 Artist's arttributes:
|
| • |
Male |
| • |
Painting |
| • |
Lowbrow |
Most exhibitions in: |
| Country |
№ |
| USA | 28 |
| Germany | 24 |
| Philippines | 18 |
| Spain | 15 |
| France | 11 |
Biography: 
1965 Born in Quezon, (PH)
External links: | | Public exhibitions (Selection) 134
until 7.7.
until 16.6.
Solo shows 35
2013
2012
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| Manuel Ocampo - Tyler Rollins Fine Art, New York City, NY |
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| Manuel Ocampo - Finale Art File, Makati City |
2011
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| Manuel Ocampo - The Ghost Poo of Painting - Philara - Sammlung zeitgenössischer Kunst, Dusseldorf |
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| Manuel Ocampo - SOD Space of Drawings, Copenhagen |
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| los rebeldes de la abstracción y la caca fantasma de la pintura - Adhoc Galeria, Vigo |
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| Manuel Ocampo - The 80s - Mag:net Gallery - Katipunan, Quezon City |
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| The Painter's Equipment - Valentine Willie Fine Art - VWFA Singapore, Singapore |
2010
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| An Arcane Recipe Involving Ingredients Cannibalized From The Reliquaries Of Some Profane Illumination - Tyler Rollins Fine Art, New York City, NY |
2009
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| Manuel Ocampo: Macho Fever - Finale Art File, Makati City |
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| She has a Hot Ass - Gertrude contemporary art spaces, Melbourne, VIC |
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| Manuel Ocampo: Monument to the Aesthetisization of Desublimated Fantasies Rendered Impotent by Unredeemable Gestures - Galerie Bärbel Grässlin, Frankfurt/Main |
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| Painting as an Attempt to Memorialize Reality’s Triumph over Art - Galerie Nathalie Obadia - Bruxelles, Brussels |
2008
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| Manuel Ocampo - Uplands Gallery, Melbourne, VIC |
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| Manuel Ocampo - Gristle Pays Homage To The Benevolent Sausage - Mag:net Gallery - Katipunan, Quezon City |
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| Manuel Ocampo - Guided by Sausage or Setting the Course for the Embarrassing Theme - - Galeria Tomas March, Valencia |
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| Guided by Sausage or Setting the Course for the Embarrassing Theme - Galeria Tomas March, Valencia |
2007
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| Guided by Sausage - Le (9) Bis, Saint-Etienne |
2006
2005
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| Bastards of Misrepresentation - Casa Asia - Barcelona, Barcelona |
2004
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| Manuel Ocampo - Galeria Tomas March, Valencia |
2003
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| The Inadequacy of the struggle against the inadequacy of the struggle - - Sprüth Magers Projekte, Munich (closed) |
2002
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| Manuel Ocampo - Gallery Paule Anglim, San Francisco, CA |
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| Manuel Ocampo - Galerie Nathalie Obadia - Paris, Paris |
 |
| Manuel Ocampo - "AN ALL OUT ATTEMP TAT TRANSCENDENCE" - Galerie Bärbel Grässlin, Frankfurt/Main |
2000
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| Manuel Ocampo - Galerie Bärbel Grässlin, Frankfurt/Main |
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| Manuel Ocampo - - Sprüth Magers Projekte, Munich (closed) |
1998
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| Manuel Ocampo - - Delfina Project Space, London (England) (closed) |
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| Manuel Ocampo - Yo también soy pintura - Museo Extremeńo e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz |
1997
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| Manuel Ocampo - Heridas de la Lengua - Track 16 Gallery, Santa Monica, CA |
1995
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| Manuel Ocampo - Musée d´art contemporain de Montréal, Montreal, QC |
1992
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| Manuel Ocampo / MATRIX 150 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
Group shows 97
2012
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| Da solidăo do lugar a um horizonte de fugas / From the solitude of place to a vanishing horizon - Berardo Museum - Collection of Modern and Contemporary Art, Lisbon |
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| 7th Asia Pacific Triennial Of Contemporary Art (apt7) - Asia Pacific Triennial of Contemporary Art, Brisbane, QLD |
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| Transcultural narrations: paperworks - BUG - Bangkok University Gallery, Bangkok |
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| Flying - Künstlerhaus Bethanien, Berlin |
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| Manuel Ocampo / Paul Pretzer / Joachim Weischer - Galerie Conrads, Dusseldorf |
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| Narren. Künstler. Heilige - Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn |
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| Strip 2012 - Silverlens Gallery, Makati City |
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| Sod Group Show - SOD Space of Drawings, Copenhagen |
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| Alter Egos - Tyler Rollins Fine Art, New York City, NY |
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| Afraid To Be Good - LOSTprojects, Quezon City |
2011
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| Hirschfaktor - Die Kunst des Zitierens - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| Trans–figuration - Tyler Rollins Fine Art, New York City, NY |
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| El Guernica: Deconstrucción - Ayala Museum, Makati City |
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| The Possessed - Charlie Smith London, London (England) |
2010
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| Painting With a Hammer To Nail The Crotch Of Civilization - Manila Contemporary, Makati City |
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| Stick with the enemy - Mo Space, Taguig City |
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| She Awoke With A Jerk - Andrea Rosen Gallery, New York City, NY |
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| Another Nude Show - Robert Berman Gallery, Santa Monica, CA |
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| Le Meilleur des Mondes - MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg |
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| Celebration - Collection du Frac Auvergne - FRAC - Auvergne, Clermont Ferrand |
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| Selected works from the backroom - Mag:net Gallery - Ayala Avenue, Makati City |
2009
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| Papier - Galerie Bärbel Grässlin, Frankfurt/Main |
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| Family Jewels - Villa Merkel - Galerien der Stadt Esslingen, Esslingen |
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| Slow Paintings - Museum Morsbroich, Leverkusen |
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| Sorry Friend, This Is Not Hemorrhoids ;-{o> - Finale Art File, Makati City |
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| Angels & Demons - Michael Lett, Auckland |
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| Exquisite Corpse or The Show that Curates Itself - Mihai Nicodim Gallery, Los Angeles, CA |
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| Galleon Turd - Mag:net Gallery - Katipunan, Quezon City |
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| The Making of Art - Schirn Kunsthalle, Frankfurt/Main |
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| NEWAGERIOT - Country Club - Los Angeles, Los Angeles, CA |
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| CICLO KENNETH ANGER - Estrela Brilhante da Manhă - Bright Morning Star - ZDB - Galeria Zé dos Bois, Lisbon |
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| Antes de ayer y pasado mańana; o lo que puede ser pintura hoy - MACUF Museo de Arte Contemporáneo Union Fenosa, A Coruńa |
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| Figuring the Times, Philippine Paintings 1996 -2009 A Selection from the Paulino Que Collection - Finale Art File, Makati City |
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| Emotional Drawing - SOMA Museum of Art, Seoul |
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| Rodolfo Bispo, Miguel Branco, Manuel Ocampo, Jean-Xavier Renaud - Entre Chien et Loup - Caroline Pagčs Gallery, Lisbon |
2008
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| Family Jewels - Bongoűt Gallery, Berlin |
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| Lost In Your Eyes - LeRoy Neiman Gallery, New York City, NY |
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| Emotional Drawings - National Museum of Modern Art Kyoto (MOMAK), Kyoto |
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| DOMESTICOS E SELVAGENS - - MCO ARTE CONTEMPORÂNEA, Porto (closed, 2011) |
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| Inaugural Show Part 2 - Finale Art File, Makati City |
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| Group Show - Galerie Nathalie Obadia - Bruxelles, Brussels |
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| NAO TE POSSO VER NEM PINTADO - Berardo Museum - Collection of Modern and Contemporary Art, Lisbon |
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| A Perspective on Contemporary Art 6: Emotional Drawing - National Museum of Modern Art Tokyo (MOMAT), Tokyo |
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| In the Land of Retinal Delights: The Juxtapoz Factor - Laguna Art Museum, Laguna Beach, CA |
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| La dégelée Rabelais - FRAC - Languedoc-Roussilon, Montpellier |
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| Pasións Privadas, Visións Públicas - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
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| Molluskkollektiv - Bongoűt Gallery, Berlin |
2007
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| Rooms, Conversations - FRAC - Ile-de-France Le Plateau, Paris |
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| L'explosition - FRAC - Languedoc-Roussilon, Montpellier |
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| Three Man Show - Mag:net Gallery - Katipunan, Quezon City |
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| Die Kunst zu Sammeln - Museum Kunstpalast, Dusseldorf |
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| No System Can Give The Masses The Proper Social Graces - Firstdraft, Sydney, NSW |
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| Each for oneself and God against all - Galería OMR, Mexico City |
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| Dibujando - Adhoc Galeria, Vigo |
2006
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| Collaborations of Manuel Ocampo Indiscreet Charm of the Burlesque Part 2 - Finale Art File, Mandaluyong City |
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| Collaborations of Manuel Ocampo Indiscreet Charm of the Burlesque Part I - Finale Art File, Mandaluyong City |
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| Indiscreet Charm of the Burlesque Part I - Finale Art Gallery, Mandaluyong City |
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| Sound & Vision - Museo della Cittŕ, Perugia |
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| Visual Politics - The Art of Engagement - American University Museum at the Katzen Arts Center, Washington, DC |
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| Painting Codes - GC.AC - Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone |
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| 5 Stories High - Track 16 Gallery, Santa Monica, CA |
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| Curro González & Manuel Ocampo. En el cielo no hay cerveza sin alcohol - Adhoc Galeria, Vigo |
2005
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| Art of Engagement - Jack Rutberg Fine Arts, Los Angeles, CA |
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| Goetz Meets Falckenberg - Sammlung Falckenberg, Hamburg |
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| Baroque and Neobaroque / The Hell of the Beautifull - DA2 - Domus Artium 2002, Salamanca |
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| Seducidos por el accidente - Fundación Luis Seoane, A Coruńa |
2004
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| 1 Bienal Internacionál de Arte Contemporaneo de Sevilla - BIACS - Fundación Bienal Internacional de Arte Contemporáneo de Sevilla, Sevilla |
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| Soleil Vert - Musse D’art Roger Quilliot, Clermont Ferrand |
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| ARBEITEN AUF PAPIER / WORKS ON PAPER - - Sprüth Magers Projekte, Munich (closed) |
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| Les conquérants, les exilés - Fonds d’Art moderne et contemporain - Espace Boris Vian, Montluçon |
2003
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| Ten by Twenty - Yerba Buena Center for the Arts, San Francisco, CA |
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| Le Dernier Cri: Legendary Publishers of the International Underground - Track 16 Gallery, Santa Monica, CA |
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| Western spaghetti - FRAC - Auvergne, Clermont Ferrand |
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| TALKING PIECES - Text und Bild in der Zeitgenössischen Kunst - Museum Morsbroich, Leverkusen |
2002
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| French Collection - Mamco - musée d´art moderne et contemporain, Geneva |
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| The Juxtapoz Eight Anniversary Art Show - Track 16 Gallery, Santa Monica, CA |
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| Von ZERO bis 2002 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| Extranjeros - Los otros artistas espańoles - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
2001
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| 49th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venice |
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| les chiens andalous - Track 16 Gallery, Santa Monica, CA |
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| 2. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst, Berlin |
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| Vom Eindruck zum Ausdruck - Grässlin Collection - Deichtorhallen Hamburg, Hamburg |
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| Contemporary Devotion - San Jose Museum of Art, San Jose, CA |
2000
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| Salon - - Delfina Project Space, London (England) (closed) |
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| 5e Biennale de Lyon - Partage d'exotismes - La Biennale de Lyon, Lyon |
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| L.A. Art in the Early 90s ReCharge ® The Gift of Eileen and Peter Norton - Laguna Art Museum, Laguna Beach, CA |
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| Faith: The Impact of Judeo Christian Religion on Art at the Millinium - The Aldrich Contemporary Art Museum, Ridgefield, CT |
1999
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| First Annual Post-Impeachment - Track 16 Gallery, Santa Monica, CA |
1998
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| Messages abroad - Galerie Chez Valentin, Paris |
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| Pop Surrealism - The Aldrich Contemporary Art Museum, Ridgefield, CT |
1997
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| 2nd Gwangju Biennale - Unmapping The Earth - Gwangju Biennale, Gwangju |
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| A Lasting Legacy: Selections From The Lannan Foundation Gift - The Geffen Contemporary at MOCA, Los Angeles, CA |
1994
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| Jean-Michel Basquiat and Manuel Ocampo - Henry Art Gallery, Seattle, WA |
1992
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| documenta 9 - Documenta, Kassel |
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| Helter Skelter: L.a. Art In The 1990s - The Geffen Contemporary at MOCA, Los Angeles, CA |
| Dealer Directory 14 |
Australia
| | Uplands Gallery, Melbourne, VIC
|
Austria
Belgium
| | Galerie Nathalie Obadia - Bruxelles, Brussels
|
Denmark
| | SOD Space of Drawings, Copenhagen
|
France
| | Galerie Nathalie Obadia - Paris, Paris
|
Germany
| | Galerie Bärbel Grässlin, Frankfurt/Main
|
Italy
| | Benciv Art Gallery, Pesaro
|
Luxembourg
Philippines
| | Finale Art File, Makati City
|
| | Finale Art Gallery, Mandaluyong City
|
Spain
| | Galeria Tomas March, Valencia
|
Switzerland
USA
| | Alexander Gray Associates, New York City, NY
|
Collections 12
France
| | FRAC - Auvergne, Clermont Ferrand
|
| | FRAC - Ile-de-France Le Plateau, Paris
|
Germany
| | ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
|
| | Kunstraum Grässlin, St. Georgen
|
Japan
| | FAAM - Fukuoka Asian Art Museum, Fukuoka
|
Luxembourg
| | MUDAM - Musée d’Art Moderne Grand-Duc Jean, Luxembourg
|
Portugal
| | Berardo Museum - Collection of Modern and Contemporary Art, Lisbon
|
Spain
| | Museo Extremeńo e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz
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| | Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
|
| | Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria
|
USA
| | MOCA Grand Avenue, Los Angeles, CA
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Catalogs
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