011 - Göteborg International Biennial for Contemporary Art, Göteborg |
| |
| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
| |
| Footnote 6: As Model - Miguel Abreu Gallery, New York, NY |
| |
| Humid but cool, I think. - Taro Nasu Gallery - Tokyo, Tokyo |
| |
| Out of Storage: Provisoire & Définitif - Marres - Centre for Contemporary Culture, Maastricht |
| |
| Go to Thy Cold Bed and Warm Thee - FRAC - Languedoc-Roussilon, Montpellier |
| |
| Sculpture Now - Galerie Eva Presenhuber, Zürich |
| |
| Film Matters - Arsenal Gallery, Bialystok |
| |
| Thirty are better than one - Galerie Tanit, München |
| |
| Nathalie Karg/Cumulus Studios in Milan - Kaufman Repetto (former galleria francesca kaufmann), Mailand |
| |
| Liam Gillick / Rodney Graham - Galerie Rüdiger Schöttle, München |
| |
| Abstract Possible: The Tamayo Take - Museo Tamayo, Mexico City |
| |
| Police ! - Galerie Natalie Seroussi, Paris |
| |
| Scaffolding of Contrition - LeRoy Neiman Gallery, New York, NY |
| |
| A syntax of dependency - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerpen |
| |
| Unrealised Potential - VOID , Derry (Nordirland) |
| |
| Someone Else's Life - Kerlin Gallery, Dublin |
2010
| |
| Law Of The Jungle - Lehmann Maupin, New York, NY |
| |
| Without You I'm Nothing: Art and Its Audience - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
 |
| Nature - Gerhardsen Gerner, Berlin |
| |
| Which Witch is Which? and/or Summertime - White Flag Projects, Saint Louis, MO |
| |
| Unrealised Potential - Northern Gallery for Contemporary Art, Sunderland (England) |
| |
| 8th Shanghai Biennale - Shanghai Biennale, Shanghai |
| |
| The Artist as Collector: Olivier Mosset - Museum of Contemporary Art Tucson - MOCA, Tucson, AZ |
| |
| Destrøy Design - Aarhus Kunstbygning - Center for Contemporary Art, Arhus |
| |
| Today I made nothing - Elizabeth Dee Gallery, New York, NY |
 |
| Unrealised Potential - Cornerhouse, Manchester (England) |
| |
| Aires de jeux : la Police ou les corsaires - Centre d’art contemporain de Quimper - le Quartier, Quimper |
| |
| Reflection: 15 Years - Casey Kaplan Gallery, New York, NY |
| |
| A Filosofia do Dinheiro - Museu da Cidade, Lissabon |
| |
| Director's Choice - ARKEN Museum for Moderne Kunst, Ishøj |
| |
| Men With Balls: The Art of the 2010 World Cup - Apexart, New York, NY |
| |
| 89 Km. Colección CGAC - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| before present - Villa du Parc - Centre d'Art Contemporain, Annemasse |
 |
| HIGH IDEALS & CRAZY DREAMS - Compiled by Gerwald Rockenschaub - Galerie Vera Munro, Hamburg |
| |
| post-Office - Artspace, Auckland |
| |
| Les Ateliers de Rennes - Ce qui vient - Les Ateliers de Rennes - Biennale d'art contemporain, Rennes |
| |
| Art (Magenta) - - Galerie Haas & Fuchs - Berlin, Berlin (closed, 2011) |
| |
| Les Promesses du passé - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| Don't Piss on Me and Tell Me it's Raining - Apexart, New York, NY |
| |
| Bilder über Bilder - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Wien |
| |
| Destroy Design - MUDAC - Musée de design es d`arts appliques contemporains, Lausanne |
| |
| Corporate Everything - Fri Art - Centre d'Art Contemporain, Fribourg |
| |
| FAX - Para/Site Art Space, Hong Kong, SAR |
| |
| A Testbed of Futurity - Southfirst, New York, NY |
| |
| It is it - Espacio 1414, Santurce |
| |
| East Wing Nine presents EXHIBITIONISM: The Art of Display - Courtauld Institute of Art, London (England) |
| |
| A Swiss Private Collection - mitterrand+cramer / art advisory, Genf |
| |
| "SHAZAM!" - Gerhardsen Gerner, Berlin |
| |
| FAX - Torrance Art Museum, Torrance, CA |
2009
 |
| FAX - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
 |
| GAGARIN The Artists in their Own Words - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| We are sun kissed and snow blind - Galerie Patrick Seguin, Paris |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, New York, NY |
| |
| Verausgabungssymposium - COCO (Contemporary Concerns), Wien |
 |
| FAX - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| T-Tris : Un « jeu » de construction entre les collections de la Province de Hainaut, du Muhka et du Mudam - B.P.S.22 - Espace de Création Contemporaine, Charleroi |
| |
| LA SUITE[reset] - Air de Paris, Paris |
| |
| TOP 10 ALLEGORIES - Galerie Francesca Pia, Zürich |
| |
| minimal funktional - highlights aus der Daimler Kunst Sammlung zum Verhältnis von Kunst und Design - Museum im Kulturspeicher, Würzburg |
 |
| arte povera bis minimal - Einblicke in die Sammlung Lafrenz - Museum Wiesbaden, Wiesbaden |
 |
| 53nd International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venedig |
| |
| Kunst aus einhundert Jahren 1909 – 2009. Highlights der Daimler Kunst Sammlung - Galerie im Prediger, Schwäbisch Gmünd |
 |
| Take the Money and Run - de Appel arts centre, Amsterdam |
 |
| Lapdogs of the Bourgeoisie - Arnolfini, Bristol (England) |
| |
| Una Fábrica, una Máquina, un Cuerpo... Arqueología y Memoria de los Espacios Industriales - Centre d’Art la Panera, Lleida |
| |
| La Recherche - Air de Paris, Paris |
| |
| FAX - The Drawing Center, New York, NY |
| |
| Beaufort03 - Art by the Sea - Beaufort Triennale, Oostende |
| |
| STILL / MOVING / STILL - Cultuurcentrum Knokke-Heist, Knokke-Heist |
| |
| Espèces d’espaces - - Yvon Lambert - New York, New York, NY (closed, 2011) |
| |
| Group Exhibition - Casey Kaplan Gallery, New York, NY |
 |
| A mancha humana / the human stein - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Supernova - Glynn Vivian Art Gallery, Swansea (Wales) |
| |
| Liam Gillick / Fabrice Gygi / Damien Mazières - Le Spot, Le Havre |
 |
| Rirkrit Tiravanija - "The house the cat built" - Galeria Salvador Díaz, Madrid |
| |
| Just What Are They Saying... - Jonathan Ferrara Gallery, New Orleans, LA |
| |
| Custom Car Commandos - Art in General, New York, NY |
| |
| Saints and Sinners - The Rose Art Museum, Waltham, MA |
2008
| |
| Jahresgaben 2008 - Kunstverein München, München |
| |
| FIFTY PERCENT SOLITUDE - Kerlin Gallery, Dublin |
 |
| is it tomorrow yet? - Singapore Art Museum, Singapur |
| |
| Getting Even - Oppositions + Dialogues in Contemporary Art - Lewis Glucksman Gallery, Cork |
 |
| theanyspacewhatever - Solomon R. Guggenheim Museum, New York, NY |
| |
| OURS: Democracy in the Age of Branding - Sheila C. Johnson Design Center, New York, NY |
| |
| Ours: Democracy in the Age of Branding - Parsons The New School for Design, New York, NY |
| |
| Shaping a Space II - Galeria Mário Sequeira, Braga |
 |
| This is the Gallery and the Gallery is Many Things - Eastside Projects, Birmingham (England) |
| |
| Exhibitions and Events Learn to Read Art: A History of Printed Matter - Artspeak, Vancouver, BC |
| |
| YESTERDAY - TODAY - TOMORROW - Galerie Hans Mayer, Düsseldorf |
| |
| Cover = Reencenação + Repetição - mam - Museu de Arte Moderna de São Paulo, São Paulo |
| |
| Minimalist Blasts - Rosón Arte Contemporáneo, Pontevedra |
| |
| The Vincent Award 2008 - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| The Vincent Award 2008 - Stedelijk Museum Amsterdam, Amsterdam |
| |
| Mondo e Terra, La collezione del FRAC Corsica - MAN - Museo d`Arte di Nuoro, Nuoro |
| |
| Not So Subtle Subtitle - Casey Kaplan Gallery, New York, NY |
 |
| 16th Biennale of Sydney - Biennale of Sydney, Sydney, NSW |
| |
| Call it what you like - Collection Rik Reinking - Kunst Centret Silkeborg Bad, Silkeborg |
| |
| Pasións Privadas, Visións Públicas - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| The Store - Tulips & Roses, Vilnius |
| |
| Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Luzern |
| |
| Celebrating 20 year - Kerlin Gallery, Dublin |
| |
| Rhythmus 21 - Positionen des Abstrakten - Städtische Galerie im Lenbachhaus & Kunstbau, München |
| |
| Collectie XXII Fantasy - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerpen |
| |
| Nathan Carter, Liam Gillick, Carsten Höller, Simon Starling, Garth Weiser - Casey Kaplan Gallery, New York, NY |
| |
| Absence Recorded - Václav Spála Gallery, Prag |
| |
| MAXImin - Fundación Juan March, Madrid |
| |
| Collateral - SESC, São Paulo |
| |
| Group Show - Galerie Eva Presenhuber, Zürich |
| |
| Lapdogs of the Bourgeoisie - Tensta Konsthall, Spånga |
| |
| IMAGES - Forde - Espace d'art contemporain, Genf |
| |
| Mixed Emotions. Apuntes para una colección del siglo XXI - DA2 - Domus Artium 2002, Salamanca |
2007
| |
| XMAS HYSTERIA - - Galleria Emi Fontana, Mailand (closed) |
| |
| Fusion Now! - Rokeby, London (England) |
| |
| If Everybody had an Ocean: Brian Wilson, une exposition - CAPC - Musée d'art contemporain, Bordeaux |
| |
| Jubilee Exhibition - Galerie Eva Presenhuber, Zürich |
| |
| Tomorrow - Kumho Museum of Art, Seoul |
| |
| Projektion - Lentos Kunstmuseum Linz, Linz |
| |
| Franz West - Souffle, eine Massenausstellung - Kunstraum Innsbruck, Innsbruck |
| |
| perspektive 07 - Städtische Galerie im Lenbachhaus & Kunstbau, München |
| |
| Intocable (el ideal de la transparencia) - Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid |
| |
| Door Cycle - Friedrich Petzel Gallery, New York, NY |
| |
| All you desire - PPOW, New York, NY |
| |
| It Starts From Here - De La Warr Pavilion, Bexhill on Sea (England) |
| |
| Other Men's Flowers - Venetia Kapernekas Gallery, New York, NY |
| |
| If Everybody had an Ocean: Brian Wilson: An Art Exhibition - Tate St. Ives, St. Ives, Cornwall (England) |
| |
| Memorial to the Iraq War - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Antes y después del minimalismo - Museu d´Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca |
| |
| Drawing 2007 - The Drawing Room, London (England) |
| |
| The Shapes of Space - Solomon R. Guggenheim Museum, New York, NY |
| |
| Re-distribution of the Sensible - magnus müller, Berlin |
| |
| Re-distribution of the Sensible - magnusmuller, Berlin |
| |
| Trajectory 4 - AKA Institute of Contemporary Art - Latvian Centre for Contemporary Art - LCCA, Riga |
 |
| PURE - Sean Kelly Gallery, New York, NY |
| |
| Modelle für Morgen - European Kunsthalle, Köln |
| |
| Collateral – When Art Looks At Cinema - Hangar Bicocca | spazio d’arte contemporanea, Mailand |
| |
| Active Constellation - The Brno House of Arts - Central Building, Brno |
| |
| Lapdogs of the Bourgeoisie - - Platform Garanti Contemporary Art Center, Istanbul (closed, 2010) |
2006
| |
| Drapeaux gris - CAPC - Musée d'art contemporain, Bordeaux |
| |
| All Hawaii Entrées/ Lunar Reggae - Irish Museum of Modern Art - IMMA, Dublin |
| |
| DEFINING THE CONTEMPORARY - Whitechapel Art Gallery, London (England) |
| |
| Faster! Bigger! Better! - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Academy, Learning from the Museum - Stedelijk Van Abbemuseum, Eindhoven |
| |
| Projektion. Chan, Fischli&Weiß, Gander, Gillick, Graham, Knoebel, Parker, Streul - Kunstmuseum Luzern, Luzern |
| |
| How to Improve the World - Hayward Gallery, London (England) |
| |
| Modus - Kunst Halle Sankt Gallen, St. Gallen |
| |
| abstract art now - strictly geometrical? - Wilhelm Hack Museum, Ludwigshafen |
| |
| ...dirty words – Group Show - Galeria Pedro Cera, Lissabon |
| |
| Thank you for the music (London beat) - Simon Lee Gallery, London (England) |
| |
| Untouchable - Villa Arson, Nizza |
| |
| THANK YOU FOR THE MUSIC (London Beat) - Sprüth Magers London, London (England) |
| |
| Jump into Cold Water: Practice as Research - Shedhalle, Zürich |
| |
| Supernova - Galéria Jana Koniarka, Trnava |
| |
| GuestRoom #4: Atelier Rijksbouwmeester - Museum het Domein, Sittard |
| |
| Grey Flags - SculptureCenter, New York, NY |
| |
| Stages of Life - Rethorics of Emotion - Städtische Galerie im Lenbachhaus & Kunstbau, München |
| |
| KAPITEL VII: Bühne des Lebens – Rhetorik des Gefühls - Städtische Galerie im Lenbachhaus & Kunstbau, München |
| |
| Ordnung und Verführung - Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zürich |
| |
| When Artists Say We - Artists Space, New York, NY |
| |
| Tate Triennial 2006 - New British Art - Tate Triennial, London (England) |
| |
| Group Exhibition - OSL contemporary, Oslo |
 |
| "Broken Surface" - Galerie Sabine Knust, München |
| |
| Eine Person allein in einem Raum mit Coca-Cola-farbenen Wänden - Grazer Kunstverein, Graz |
| |
| Fondos da colección CGAC. Entre o proceso e a forma - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
 |
| Slow Burn - mitterrand+cramer / art advisory, Genf |
| |
| Liam Gillick + Philippe Parreno - Briannnnnn & Ferryyyyy - Kunsthalle Zürich, Zürich |
| |
| Angela Bulloch and Liam Gillick - CUBITT, London (England) |
| |
| Storefront - National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON |
2005
| |
| KIOSK:' Modes Of Multiplicaation ' & Liam Gillick - ‘Edgar Schmitz’ - ICA - Institute of Contemporary Arts London, London (England) |
| |
| The Party - Casey Kaplan Gallery, New York, NY |
| |
| Supernova - Contemporary Art Centre (CAC), Vilnius |
 |
| thank you for the music - - Monika Sprüth Philomene Magers, München (closed) |
| |
| Strictement confidentiel. A partir de la collection de Marc et Josée Gensollen - Centre international d´art et du paysage de l´île de Vassivière, Ile de Vassivière |
 |
| Rundlederwelten - Martin-Gropius-Bau, Berlin |
| |
| Des Deux Cotes Du Rhin -Ambiance- - K21 Ständehaus, Düsseldorf |
 |
| passion beyond reason - WALLSTREET ONE gallery, Berlin |
| |
| Etc. - Le Consortium, Dijon |
| |
| General Ideas - Rethinking Conceptual Art 1987–2005 - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Briannnnnn & Ferryyyyyy - Vamiali's, Athen |
| |
| Supernova - Tallinna Kunstihoone / Tallinn Art Hall, Tallinn |
| |
| Go Between - Magazin4 - Bregenzer Kunstverein, Bregenz |
 |
| Nach Rokytnik - Die Sammlung der EVN - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Wien |
| |
| EN/OF - Galerie de multiples - GDM, Paris |
| |
| 100 Artists See God - Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA |
| |
| En/Of - Museum Kurhaus Kleve, Kleve |
| |
| Icestorm - Kunstverein München, München |
 |
| Strange, Familiar and Unforgotten - Galerie Erna Hécey, Brüssel |
| |
| Group Show - Air de Paris, Paris |
| |
| Good Titles from Bad Books - Kevin Bruk Gallery, Miami, FL |
| |
| multiplo_1 - daily endless multiple made recyclable - N.O.Gallery, Mailand |
| |
| Edizione Straordinaria - Le case d’arte 1985-2005 - Assab One, Mailand |
 |
| EXIT- Ausstieg aus dem Bild - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Goodbye 14th Street - Casey Kaplan Gallery, New York, NY |
2004
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| (rider): law and creativity - Lunds konsthall, Lund |
 |
| 100 Artists See God - ICA - Institute of Contemporary Arts London, London (England) |
 |
| utopia station: auf dem weg nach porto alegre - Haus der Kunst München, München |
| |
| De leur temps. Collections privées Francaises - MUba Eugène Leroy, Tourcoing |
| |
| Für die Konstruktion des Unmöglichen - European Kunsthalle, Köln |
 |
| Artists' Favourites - act II - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Art Needs an Operation - Casey Kaplan Gallery, New York, NY |
| |
| Marks in Space - Usher Gallery, Lincoln, Lincolnshire (England) |
 |
| "Black Friday. Exercises in Hermetics" - Galerie Kamm, Berlin |
| |
| Emotions Eins - Frankfurter Kunstverein, Frankfurt/Main |
 |
| Artists' Favourites - act I - ICA - Institute of Contemporary Arts London, London (England) |
| |
| Drunkenmasters - Angus Fairhurst, Cerith Wyn Evans, Liam Gillick - Galeria Fortes Vilaça, São Paulo |
| |
| Sadie Hawkins Dance - Southfirst, New York, NY |
| |
| Across The Border - MDD - Museum Dhondt-Dhaenens, Deurle |
| |
| Durchleuchtet. Dialog mit der Sammlung / x-rayed. Dialogue with the Collection - Kunstmuseum Liechtenstein, Vaduz |
| |
| Tonight - Studio Voltaire, London (England) |
| |
| Russian Doll - MOT International, London (England) |
| |
| Element ZEIT - - Krypta 182 Kunstverein Bergisch Gladbach, Bergisch Gladbach (closed, 2007) |
| |
| The Drawing Project - Vamiali's, Athen |
| |
| Before the end - Part I - Le Consortium, Dijon |
| |
| La Colmena - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
| |
| Establishing Shot - Artists Space, New York, NY |
2003
| |
| A Nova Geometria - Galeria Fortes Vilaça, São Paulo |
| |
| Sean Dack, Liam Gillick - Corvi-Mora, London (England) |
| |
| Adorno - Die Möglichkeit des Unmöglichen - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Black-out (indices) - FRAC - Poitou-Charentes, Angoulême |
| |
| Telling Histories - Kunstverein München, München |
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| 2nd Bienniale Tirana 2003 - National Gallery of Arts - Tirana, Tirana |
| |
| Abstraction Now - Künstlerhaus Wien, Wien |
 |
| 25th International Biennial of Graphic Arts - Ljubljana Biennial of Graphic Arts, Ljubljana |
| |
| 3D - Friedrich Petzel Gallery, New York, NY |
| |
| Form Specific Arteast Exhibition - Moderna galerija Ljubljana, Ljubljana |
| |
| Coollustre - Collection Lambert, Avignon |
 |
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venedig |
| |
| typeofgravy - Cell Project Space, London (England) |
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| The Moderns - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| Imperfect Marriages - - Galleria Emi Fontana, Mailand (closed) |
| |
| Liam Gillick, Gabriel Kuri - por favor gracias de nada - kurimanzutto, Mexico City |
| |
| Jrp Editions: Proyecto(s) MÚltiple(s) - Galeria Javier López, Madrid |
| |
| Architecture Schmarchitecture - Kerlin Gallery, Dublin |
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| Animations - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin |
| |
| This was Tomorrow - New Art Centre, Salisbury (England) |
| |
| Breathing the Water - Galerie Eva Presenhuber, Zürich |
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| SELECTED MULTIPLES by JRP EDITIONS - mitterrand+cramer / art advisory, Genf |
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| Ill Communication - Visual Research Centre, Dundee (Schottland) |
| |
| Perfect Timeless Repetition - Gerhardsen Gerner, Berlin |
| |
| Lap Dissolve - Casey Kaplan Gallery, New York, NY |
2002
| |
| TRANS-POSITIONS - Centre d'Art Passerelle, Brest |
| |
| It's Unfair! - Museum De Paviljoens, Almere |
| |
| This Play - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
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| Public Affairs - Kunsthaus Zürich, Zürich |
| |
| JRP Editions - Galerie Martin Janda, Wien |
| |
| The movement began with a scandal - Städtische Galerie im Lenbachhaus & Kunstbau, München |
| |
| sans consentement - CAN - Centre d'Art Neuchâtel, Neuchâtel |
| |
| Collected Contemporaries - Moderna Museet, Stockholm |
| |
| That Place - - The Moore Space, Miami, FL (closed, 2008) |
| |
| Exchange and transform - Kunstverein München, München |
| |
| Parallel Structures - Gertrude contemporary art spaces, Melbourne, VIC |
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| "Reflections" - - Monika Sprüth Philomene Magers, München (closed) |
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| Passenger - The Viewer as Participant - Astrup Fearnley Museet for Moderne Kunst, Oslo |
| |
| Minimal Maximal - National Museum of Contemporary Art Korea, Gwacheon |
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| Urgent painting - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
| |
| Demonstration Room: Ideal House - Gallery 400 - University of Illinois at Chicago, Chicago, IL |
2001
| |
| Proyecto: Primera Parte - Galeria Javier López, Madrid |
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| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Animations - MoMA PS1, New York, NY |
| |
| Liam Gillick & Gary Webb - Dedalic Convention: du und ich (Salzburg Version) - Salzburger Kunstverein, Salzburg |
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| 4FREE - art - politics - science & esthetic survival strategies - Büro Friedrich, Berlin |
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| Dedalic Convention - Museum für angewandte Kunst (MAK), Wien |
| |
| Yokohama 2001 - International Triennale of Contemporary Art - Yokohama Triennale, Tokyo |
| |
| Geometrie & Gestus - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| The Communications Department - Wilkinson Gallery, London (England) |
| |
| Ambiance Magasin - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
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| Nothing - Contemporary Art Centre (CAC), Vilnius |
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| Minimal Maximal - National Museum of Modern Art Kyoto (MOMAK), Kyoto |
| |
| Dévoler - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
| |
| The Wedding Show - Casey Kaplan Gallery, New York, NY |
| |
| A New Domestic Landscape - Galeria Javier López, Madrid |
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| 2. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst, Berlin |
| |
| Contemporary Utopia - Latvian Centre for Contemporary Art - LCCA, Riga |
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| There’s gona be some trouble, a whole house will need rebuilding - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| Il ne faut pas se fier aux apparences, un train peut en cacher un autre - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
| |
| Demonstration Room: Ideal House: Apex Art: 2001 - Apexart, New York, NY |
| |
| Century City: Art and Culture in the Modern Metropolis - Tate Britain, London (England) |
| |
| Century City - Tate Modern, London (England) |
| |
| Minimal Maximal - Fukuoka Art Museum, Fukuoka |
2000
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| British Art Show 5 - Ikon Gallery, Birmingham (England) |
| |
| Perfidy - Surviving Modernism - Kettle's Yard, Cambridge, Cambridgeshire (England) |
| |
| umziehen - Galerie Kai Hilgemann, Berlin |
| |
| British Art Show 5 - Chapter Gallery, Cardiff (Wales) |
| |
| "Berühmte Künstler helfen Koch und Kesslau" - - Koch und Kesslau, Berlin (closed, 2004) |
| |
| VICINATO 2 - Neugerriemschneider, Berlin |
| |
| 4. Werkleitz Biennale - real[work] - Werkleitz Biennale, Halle (Saale) |
| |
| British Art Show 5 - John Hansard Gallery, Southampton (England) |
| |
| Urbanities - Museum of Contemporary Art Skopje, Skopje |
| |
| Off the Shelf - Massachusetts Museum of Contemporary Art - MASS MoCA, North Adams, MA |
| |
| Summer Group Exhibition - Paula Cooper Gallery, New York, NY |
| |
| Viva Maria III - Galerie Karin Guenther, Hamburg |
| |
| Últimas adquiscións. Colección Fundación ARCO / Colección CGAC - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Wider Bild Gegen Wart- Positionen zu einem politischen Diskurs - Galerie Martin Janda, Wien |
| |
| 10 ANS DE FRI-ART - Etat des lieux # 1 - Fri Art - Centre d'Art Contemporain, Fribourg |
1999
| |
| Group Show - Taché-Lévy, Brüssel |
| |
| Officina Europa - - Galleria d'Arte Moderna di Bologna - GAM, Bologna (closed, 2007) |
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| Get Together - Kunst als Teamwork - Kunsthalle wien project space karlsplatz, Wien |
| |
| Getting the corners - Or Gallery - Vancouver, Vancouver, BC |
| |
| the space here is everywhere - Villa Merkel - Galerien der Stadt Esslingen, Esslingen |
| |
| Mamcoms (Mamco Magazine Show) - Mamco - musée d´art moderne et contemporain, Genf |
| |
| Group Exhibition - - Schipper & Krome, Köln (closed, 2000) |
| |
| Le Capital - CRAC - Centre Régional d'Art Contemporain de Sète, Sète |
| |
| Liam Gillick / Blake Rayne - Galerie Rüdiger Schöttle, München |
| |
| To the People of the City of the Euro - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Minimal Maximal - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Rue Louise Weiss - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
| |
| Contines Investigation into the relevance of abstraction - Andrea Rosen Gallery, New York, NY |
| |
| Minimal Maximal - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
1998
| |
| 1 + 1 = 4 x 1 - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| Le proces de Pol Pot. Liam Gillick et Philippe Parreno - MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble |
| |
| Minimal-Maximal - Weserburg | Museum für moderne Kunst, Bremen |
| |
| Le Tresor : Ghosts - Le Consortium, Dijon |
| |
| Mise en Scène - Grazer Kunstverein, Graz |
| |
| Odradek - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Weather Everything - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| The Erotic Sublime - Galerie Thaddaeus Ropac - Salzburg, Salzburg |
| |
| A to Z - The Approach, London (England) |
| |
| Do It - Surrey Art Gallery, Surrey, BC |
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| fast forward - 1. Abschnitt: FFWD image - Kunstverein in Hamburg, Hamburg |
| |
| Liam Gillick, John Miller und Joe Scanlan - Galerie Martin Janda, Wien |
1997
| |
| Hospital - Galerie Max Hetzler - Berlin, Berlin |
| |
| Merlin Carpenter - Galerie Max Hetzler - Berlin, Berlin |
| |
| Maxwell's Demon - Margo Leavin Gallery, Los Angeles, CA |
| |
| Heaven - MoMA PS1, New York, NY |
| |
| Moment Ginza - Färgfabriken Stockholm, Stockholm |
| |
| Group Show - Corvi-Mora, London (England) |
| |
| documenta X - Documenta, Kassel |
1996
| |
| Group Exhibition - - Schipper & Krome, Köln (closed, 2000) |
| |
| How Will We Behave - Corvi-Mora, London (England) |
| |
| Brilliant! New Art from London - Contemporary Arts Museum Houston, Houston, TX |
| |
| Group Exhibition - - Schipper & Krome, Köln (closed, 2000) |
| |
| Traffic - CAPC - Musée d'art contemporain, Bordeaux |
1995
| |
| Documents - Kunstverein Leipzig, Leipzig |
| |
| Brilliant! New Art from London - Walker Art Center, Minneapolis, MN |
| |
| Moral Maze - Le Consortium, Dijon |
1994
| |
| Surface de réparations 2 - FRAC - Bourgogne, Dijon |
| |
| Documents - - Ars Futura Galerie, Zürich (closed) |
| |
| Karaoke - Portikus, Frankfurt/Main |
| |
| In Associated Publishers: Mechanical Reproduction - Galerie van Gelder, Amsterdam |
| |
| Cocktail I - Kunstverein in Hamburg, Hamburg |
| |
| Surface de réparations 1 - FRAC - Bourgogne, Dijon |
1993
| |
| An Old Song and a New Drink - Air de Paris, Paris |
| |
| Ausstellungen Topologie zeitgenössischer Kunst Backstage - Kunstverein in Hamburg, Hamburg |
| |
| Documents - Centre for Contemporary Arts (CCA), Glasgow (Schottland) |
| |
| International Departures - GAK - Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen |
1992
| |
| Manifesto - Castello di Rivara - Centro d´arte contemporane, Rivara (TO) |
| |
| Group Show - Le Case d'Arte, Mailand |
1991
| |
| Documents - Giò Marconi Gallery, Mailand |
| |
| Documents - Gallery Karsten Schubert, London (England) |
Händlerverzeichnis 16 |
Belgien
| | Galerie Micheline Szwajcer, Antwerpen
|
Deutschland
| | Galerie Hans Mayer, Düsseldorf
|
| | Galerie Rüdiger Schöttle, München
|
Frankreich
| | Galerie de multiples - GDM, Paris
|
Irland (Republik)
Niederlande
Schweiz
| | mitterrand+cramer / art advisory, Genf
|
| | Galerie Eva Presenhuber, Zürich
|
Spanien
| | Galeria Javier López, Madrid
|
USA
| | Basilico Fine Arts, New York, NY
|
| | Casey Kaplan Gallery, New York, NY
|
Vereinigtes Königreich
| | Corvi-Mora, London (England)
|
Österreich
| | Galerie Meyer Kainer, Wien
|
Sammlungen 21

Belgien
| | MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerpen
|
Deutschland
| | Weserburg | Museum für moderne Kunst, Bremen
|
| | ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
|
| | Städtische Galerie im Lenbachhaus & Kunstbau, München
|
| | Kunsthalle Weishaupt, Ulm
|
Frankreich
| | FRAC - Poitou-Charentes, Angoulême
|
| | CAPC - Musée d'art contemporain, Bordeaux
|
| | FRAC - Nord-Pas de Calais, Dunkerque
|
| | FRAC - Languedoc-Roussilon, Montpellier
|
| | Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg
|
Luxemburg
| | MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxemburg
|
Schweiz
| | Mamco - musée d´art moderne et contemporain, Genf
|
Spanien
| | DA2 - Domus Artium 2002, Salamanca
|
| | CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela
|
Türkei
| | Borusan Contemporary, Istanbul
|
USA
| | Albright-Knox Art Gallery, Buffalo, NY
|
| | Museum of Contemporary Art - North Miami (MOCA), Miami, FL
|
| | MoMA - Museum of Modern Art, New York, NY
|
Vereinigtes Königreich
| | Tate Britain, London (England)
|
| | Southampton City Art Gallery, Southampton (England)
|
Kataloge
|