 Artist's arttributes:
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Male |
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Photography |
Most exhibitions in: |
| Country |
№ |
| USA | 64 |
| Switzerland | 5 |
| Spain | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
CRG Gallery, USA |
6 |
| |
Analix Forever, Switzerland |
4 |
| |
Ben Maltz Gallery at Otis College of Art and Design, USA |
3 |
| |
The Studio Museum in Harlem, USA |
3 |
Biography: 
1965 Born in New York (US)
Scholarship 1993 Helena Rubinstein Whitney Museum Independent Study Program Fellowship Art Matters Grant
1995 Art Matters Grant
Awards 1995 Ernst Haas, "Top 100 Photographers" Award
2000 Rome Prize Fellowship: Harold M. English/Metropolitian Museum of Art - Jacob H. Lazarus
Rome Prize Fellowship in Visual Arts
American Photography Award (Vol. 16) for portrait that illustrated "The Gospel According to Conrad Muhammad," Vibe magazine
Society of Publication Designers Merit Award for photograph that illustrated "The Next Cardinal," The York Times Magazine
External links: | | Public exhibitions (Selection) 83
Solo shows 11
2011
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| Lyle Ashton Harris: Self/Portrait - The Studio Museum in Harlem, New York City, NY |
2010
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| Untitled (Black Power) - Cokkie Snoei Amsterdam, Amsterdam |
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| Ghana - CRG Gallery, New York City, NY |
2008
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| Lyle Ashton Harris: Blow Up - UB Art Galleries - University of Buffalo, Buffalo, NY |
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| Lyle Ashton Harris: Blow Up - Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ |
2004
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| Lyle Ashton Harris: Blowup - Rhona Hoffman Gallery, Chicago, IL |
2003
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| Lyle Ashton Harris - Memoirs of Hadrian - CRG Gallery, New York City, NY |
2002
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| Lyle Ashton Harris, New Works - Baldwin Gallery, Aspen, CO |
1998
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| Lyle Ashton Harris - Analix Forever, Geneva |
1997
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| Early Works 1987-88 (The White Face Series) - Thomas Erben Gallery, New York City, NY |
1993
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| Face: Lyle Ashton Harris - New Museum of Contemporary Art, New York City, NY |
Group shows 72
2012
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| The Progress of Love - The Menil Collection, Houston, TX |
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| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
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| Bigger Than Shadows - DODGEgallery, New York City, NY |
2011
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| 15 Years Thomas Erben Gallery - Thomas Erben Gallery, New York City, NY |
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| Wishing And Praying - CRG Gallery, New York City, NY |
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| Mixed Signals: Artists Consider Masculinity in Sports - Middlebury College Museum of Art, Middlebury, VT |
2010
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| Inspired - Steven Kasher Gallery, New York City, NY |
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| Off the Wall Part 1: Thirty Performative Actions - Whitney Museum of American Art, New York City, NY |
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| The Facebook Show - Museum of New Art - MONA, Pontiac (MI) |
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| Mixed Signals: Artists Consider Masculinity in Sport - The Art Gallery of Calgary, Calgary, AB |
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| Collected. Reflections on the Permanent Collection - The Studio Museum in Harlem, New York City, NY |
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| Posing Beauty in African American Culture - Art Gallery of Hamilton, Hamilton, ON |
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| The Language Of Flowers - CRG Gallery, New York City, NY |
2009
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| Mixed Signals: Artists Consider Masculinity in Sports - Center for Art and Visual Culture, Baltimore, MD |
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| Undercover: Performing and Transforming Black Female Identities - Spelman College Museum of Fine Art, Atlanta, GA |
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| The Summer Show - CRG Gallery, New York City, NY |
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| en todas as partes. políticas da diversidade sexual na arte - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
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| Mixed Signals: Artists Consider Masculinity in Sports - Cranbrook Art Museum, Bloomfield Hills, MI |
2008
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| Busan Biennale 2008 - The Busan Biennale, Busan |
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| Sale - Wessel + O'Connor Fine Art, New York City, NY |
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| Intimacy - The Fireplace Project, East Hampton, NY |
2007
|
| Existencias - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
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| Shoot the Family - Canzani Center Gallery/Bureau for Open Culture at Columbus College of Art & Design, Columbus, OH |
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| Role Exchange - Sean Kelly Gallery, New York City, NY |
|
| 52nd International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
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| Commemorating 30 Years Part III: 1991-2007 - Rhona Hoffman Gallery, Chicago, IL |
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| Persona - Yancey Richardson Gallery, New York City, NY |
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| Imago: The Drama of Self-Portraiture in Recent Photography - Paul Robeson Galleries, Newark, NJ |
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| Crossing The Line - Cornell Fine Arts Museum, Winter Park, FL |
2006
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| 2° Bienal Internacional de Arte Contemporáneo de Sevilla - BIACS - Fundación Bienal Internacional de Arte Contemporáneo de Sevilla, Sevilla |
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| Shoot the Family - Western Gallery, Bellingham, WA |
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| The Beautiful Game: Contemporary Art and Fútbol - - Roebling Hall, New York City, NY (closed, 2008) |
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| Shoot the Family - Knoxville Museum of Art (KMA), Knoxville, TN |
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| Shoot the Family - Cranbrook Art Museum, Bloomfield Hills, MI |
2005
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| The Kiss - Contemporary Art Galleies - UConn School of Fine Arts, Storrs, CT |
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| Shoot the Family - Knoxville Museum of Art (KMA), Knoxville, TN |
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| Identitá & Nomadismo - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
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| Celebrate 22 years - Jack Tilton Gallery, New York City, NY |
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| Collection Remixed - Bronx Museum of the Arts (BxMA), New York City, NY |
|
| African Queen - The Studio Museum in Harlem, New York City, NY |
2004
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| Male Body Image - Contemporary Art Galleies - UConn School of Fine Arts, Storrs, CT |
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| Fifth International Biennial Exhibition: Disparities and Deformations: Our Grotesque - Site Santa Fe, Santa Fe, NM |
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| SITE Santa Fe's Fifth International Biennial - SITE Santa Fe Biennial, Santa Fe, NM |
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| Bernard Piffaretti - Lyle Ashton Harris - Galerie Nathalie Obadia - Paris, Paris |
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| neoqueer - CoCA - Center on Contemporary Art, Seattle, WA |
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| African American Artists in Los Angeles, A Survey Exhibition: Fade 1990-2003 - The Luckman Fine Arts Complex, Los Angeles, CA |
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| THE MUSE - Leslie Tonkonow Artworks + Projects, New York City, NY |
2003
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| Objectif Cadrage - Analix Forever, Geneva |
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| The Squared Circle - Walker Art Center, Minneapolis, MN |
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| American Tableaux - Many Voices, Many Stories - MAM - Miami Art Museum, Miami, FL |
2002
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| Looking Forward, Looking Black - The Dayton Art Institute, Dayton, OH |
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| Goddess - Galerie Lelong - New York, New York City, NY |
2001
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| Looking Forward Looking Black - Victoria H. Myhren Gallery, Denver, CO |
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| Love Supreme - La Criée - Centre d'Art Contemporain, Rennes |
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| Looking Forward Looking Black - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
2000
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| 3rd Gwangju Biennale - Man+Space - Gwangju Biennale, Gwangju |
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| Faith: The Impact of Judeo Christian Religion on Art at the Millinium - The Aldrich Contemporary Art Museum, Ridgefield, CT |
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| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, New York City, NY (closed, 2012) |
1998
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| Aids-Worlds; Betwee Resignation and hope - CACT Centro d´Arte Contemporanea Ticino, Bellinzona |
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| Alchemy - Lyle Ashon Harris and Thomas Allen Harris - The Corcoran Gallery of Art, Washington, DC |
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| 1900 (Italie) - Analix Forever, Geneva |
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| 1900 (Genève) - Analix Forever, Geneva |
1996
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| a/drift - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
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| Interzones - Uppsala Konstmuseum, Uppsala |
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| La Toilette De Venus - CRG Gallery, New York City, NY |
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| Ciphers of Identity - Kemper Museum of Contemporary Art, Kansas City, MO |
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| Interzones - Kunstforeningen GL Strand, Copenhagen |
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| Persona - The Renaissance Society at The University of Chicago, Chicago, IL |
1995
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| Narcissistic Disturbance - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
1994
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| Sincerity and other Peccadilloes - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
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| Ciphers of Identity - Ronald Feldman Fine Arts Inc, New York City, NY |
1992
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| Fever - - Exit Art, New York City, NY (closed, 2012) |
| Dealer Directory 3 |
USA
| | Baldwin Gallery, Aspen, CO
|
| | CRG Gallery, New York City, NY
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| | Adamson Gallery, Washington, DC
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Collections 3
USA
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
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| | MOCA Grand Avenue, Los Angeles, CA
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| | Utah Museum of Fine Arts, Salt Lake City, UT
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Catalogs
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