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- + 18 Public collections
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Most exhibitions in: |
| Country |
№ |
| USA | 43 |
| Germany | 43 |
| Spain | 10 |
| Austria | 10 |
| United Kingdom | 8 |
Most exhibitions held at: |
| Institution |
№ |
| |
Documenta, Germany |
4 |
| |
Museu d´Art Contemporani de Barcelona - MACBA, Spain |
4 |
| |
Generali Foundation, Austria |
4 |
| |
Musée d´art contemporain de Montréal, Canada |
3 |
| |
Paula Cooper Gallery, USA |
3 |
Biography: 
1936 Born in Köln, Rheinland, NW (DE)
Lives and works since 1965 in New York City, NY (US)
| | Public exhibitions 152 
until 7.2.2010
until 10.1.2010
Solo shows 11
2008
| |
| Bundesgartenschau - Galerie Sfeir-Semler - Hamburg, Hamburg |
| |
| HANS HAACKE - Paula Cooper Gallery, New York City, NY |
2006
| |
| Hans Haacke - Deichtorhallen, Hamburg |
2005
| |
| Hans Haacke - Paula Cooper Gallery, New York City, NY |
2001
 |
| Hans Haacke - Mia san Mia - Generali Foundation, Vienna |
2000
| |
| Hans Haacke - Portikus, Frankfurt/Main |
1995
| |
| Hans Haacke. ’Obra Social’ - Fundación Antoni Tàpies, Barcelona |
1989
| |
| H. Haacke - Centre Pompidou - Musée National d´Art Moderne, Paris |
1987
| |
| Hans Haacke - Victoria Miro Gallery, London (England) |
1979
| |
| Hans Haacke - Recent Works - The Renaissance Society at The University of Chicago, Chicago, IL |
1976
Group shows 139
2009
| |
| Free as Air and Water - Cooper Union for the Advancement of Science and Art, New York City, NY |
| |
| Radical Nature - Art and Architecture for a Changing Planet 1969–2009 - Barbican, London (England) |
 |
| Political/Minimal - Muzeum Sztuki w Lodz, Lodz |
 |
| ON THE TECTONICS OF HISTORY - International Studio & Curatorial Program (ISCP), New York City, NY |
| |
| Kunst und Kalter Krieg - Deutsche Positionen 1945 - 1989 - Germanisches Nationalmuseum, Nuremberg |
| |
| Tiempo como materia. Colección MACBA. Nuevas incorporaciones - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Be sure to attend very carefully to what I have to say to you - Fri-Art - Centre d'Art Contemporain, Fribourg |
| |
| Digitale Gärten - Staatliches Museum Schwerin, Schwerin |
| |
| Sign/Age Part Three: Fight The Power - Armand Bartos Fine Art, New York City, NY |
 |
| Friends of the Divided Mind - Royal College of Art Galleries, London (England) |
| |
| Biennale Cuvee 09 - Weltauswahl der Gegenwartskunst - O.K Centrum für Gegenwartskunst, Linz |
| |
| Commentary - Paula Cooper Gallery, New York City, NY |
 |
| Art of Two Germanys/Cold War Cultures - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
2008
| |
| Political/Minimal - Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin |
| |
| Happy Together, an american dream - Centre d’Art Bastille - CAB, Grenoble |
 |
| The Art of Participation: 1950 to Now - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| German Angst - NBK - Neuer Berliner Kunstverein, Berlin |
 |
| 7th Gwangju Biennale - Gwangju Biennale, Gwangju |
| |
| Entre Chien et Loup - Kent Gallery, New York City, NY |
| |
| That Was Then...This Is Now - P.S.1 Contemporary Art Center, Long Island |
| |
| "...einen AUGEN-Blick, bitte!" / "Please cast an eye...!" - Kunstverein Bad Salzdetfurth e.V., Bodenburg |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| Zerbrechliche Schönheit, Glas im Blick der Kunst - Stiftung Museum Kunst Palast, Dusseldorf |
 |
| Genau + anders - Mathematik in der Kunst von Dürer bis Sol LeWitt - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
2007
| |
| New York States of Mind - Queens Museum of Art, New York City, NY |
| |
| Só é possível se formos 2 - Centro de Artes de Sines, Sines |
| |
| MACBA im Frankfurter Kunstverein - Frankfurter Kunstverein, Frankfurt/Main |
| |
| Vormen van Verzet - Stedelijk Van Abbemuseum, Eindhoven |
| |
| New York - States of Mind - Haus der Kulturen der Welt, Berlin |
| |
| Intocable (el ideal de la transparencia) - Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid |
 |
| The Price of Everything… Perspectives on the Art Market - Whitney Museum of American Art, New York City, NY |
| |
| Feedback - Laboral - Centro de Arte y Creación Industrial, Gijón |
| |
| For a Special Place: Documents and Works from the Generali Foundation Collection - Austrian Cultural Forum, New York City, NY |
| |
| ZEIT:ZEIT - Mehdi Chouakri, Berlin |
2006
| |
| Radical Software - Art, Technology, and the Bay Area Underground - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Kapital - Kent Gallery, New York City, NY |
| |
| Fourteen Artists/Fourteen Years - Mahaffey Fine Art - Portland Art Museum, Portland, OR |
| |
| Zéro - Musée d'Art moderne de Saint-Etienne, Saint-Etienne |
| |
| Untouchable - Villa Arson, Nice |
 |
| The Expanded Eye. Sehen - entgrenzt und verflüssigt - Kunsthaus Zürich, Zurich |
| |
| Und es bewegt sich doch ... - Kunstmuseum Bochum, Bochum |
| |
| ZERO - Internationale Künstler-Avantgarde der 50er/60er Jahre - Stiftung Museum Kunst Palast, Dusseldorf |
2005
| |
| Zur Tektonik der Geschichte - Forum Stadtpark, Graz |
| |
| Looking at Words - Andrea Rosen Gallery, New York City, NY |
 |
| Occupying Space - MSU Muzej Suvremene Umjetnosti / Museum of Contemporary Art, Zagreb |
| |
| Des Deux Cotes Du Rhin -Movement- - Museum Ludwig, Cologne |
| |
| Wie Gesellschaft und Politik ins Bild kommen - Generali Foundation, Vienna |
 |
| 50 Jahre - Years documenta 1955 – 2005 - Kunsthalle Fridericianum, Kassel |
 |
| Occupying Space - The Generali Collection - Witte de With Center for Contemporary Art, Rotterdam |
| |
| La Colección MACBA - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| The Transformative Power of Art - Art Gallery of Ontario, Toronto, ON |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, London (England) |
| |
| Behind Closed Doors - Dundee Contemporary Arts - DCA, Dundee (Scotland) |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
| |
| Interessi Zero - Galleria Civica di Arte Contemporanea, Trento |
| |
| Bewegliche Teile - Museum Tinguely, Basel |
 |
| Occupying Space - Sammlung Generali Foundation - HDK - Haus der Kunst - München, Munich |
2004
| |
| Database Imaginary - The Banff Centre - Walter Phillips Gallery, Banff, AB |
| |
| Suites - From the Permanent Collection - University of Massachusetts - Amherst Fine Arts Center, Amherst, MA |
| |
| 70/90 - Engagierte Kunst - Neues Museum - Staatliches Museum für Kunst und Design in Nürnberg, Nuremberg |
| |
| Bewegliche Teile - Kunsthaus Graz, Graz |
| |
| Systemstörung - Edith-Ruß-Haus für Medienkunst, Oldenburg |
| |
| Dependent Objects - Busch-Reisinger Museum, Cambridge, MA |
 |
| Beyond Geometry - Experiments in Form 1940s−70s - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
| |
| Zero - 1958 - 1968 tra Germania e Italia - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
 |
| Behind the facts interfunktionen - Fundación Joan Miró, Barcelona |
 |
| The Last Picture Show - Artists Using Photography, 1960-1982 - UCLA Hammer Museum, Los Angeles, CA |
2003
| |
| Crimes and Misdemeanors - Politics in U.S. Art of the 1980s - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
 |
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
 |
| Berlin-Moskau Moskau-Berlin 1950-2000 - , Berlin |
| |
| no art – no city - Städtische Galerie im Buntentor, Bremen |
 |
| A Simple Plan - James Cohan Gallery - New York, New York City, NY |
 |
| Sammlung - Graham - Ivekovic - Haacke - Kubelka - Farocki - Generali Foundation, Vienna |
 |
| Gelijk het leven is - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Living with Duchamp - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| exposition collective - CEAAC - Centre européen d'actions artistiques contemporaines, Strasbourg |
 |
| Air - James Cohan Gallery - New York, New York City, NY |
2002
| |
| TRANS-POSITIONS - Centre d'Art Passerelle, Brest |
| |
| Klopfzeichen, Kunst und Kultur der 80er Jahre in Deutschland - Museum Folkwang Essen, Essen |
| |
| E.A.T. Experiments in Art and Technology - Henry Art Gallery, Seattle, WA |
| |
| Iconoclash - Jenseits der Bilderkriege in Wissenschaft, Religion und Kunst - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Minimal Maximal - National Museum of Contemporary Art Korea, Gwacheon |
2001
| |
| Hellzapopin 1 bis - Mamco - musée d´art moderne et contemporain, Geneva |
 |
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| A Work in Progress - Selections from the New Museum Collection - New Museum of Contemporary Art, New York City, NY |
| |
| Werke aus der Sammlung - Generali Foundation, Vienna |
 |
| Antagonismes... - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Nothing - Contemporary Art Center Vilnius (CAC), Vilnius |
| |
| New York ca. 1975 - David Zwirner, Inc., New York City, NY |
| |
| Minimal Maximal - MOMAK National Museum of Modern Art Kyoto, Kyoto |
| |
| Minimal Maximal - Fukuoka Art Museum, Fukuoka |
2000
 |
| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
| |
| In Process - Curt Marcus Gallery, New York City, NY |
| |
| Dinge in der Kunst des XX. Jahrhundert - HDK - Haus der Kunst - München, Munich |
 |
| Campos de fuerzas - Un ensayo sobre lo cinético - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Whitney Biennial 2000 - Whitney Biennial, New York City, NY |
| |
| WORTHLESS (INVALUABLE).THE CONCEPT OF VALUE IN CONTEMPORARY ART - Moderna Galerija - Ljubljana, Ljubljana |
1999
| |
| Impact: Revealing Sources for Contemporary Art - Contemporary Museum, Baltimore, Baltimore, MD |
| |
| Originale echt/falsch - Neues Museum Weserburg Bremen, Bremen |
| |
| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art, New York City, NY |
| |
| Minimal Maximal - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Minimal Maximal - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
1998
| |
| Minimal-Maximal - Neues Museum Weserburg Bremen, Bremen |
| |
| Conceptual Photography from the 60s and 70s - David Zwirner, Inc., New York City, NY |
1997
| |
| And then there were none - Meyer Riegger Karlsruhe, Karlsruhe |
| |
| The 90s: a family of man? - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| Skulptur. Projekte in Münster 1997 - Skulptur Projekte Münster, Münster |
| |
| documenta X - Documenta, Kassel |
1996
| |
| Schwerelos - Skulpturen - Landesgalerie am Oberösterreichischen Landesmuseum, Linz |
1995
| |
| Pop Art and Minimalism from the Louisiana and the Moderna Museet - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
1994
| |
| Portafolio de Estocolmo. Exposición de grabados norteamericanos - MADC Museo de Arte y Diseño Contemporáneo, San José |
1993
1992
| |
| Pour la suite du monde - Musée d´art contemporain de Montréal, Montreal, QC |
1991
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
1989
| |
| HfbK Die Letzten 22 Jahre - Kunstverein in Hamburg, Hamburg |
1988
| |
| Gran Pavese, The Flag Project - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
1987
| |
| Skulptur. Projekte in Münster 1987 - Skulptur Projekte Münster, Münster |
| |
| documenta 8 - Documenta, Kassel |
1985
| |
| No! Contemporary American Dada - Henry Art Gallery, Seattle, WA |
| |
| Difference: On Representation and Sexuality - The Renaissance Society at The University of Chicago, Chicago, IL |
1983
| |
| Museums by artists - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| Group Exhibition - Rhona Hoffman Gallery, Chicago, IL |
| |
| 1984 – A Preview - Ronald Feldman Fine Arts Inc, New York City, NY |
1982
| |
| documenta 7 - Documenta, Kassel |
1980
| |
| Art in Europe after '68 - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
1979
| |
| Eremit? Forscher? Sozialarbeiter? Das veränderte Selbstverständnis von Künstlern - Kunstverein in Hamburg, Hamburg |
1978
| |
| Daniel Buren, Victor Burgin, Braco Dimitrijevic, Hans Haacke, Red Herring, Katharina Sieverding - Galerie m Bochum, Bochum |
1972
| |
| documenta 5 - Documenta, Kassel |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, London (England) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Bern |
Dealer Directory 2 |
USA
| | Elizabeth Leach Gallery, Portland, OR
|
| | Crown Point Press, San Francisco, CA
|
Public collections 18

Austria
| | Generali Foundation, Vienna
|
Belgium
| | SMAK Stedelijk Museum voor Actuele Kunst, Gent
|
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Croatia
| | MSU Muzej Suvremene Umjetnosti / Museum of Contemporary Art, Zagreb
|
France
| | FRAC - Nord-Pas de Calais, Dunkerque
|
| | FRAC - Rhône-Alpes, IAC - Institute d`art contemporain, Villeurbanne
|
Germany
| | Museum für Gegenwartskunst Siegen, Siegen
|
Spain
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
|
Sweden
| | Moderna Museet, Stockholm
|
Switzerland
| | Fotomuseum Winterthur, Winterthur
|
United Kingdom
| | Tate Liverpool, Liverpool (England)
|
| | Tate Britain, London (England)
|
USA
| | MIT List Visual Arts Center, Cambridge, MA
|
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
| | Broad Contemporary Art Museum, Santa Monica, CA
|
Catalogs
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