 Artist's arttributes:
|
| • |
Male |
| • |
Painting, Video, Installation |
Most exhibitions in: |
| Country |
№ |
| USA | 21 |
| Spain | 7 |
| Argentina | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
New Museum of Contemporary Art, USA |
3 |
| |
Fundación PROA, Argentina |
2 |
| |
MoMA - Museum of Modern Art, USA |
2 |
| |
Galería Vanguardia, Spain |
2 |
Biography: 
1936 Born in Buenos Aires (AR)
External links: | | Public exhibitions (Selection) 34
Solo shows 9
2012
| |
| Taped Project - Henrique Faria Fine Art, New York City, NY |
| |
| Re: Play - MediaNoche, New York City, NY |
2010
| |
| CONFLICTIVISM - Galería Vanguardia, Bilbao |
| |
| Road. - Sala Rekalde, Bilbao |
2009
| |
| Jaime Davidovich - Seventeen Gallery, London (England) |
2005
| |
| Jaime Davidovich - Galería Vanguardia, Bilbao |
2003
| |
| Jaime Davidovich - Pinturas en tiempo real - MAMBA - Museo de Arte Moderno de Buenos Aires, Buenos Aires |
1991
| |
| Forces/Farces - - Exit Art, New York City, NY (closed, 2012) |
Group shows 25
2013
| |
| Never Underestimate a Monochrome - Wignall Museum of Contemporary Art, Rancho Cucamonga, CA |
2011
| |
| Sistemas, Acciones y Procesos. 1965-1975 - Fundación PROA, Buenos Aires |
| |
| God Only Knows Who The Audience Is - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| By Chance, A Video Show - 80 Washington Square East Galleries, Washington, DC |
2010
| |
| ¿Estáis listos para la televisión? - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| Verbotene Liebe: Kunst im Sog von Fernsehen - Kölnischer Kunstverein, Cologne |
| |
| Imán: Nueva York - Fundación PROA, Buenos Aires |
| |
| Changing Channels - Kunst und Fernsehen 1963-1987 - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
2009
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York City, NY |
2008
| |
| Looking Back: The White Columns Annual, selected by Jay Sanders - White Columns, New York City, NY |
2007
| |
| I Encuentro entre dos Mares Bienal São Paulo - Valencia - Encuentro entre dos Mares - Bienal São Paulo - Valencia, Valencia |
| |
| "REALLIFE 1979-1990" - Artists Space, New York City, NY |
2006
| |
| Primera generación. Arte e imagen en movimiento, 1963-1986 - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| The Studio Visit - - Exit Art, New York City, NY (closed, 2012) |
2005
| |
| ODD LOTS - Revisiting Gordon Matta-Clark's Fake Estates - White Columns, New York City, NY |
| |
| We Could Have Invited Everyone - Andrew Kreps Gallery, New York City, NY |
| |
| The Art of Point of Contact - Everson Museum of Art, Syracuse, NY |
| |
| The City - Contemporary Views of the Built Environment - Lehman College Art Gallery, New York City, NY |
2000
| |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, New York City, NY (closed, 2012) |
1990
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, New York City, NY |
1988
| |
| The Debt - - Exit Art, New York City, NY (closed, 2012) |
1986
| |
| Transculture / Transmedia - - Exit Art, New York City, NY (closed, 2012) |
1983
| |
| Language, Drama, Source & Vision - New Museum of Contemporary Art, New York City, NY |
1981
| |
| Alternatives in Retrospect: An Overview 1969-1975 - New Museum of Contemporary Art, New York City, NY |
1976
| |
| Projects: Video VII - MoMA - Museum of Modern Art, New York City, NY |
Collections 1
USA
| | MoMA - Museum of Modern Art, New York City, NY
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Catalogs
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