 Artist's arttributes:
|
| • |
Female |
| • |
Photography, Drawing, Performance |
Most exhibitions in: |
| Country |
№ |
| USA | 26 |
| United Kingdom | 24 |
| Germany | 12 |
| France | 8 |
| Austria | 6 |
Most exhibitions held at: |
| Institution |
№ |
| |
Paula Cooper Gallery, USA |
5 |
Biography: 
1970 Born in Lusaka (ZM)
External links: | | Public exhibitions (Selection) 122
from 31.8.
from 19.6.
from 25.5.
Solo shows 14
2011
| |
| Carey Young: Memento Park - Middlesbrough Institute of Modern Art - MIMA, Middlesbrough (England) |
2010
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| Carey Young - Eastside Projects, Birmingham (England) |
2009
 |
| Carey Young: Uncertain Contracts - The RISD Museum - University of Rhode Island, Providence, RI |
| |
| Carey Young: Speech Acts - Contemporary Art Museum St. Louis, Saint Louis, MO |
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| Carey Young - The Power Plant, Toronto, ON |
2007
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| If/Then - Paula Cooper Gallery, New York City, NY |
| |
| Speechcraft - Modern Art Oxford, Oxford (England) |
| |
| Carey Young - Consideration - Midway Contemporary Art, Minneapolis, MN |
2005
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| Carey Young - Consideration - Paula Cooper Gallery, New York City, NY |
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| Carey Young - Disclaimer - IBID Projects, London (England) |
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| Carey Young - Trafo House of Contemporary Art, Budapest |
2004
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| Carey Young: Disclaimer - Henry Moore Institute, Leeds (England) |
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| Carey Young - Index - The Swedish Contemporary Art Foundation, Stockholm |
2001
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| Carey Young - Business as Usual - John Hansard Gallery, Southampton (England) |
Group shows 105
2013
 |
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
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| Collection’12 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
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| Stage Presence - Theatricality In Art And Media - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
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| Port - Galeria Nuno Centeno (former Reflexus Arte Contemporânea), Porto |
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| You Are Now Entering - Centre for Contemporary Art - CCA Derry, Derry (Northern Ireland) |
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| K - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
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| A Plea For Tenderness - Seventeen Gallery, London (England) |
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| Group Exhibition - Paula Cooper Gallery, New York City, NY |
2011
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| Ce matin... - Centre d’art contemporain de Quimper - le Quartier, Quimper |
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| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venice |
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| The Talent Show - University of South Florida Contemporary Art Museum, Tampa, FL |
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| Ventajas De Viajar En Tren - Parra & Romero, Madrid |
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| the Avantgarde: Specters of the Nineties - Marres - Centre for Contemporary Culture, Maastricht |
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| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
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| Void if Removed - Concrete Erudition 4 - FRAC - Ile-de-France Le Plateau, Paris |
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| Érudition Concéte 4 - FRAC - Ile-de-France Le Plateau, Paris |
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| Schon wieder und nochmal? – Handlungsspielräume - Kunstverein Medienturm, Graz |
| |
| Yes, we don’t - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
|
| The Talent Show - Henry Art Gallery, Seattle, WA |
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| Weltraum. Die Kunst und ein Traum - Kunsthalle Wien (Museumsquartier), Vienna |
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| Ffilm 3 - Glynn Vivian Art Gallery, Swansea (Wales) |
2010
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| The Talent Show - MoMA PS1, New York City, NY |
|
| Taipei Biennial 2010 - Taipei Biennial, Taipei |
| |
| Yesterday Will Be Better - Mit der Erinnerung in die Zukunft - Aargauer Kunsthaus, Aarau |
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| A Filosofia do Dinheiro - Museu da Cidade, Lisbon |
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| Die Perfekte Ausstellung - Heidelberger Kunstverein, Heidelberg |
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| E-Flux Video Rental - Fondazione Giuliani, Rome |
|
| Ständige Rezeption curated by Clemens von Wedemeyer - Galerie nächst St. Stephan - Rosemarie Schwarzwälder, Vienna |
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| Reprise - Paula Cooper Gallery, New York City, NY |
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| The Talent Show - Walker Art Center, Minneapolis, MN |
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| ATOPIA - Art and the City in the 21st Century - CCCB - Centre de Cultura Contemporània de Barcelona, Barcelona |
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| Corporate Everything - Fri Art - Centre d'Art Contemporain, Fribourg |
|
| Fall Out – Desire and Disengagement in Contemporary Art - Gl Holtegaard, Holte |
2009
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| Die Welt als Bühne - NBK - Neuer Berliner Kunstverein, Berlin |
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| Feedforward. El ángel de la Historia - Laboral - Centro de Arte y Creación Industrial, Gijón |
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| Pattern Recognition - - Leicester City Art Gallery, Leicester (England) (closed, 2010) |
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| Pattern Recognition - The City Gallery, Leicester (England) |
|
| Oppositions & Dialogues - Kunstverein Hannover, Hannover |
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| Soft Manipzlation - Who is afraid of the new now? - Stiftelsen 3,14, Bergen |
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| ISLANDS & GHETTOS. Über territoriale Segregation in Städten des 21. Jahrhundert - Kunstraum Kreuzberg / Bethanien, Berlin |
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| ISLANDS+GHETTOS - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
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| Commentary - Paula Cooper Gallery, New York City, NY |
|
| The Space of the Work and the Place of the Object - SculptureCenter, New York City, NY |
2008
|
| Soft Manipulation - who is afraid of the new now? - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
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| Objects of Value - MAM - Miami Art Museum, Miami, FL |
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| Getting Even - Oppositions + Dialogues in Contemporary Art - Lewis Glucksman Gallery, Cork |
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| Electioneering - Fort Worth Contemporary Arts, Fort Worth, TX |
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| OURS: Democracy in the Age of Branding - Sheila C. Johnson Design Center, New York City, NY |
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| Mieux vaut être un virus que tomber malade - Mains d'oeuvres, Saint Ouen |
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| Business as Usual - Museum of Contemporay Art Detroit, Detroit, MI |
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| Terms of Use - Centro Cultural Montehermoso, Vitoria-Gasteiz |
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| les ateliers de rennes - Musée des Beaux-Arts de Rennes, Rennes |
2007
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| The Dotted Line - BRIC Rotunda Gallery, New York City, NY |
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| No, future - Bloomberg Space, London (England) |
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| Global Feminism - Davis Museum at Wellesley College, Wellesley, MA |
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| Scheitern - Landesgalerie am Oberösterreichischen Landesmuseum, Linz |
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| Global Feminisms - Brooklyn Museum of Art, New York City, NY |
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| 2 Moscow Biennale of Contemporary Art - Moscow Biennale of contemporary art, Moscow |
2006
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| work [w3:k] - - Ormeau Baths Gallery OBG, Belfast (Northern Ireland) (closed, 2011) |
|
| SCAPE 2006 - don’t misbehave! - SCAPE Biennial of Art in Public Space, Christchurch |
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| 7. Werkleitz Biennale - Happy Believers - Werkleitz Biennale, Halle (Saale) |
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| Mostly Harmless - Govett-Brewster Art Gallery, New Plymouth |
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| British Art Show 6 - Spike Island, Bristol (England) |
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| Unfinished Business - Muzej savremene umetnosti Beograd, Belgrade |
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| Jump into Cold Water: Practice as Research - Shedhalle, Zurich |
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| work [wз:k] - Lewis Glucksman Gallery, Cork |
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| Body: New Art from the UK - Oakville Galleries, Oakville, ON |
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| British Art Show 6 - Cornerhouse, Manchester (England) |
2005
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| Body - New Art from the UK - Ottawa Art Gallery, Ottawa, ON |
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| PERFORMA 05 - Performa, New York City, NY |
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| British Art Show 6 - BALTIC Centre for Contemporary Art, Gateshead (England) |
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| The IX Baltic Triennial of International Art - BMW - The Baltic Triennial of International Art, Vilnius |
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| 3rd Tirana Biennial 2005 - Tirana Biennial, Tirana |
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| heal the world - The Third Line - Dubai, Dubai |
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| Sharjah International Art Biennial 7 - Sharjah Biennial, Sharjah |
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| Making Things Public - Atmosphären der Demokratie - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
| What Business Are You In? - Atlanta Contemporary Art Center, Atlanta, GA |
2004
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| Videozone 2 - Videozone - International Video-Art Biennial, Tel Aviv |
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| Life of a Commercial Gallery IBID Projects - Cooper Gallery, Dundee (Scotland) |
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| Cycle Tracks will Abound in Utopia - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
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| "Black Friday. Exercises in Hermetics" - Galerie Kamm, Berlin |
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| Electric Earth - Videos y Cine Británico - MAC Museo de Arte Contemporáneo. Universidad de Chile, Santiago |
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| definitively provisional - Appendiks, Copenhagen |
2003
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| A Short History of Performance - Part II - Whitechapel Art Gallery, London (England) |
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| From Dust to Dusk - International exhibition of contemporary art - Kunsthal Charlottenborg, Copenhagen |
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| Gesellschaftsbilder – Images of Society - Kunstmuseum Thun, Thun |
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| Definitively Provisional - Whitechapel Project Space, London (England) |
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| Beck´s Futures - Centre for Contemporary Arts (CCA), Glasgow (Scotland) |
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| ’MOSZKVA TÉR’ Project - Gravitation - Ludwig Museum - Museum of Contemporary Art - Budapest, Budapest |
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| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
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| Beck´s Futures 2003 - ICA - Institute of Contemporary Arts London, London (England) |
2002
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| Exchange and transform - Kunstverein München, Munich |
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| The Passions of the Good Citizen - Apexart, New York City, NY |
2001
|
| AUSGETRÄUMT ... - Wiener Secession, Vienna |
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
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| The Communications Department - Wilkinson Gallery, London (England) |
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| Nothing - Contemporary Art Centre (CAC), Vilnius |
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| Look Out - PM Gallery & House, London (England) |
1999
| |
| CRASH! Corporatism & Complicity - ICA - Institute of Contemporary Arts London, London (England) |
| Dealer Directory 1 |
USA
| | Paula Cooper Gallery, New York City, NY
|
Collections 4
Austria
| | Kunstverein Medienturm, Graz
|
United Kingdom
| | Tate Britain, London (England)
|
| | Tate Modern, London (England)
|
USA
| | The RISD Museum - University of Rhode Island, Providence, RI
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Catalogs
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