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See further information relating to Douglas Huebler - + 75 Exhibitions
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- + 11 Public collections
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Most exhibitions in: |
| Country |
№ |
| USA | 31 |
| France | 11 |
| Germany | 10 |
| Switzerland | 6 |
Most exhibitions held at: |
| Institution |
№ |
| |
Contemporary Arts Museum Houston, USA |
3 |
Biography: 
1924 Born in Ann Arbor, MI (US)
2.7.1997 Died in Truro, MA (US)
| | Public exhibitions 77 
until 5.4.2010
Solo shows 6
2007
| |
| Douglas Huebler - Susan Inglett Gallery, New York City, NY |
2006
| |
| Douglas Huebler - Galerie Art & Essai, Rennes |
 |
| Douglas Huebler - Collection "in process" #1 - Mamco - musée d´art moderne et contemporain, Geneva |
| |
| Douglas Huebler - Marc Selwyn Fine Art, Los Angeles, CA |
2002
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| Douglas Huebler - Camden Arts Centre, London (England) |
1997
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| Douglas Huebler - Kunstverein in Hamburg, Hamburg |
Group shows 70
2009
| |
| The Quick and the Dead - Walker Art Center, Minneapolis, MN |
 |
| Nueva York - El Papel de las Ultimas Vanguardias - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
2008
| |
| The Cover of a Book is the Beginning of a Journey - Arnolfini, Bristol (England) |
| |
| TRACTATUS LOGICO-CATALOGICUS - VOX contemporary image, Montreal, QC |
| |
| The Panza Collection and Ways of Seeing: Giuseppe and Giovanna Panza - Hirshhorn Museum and Sculpture Garden, Washington, DC |
 |
| The order of things - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
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| De orde der dingen - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
| |
| Roman Holiday - Henry Art Gallery, Seattle, WA |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Luzern |
| |
| W.D.A.O.V.T.O.P.N.N.M.T.B.V. - Galeria Bassols-Balmes, Barcelona |
2007
| |
| Mapping the Self - Museum of Contemporary Art Chicago - MCA Chicago, Chicago, IL |
| |
| Romantischer Konzeptualismus - Bawag Foundation, Vienna |
| |
| Suburban Sublime - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA |
| |
| Evidence of Movement - The Getty Research Institute, Los Angeles, CA |
| |
| what we do is secret - Blancpain Art Contemporain, Geneva |
| |
| Romantischer Konzeptualismus - Kunsthalle Nürnberg, Nuremberg |
| |
| Beneath the Underdog - Gagosian Gallery - Madison Avenue, New York City, NY |
| |
| What does the jellyfish want? - Museum Ludwig, Cologne |
| |
| Mapping the City - Stedelijk Museum Amsterdam, Amsterdam |
2006
| |
| Kunst aus Los Angeles der 60er bis 90er Jahre - Kunstverein Braunschweig e.V., Braunschweig |
 |
| busy going crazy. the Sylvio Perlstein collection - La Maison Rouge, Paris |
| |
| Twice Drawn - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| Nineteen Sixty-Eight - Thomas Solomon Gallery, Los Angeles, CA |
| |
| Inventur - Kunsthaus Graz, Graz |
2005
| |
| Classified Materials: Accumulations, Archives, Artists - Vancouver Art Gallery, Vancouver, BC |
 |
| 8e Biennale de Lyon - Expérience de la durée - Experiencing Duration - La biennale d'art contemporain de Lyon, Lyon |
| |
| Area '70 - Cannaviello, Milan |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
2004
| |
| Before The End (The Last Painting Show) - SI Swiss Institute, New York City, NY |
 |
| The Last Picture Show - Artists Using Photography, 1960-1982 - UCLA Hammer Museum, Los Angeles, CA |
| |
| Un conte d’hiver - FRAC - Limousin, Limoges |
| |
| Painter Editions - Patrick Painter Inc., Santa Monica, CA |
2003
| |
| Photo-sculpture (2) - Gestes, poses, attitudes… - FRAC - Limousin, Limoges |
 |
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
| |
| Someone To Share My Life With - The Approach, London (England) |
2002
| |
| Photographier - Collection Lambert, Avignon |
2001
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| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
 |
| Conception - The Conceptual Document 1968-1972 - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
| |
| Nothing - Contemporary Art Center Vilnius (CAC), Vilnius |
| |
| Art Express, art minimal et conceptuel, état d’une collection - Mamco - musée d´art moderne et contemporain, Geneva |
2000
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| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
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| Voilà - Le monde dans la tête - Musée d´Art Moderne de la Ville de Paris - MAM/ARC, Paris |
1999
| |
| Alchemies of the Sixties. From the Rose Art Museum Permanent Collection - The Rose Art Museum, Waltham, MA |
| |
| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art, New York City, NY |
1998
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| A Choice from the Collection - Stedelijk Van Abbemuseum, Eindhoven |
| |
| Conceptual Photography from the 60s and 70s - David Zwirner, Inc., New York City, NY |
1997
| |
| Comme des Photos - Galerie Art & Essai, Rennes |
| |
| Critical Images - Leslie Tonkonow Artworks + Projects, New York City, NY |
| |
| Foto Text Text Foto - Fotomuseum Winterthur, Winterthur |
1995
| |
| Abstand und Nähe – Prospect ‘68–‘69–’71 In Düsseldorf - Galerie Bugdahn und Kaimer, Dusseldorf |
| |
| Masterpieces from the Solomon R. Guggenheim Museum’s Panza Collection - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
1994
| |
| Pictures Of The Real World (In Real Time) - Le Consortium, Dijon |
| |
| From Minimal to Conceptual Art - The National Gallery of Art, Washington, DC |
1993
| |
| Works on paper - Galerie Bugdahn und Kaimer, Dusseldorf |
| |
| On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego - Contemporary Arts Museum Houston, Houston, TX |
1992
| |
| 1968 - Le Consortium, Dijon |
| |
| Knowledge: Aspects Of Conceptual Art - Santa Monica Museum of Art, Santa Monica, CA |
1991
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
1977
| |
| American Narrative/Story Art: 1967–1977 - Contemporary Arts Museum Houston, Houston, TX |
| |
| documenta 6 - Documenta, Kassel |
1976
| |
| Ideas on Paper 1970-1976 - The Renaissance Society at The University of Chicago, Chicago, IL |
1972
| |
| Yvon Lambert Actualité d'un Bilan - Yvon Lambert - Paris, Paris |
| |
| documenta 5 - Documenta, Kassel |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
1966
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| Primary Structures: Younger American and British Sculpture - The Jewish Museum of New York, New York City, NY |
Dealer Directory 2 |
Italy
| | Galleria Lia Rumma, Naples
|
USA
| | Susan Inglett Gallery, New York City, NY
|
Public collections 11

Belgium
| | SMAK Stedelijk Museum voor Actuele Kunst, Gent
|
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Denmark
| | Museet for Samtidskunst, Roskilde
|
France
| | Musée d'Art Contemporain Lyon, Lyon
|
Netherlands
| | Stedelijk Van Abbemuseum, Eindhoven
|
| | Kröller-Müller museum, Otterlo
|
Poland
| | Muzeum Sztuki w Lodz, Lodz
|
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
United Kingdom
| | Tate Britain, London (England)
|
USA
| | MOCA Grand Avenue, Los Angeles, CA
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Catalogs
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