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See further information relating to Mary Kelly - + 58 Exhibitions
- + 2 Galleries
- + 2 Public collections
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 Most exhibitions in: |
| Country |
№ |
| USA | 28 |
| Austria | 9 |
| Germany | 6 |
| United Kingdom | 5 |
| Canada | 3 |
| Most exhibitions held at: |
| Institution |
№ |
| |
Generali Foundation, Austria |
5 |
Biography: 
1941 Born in Fort Dodge, IA (US)
| |
Public exhibitions 60
Solo shows 9
2008
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| Mary Kelly - Words are things / Słowa to rzeczy - CSW Centrum Sztuki Wspolczesnej / Centre for Contemporary Art Ujazdowski Castle, Warsaw |
2007
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| Circa 1968 - Room Gallery at University of California, Irvine, CA |
2005
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| Mary Kelly - Postmasters Gallery, New York City, NY |
2003
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| Mary Kelly - Antepartum - Whitney Museum of American Art, New York City, NY |
2001
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| Mary Kelly - The Ballad of Kastriot Rexhepi - Santa Monica Museum of Art, Santa Monica, CA |
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| Mary Kelly - Mea Culpa - Robert Sandelson, London (England) |
1998
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| Mary Kelly - Post-Parfum Dokument - Das komplette Werk (1973-79) - Generali Foundation, Vienna |
1992
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| Gloria Patri by Mary Kelly - Herbert F. Johnson Museum of Art, Ithaca, NY |
1985
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| Mary Kelly: Interim - Fruitmarket Gallery, Edinburgh (Scotland) |
Group shows 51
2009
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| Love in the age of postponed democracy, the critical crisis - Kunsthalle Luzern, Luzern |
2008
 |
| 2008 California Biennial - California Biennial, Newport Beach |
|
| WACK! Art and the Feminist Revolution - Vancouver Art Gallery, Vancouver, BC |
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| 16th Biennale of Sydney - Biennale of Sydney, Sydney, NSW |
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| Not Quite How I Remember It - The Power Plant, Toronto, ON |
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| Genau + anders - Mathematik in der Kunst von Dürer bis Sol LeWitt - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
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| WACK!: Art and the Feminist Revolution - P.S.1 Contemporary Art Center, Long Island |
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| Nina in Position - Artists Space, New York City, NY |
2007
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| WACK! Art and the Feminist Revolution - National Museum of Women in the Arts, Washington, DC |
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| A batalla dos xéneros - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
|
| Documenta 12 - Documenta, Kassel |
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| WACK! - Art And The Feminist Revolution - The Geffen Contemporary at MOCA, Los Angeles, CA |
2006
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| The look of law - Room Gallery at University of California, Irvine, CA |
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| ...und so hat Konzept noch nie Pferd bedeutet - Generali Foundation, Vienna |
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| Academy – Learning from Art - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp |
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| Civil Restitutions - Thomas Dane Gallery, London (England) |
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| Technologized Bodies / Embodied Technologies - Art Interactive, Cambridge, MA |
2005
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| Occupying Space - MSU Muzej Suvremene Umjetnosti / Museum of Contemporary Art, Zagreb |
|
| Old News - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
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| 100 Artists See God - Contemporary Art Center of Virginia, Virginia Beach, VA |
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| At the Mercy of Others: The Politics of Care - Whitney Museum of American Art, New York City, NY |
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| Occupying Space - Sammlung Generali Foundation - HDK - Haus der Kunst - München, Munich |
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| Mixed-Up Childhood - Auckland Art Gallery, Auckland |
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| An Leabhar Mor - The Great Book of Gaelic - Lewis Glucksman Gallery, Cork |
2004
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| 100 Artists See God - ICA - Institute of Contemporary Arts London, London (England) |
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| a perfect day for bananafish - Postmasters Gallery, New York City, NY |
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| 2004 Whitney Biennial Exhibition - , New York City, NY |
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| double bind - kunst - kinder - karriere - Paula Modersohn-Becker Museum, Bremen |
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| Dass die Körper sprechen, auch das wissen wir seit langem. - Generali Foundation, Vienna |
2003
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| Identität schreiben – Autobiographie in der Kunst - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
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| Social Strategies - Redefining social realism - University Galleries at Illinois State University, Normal, Il |
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| doublebind.kunst_kinder_karriere - Künstlerhaus Bethanien, Berlin |
2002
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| On generalrelease - The Gallery at Norwich University , Norwich (England) |
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| Gloria - another look at feminist art in the 1970s - White Columns, New York City, NY |
2001
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| Werke aus der Sammlung - Generali Foundation, Vienna |
2000
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| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
1999
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| Einblicke in die Sammlung - Generali Foundation, Vienna |
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| Pencils of Nature - a dialogue - Leslie Tonkonow Artworks + Projects, New York City, NY |
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| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art, New York City, NY |
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| Open ev+a 1999 - ev+a, Limerick |
1997
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| Laughter Ten Years After - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
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| Critical Images - Leslie Tonkonow Artworks + Projects, New York City, NY |
1996
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| Laughter Ten Years After - Arcadia University Art Gallery , Glenside, PA |
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| Ciphers of Identity - Kemper Museum of Contemporary Art, Kansas City, MO |
1995
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| Auf den Leib geschrieben - Kunsthalle Wien (Museumsquartier), Vienna |
1994
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| Ciphers of Identity - Ronald Feldman Fine Arts Inc, New York City, NY |
1993
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| Mistaken Identities - Neues Museum Weserburg Bremen, Bremen |
1991
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| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1985
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| Difference: On Representation and Sexuality - The Renaissance Society at The University of Chicago, Chicago, IL |
| Dealer Directory 2 |
USA
| | Postmasters Gallery, New York City, NY
|
| | Rosamund Felsen Gallery, Santa Monica, CA
|
Public collections 2
Austria
| | Generali Foundation, Vienna
|
Canada
| | Vancouver Art Gallery, Vancouver, BC
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Catalogs
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