Artist's arttributes:
|
| • |
Male |
| • |
Installation |
Most exhibitions in:
|
| Country |
№ |
| Netherlands | 10 |
| Germany | 8 |
| Singapore | 7 |
| United Kingdom | 7 |
| Australia | 5 |
Most exhibitions held at:
|
| Institution |
№ |
| |
Motive Gallery, Netherlands |
4 |
| |
Lautom Contemporary, Norway |
2 |
| |
Rossi & Rossi Ltd, United Kingdom |
2 |
| |
NIMk - Netherlands Media Art Institute, Netherlands |
2 |
| |
Institute of Contemporary Arts Singapore, Singapore |
2 |
Biography: 
1977 Born in Muar (MY)
External links:
| | Public exhibitions (Selection) 70 
Solo shows 5
2012
| |
| Heman Chong In Collaboration With Anthony Marcellini: Interview(s) - Wilkinson Gallery, London (England) |
| |
| Lem1 - Heman Chong - Rossi & Rossi Ltd, London (England) |
2010
| |
| Island (Covers) - Motive Gallery, Amsterdam |
2007
| |
| The Sole Proprietor and Other Stories - Vitamin Creative Space, Guangzhou, Guangdong |
2006
| |
| No sleep required: Untitled (Verbraucht) - Projektraum Deutscher Künstlerbund, Berlin |
Group shows 65
2013
| |
| Inaugural Opening - Yallay Space, Hong Kong, SAR |
2012
| |
| 7th Asia Pacific Triennial Of Contemporary Art (apt7) - Asia Pacific Triennial of Contemporary Art, Brisbane, QLD |
| |
| The Future that Was - - NIMk - Netherlands Media Art Institute, Amsterdam (closed, 2013) |
| |
| untitled - Fost Gallery, Singapore |
| |
| Marcel Duchamp In Southeast Asia - Equator Art Projects, Singapore |
| |
| Yonder - Perth Institute of Contemporary Arts - PICA, Perth, WA |
| |
| If A Tree... - Stevenson, Johannesburg |
| |
| New Photography from Southeast Asia: Politics - Valentine Willie Fine Art - VWFA Singapore, Singapore |
| |
| Homo Ludens — Act Iii - Motive Gallery, Amsterdam |
2011
| |
| Two Thousand Eleven - Para/Site Art Space, Hong Kong, SAR |
| |
| About Peace, Love and Understanding? - Rossi & Rossi Ltd, London (England) |
| |
| Homo Ludens – Act Ii - Motive Gallery, Amsterdam |
| |
| Not Too Far Away - 2902 Gallery, Singapore |
| |
| The 6th Momentum Biennial 2011 - Imagine being here now - Momentum Nordic Biennial of Contemporary Art , Moss |
| |
| The Visionary Trading Project - Guest Projects, London (England) |
| |
| Homo Ludens – Act I - Motive Gallery, Amsterdam |
 |
| Dancing to the Rhyme - Kumho Museum of Art, Seoul |
2010
| |
| Manifesta 8 - Manifesta - European Biennial of Contemporary Art, Murcia |
| |
| Trickster makes this world - Nam June Paik Art Center, Yongin-si |
| |
| King Rat - Project Arts Centre, Dublin |
| |
| Christmas in July - - Yvon Lambert - New York, New York City, NY (closed, 2011) |
| |
| E-Flux Video Rental - Fondazione Giuliani, Rome |
2009
| |
| The Malady of Writing. A project on text and speculative imagination - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Sequelism: Part 3 Possible, Probable or Preferable Futures - Arnolfini, Bristol (England) |
| |
| "Weak Signals, Wild Cards" - de Appel arts centre, Amsterdam |
| |
| No Bees, No Blueberries - Harris Lieberman, New York City, NY |
| |
| And the Difference Is… - Gertrude contemporary art spaces, Melbourne, VIC |
| |
| Bunnies, It Must Be Bunnies - Lautom Contemporary, Oslo |
 |
| The Demon of Comparisons - Stedelijk Museum Bureau Amsterdam - SMBA, Amsterdam |
 |
| In Search of the Unknown - - NIMk - Netherlands Media Art Institute, Amsterdam (closed, 2013) |
2008
| |
| The Possibility of an Island - MOCA at Goldman Warehouse, Miami, FL |
 |
| A QUESTION OF EVIDENCE - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna |
 |
| Singapore Biennale 2008 - Singapore Biennale, Singapore |
| |
| Eurasia. Geographic cross-overs in art - MART- Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto |
| |
| Like an Attali Report, but different - On fiction and political imagination - Kadist Art Foundation, Paris |
| |
| The World is Flat - Overgaden - Institut for Samtidskunst, Copenhagen |
| |
| Mellow Fever - La Galerie des Galeries Lafayette, Paris |
| |
| Sometimes you fall in Love with an idea - - Cluster, Berlin (closed, 2009) |
2007
| |
| seconds issue 7: sci-fi, utopia, roadside picnics - E:vent, London (England) |
| |
| Bare Words - Lautom Contemporary, Oslo |
| |
| 7th Baltic Biennial of Contemporary Art - transRobota - Baltic Biennale of Contemporary Art, Szczecin |
| |
| Hela Havet Stormar–The Whole Sea Is Storming - Pierogi Leipzig, Leipzig |
| |
| BAROQ at the GRIDIRON HOTEL - Netwerk - center for contemporary art, Aalst |
| |
| Mirror Worlds: Contemporary Video from Asia - Two Rooms, Auckland |
| |
| transRobota - Muzeum Narodowe w Szczecin, Szczecin |
2006
| |
| Seeing The Invisible - Galleria Riccardo Crespi, Milan |
| |
| Rio - - Artnews Projects, Berlin (closed, 2010) |
 |
| SCAPE 2006 - don’t misbehave! - SCAPE Biennial of Art in Public Space, Christchurch |
| |
| Artist Migration Berlin - Dellbrügge & De Moll - Heidelberger Kunstverein, Heidelberg |
| |
| Steiler Konter - Die Ausstellung - Magazin4 - Bregenzer Kunstverein, Bregenz |
| |
| Obscure yourself - Kunstraum D21, Leipzig |
| |
| Mirror Worlds - New video art from Asia - IMA Institute of Modern Art, Brisbane, QLD |
2005
 |
| Urbane Realitäten - Fokus Istanbul - Martin-Gropius-Bau, Berlin |
| |
| Mirror Worlds - Australian Centre for Photography, Sydney, NSW |
| |
| Video Unplugged - Gallery S.E., Bergen |
2004
| |
| Pilot:2 - Pilot, London (England) |
| |
| Busan Biennale 2004 - The Busan Biennale, Busan |
| |
| LAB - Kröller-Müller Museum, Otterlo |
| |
| Sparwasser HQ at Platform - - Platform Garanti Contemporary Art Center, Istanbul (closed, 2010) |
2003
 |
| Heman Chong / Gerson Bettencourt Ferreira - Künstlerhaus Bethanien, Berlin |
| |
| Blood - Lines & Connections - Museum of Contemporary Art Denver, Denver, CO |
 |
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
| |
| Videoprogramme 2003 - Single Screen Video Art from Asia - Institute of Contemporary Arts Singapore, Singapore |
2002
| |
| Videoprogramme 2003 – Single Screen Video Art from Asia - Institute of Contemporary Arts Singapore, Singapore |
Catalogs
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