 Artist's arttributes:
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| • |
Male |
| • |
Performance |
Most exhibitions in: |
| Country |
№ |
| Germany | 7 |
| USA | 5 |
| France | 4 |
| United Kingdom | 4 |
Biography: 
1967 Born in Beirut (LB)
1989 He graduated in theater from Lebanese University, where he met his wife, Lina Saneh
External links: | | Public exhibitions (Selection) 50
from 25.5.
until 16.6.
until 16.6.
until 25.5.
Solo shows 7
2011
| |
| Rabih Mroué: I, the Undersigned - The People are Demanding - tranzit.cz, Prague |
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| Rabih Mroué I, the Undersigned People Are Demanding - Württembergischer Kunstverein, Stuttgart |
 |
| Rabih Mroué: I, the Undersigned - The People are Demanding - Institute of International Visual Arts - iniva, London (England) |
| |
| Rabih Mroué: I, the Undersigned - Lunds konsthall, Lund |
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| Rabih Mroué - My Leap into the Void - Galerie Sfeir-Semler - Hamburg, Hamburg |
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| Rabih Mroué - Dazibao - centre de photographies actuelles, Montreal, QC |
2010
Group shows 39
2013
| |
| Version Control - Arnolfini, Bristol (England) |
2012
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| Documenta (13) - Documenta, Kassel |
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| The World is not fair - Die große Weltausstellung 2012 - Tempelhofer Park/Ehem. Flughafen Tempelhof, Berlin |
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| Audience as Subject, Part 2: Extra Large - Yerba Buena Center for the Arts, San Francisco, CA |
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| Demonstrationen. Vom Werden normativer Ordnungen - Frankfurter Kunstverein, Frankfurt/Main |
2011
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| Museum as Hub: Beirut Art Center: Due to unforeseen events... - New Museum of Contemporary Art, New York City, NY |
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| Victims & Martyrs - Göteborgs Konsthall, Gothenburg |
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| Situation Z - art-cade - Galerie des grands bains douches de la Plaine, Marseille |
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| Gegoten Lood / revisited - De Markten, Brussels |
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| In the First Circle. A Project by Imogen Stidworthy - Fundación Antoni Tàpies, Barcelona |
2010
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| 1st Ural Industrial Biennial of Contemporary Art - Shockworkers of the Mobile Image - Ural Industrial Biennial, Yekaterinburg |
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| 8th Gwangju Biennale - 10,000 Lives - Gwangju Biennale, Gwangju |
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| Tarjama/Translation - Herbert F. Johnson Museum of Art, Ithaca, NY |
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| Practicing Memory - Cittadellarte - Fondazione Pistoletto, Biella |
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| Alles anders? - Kunsthalle wien project space karlsplatz, Vienna |
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| E-Flux Video Rental - Fondazione Giuliani, Rome |
2009
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| Performa 09 - Performa, New York City, NY |
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| 11th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
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| Tarjama/Translation - Queens Museum of Art (QMA), New York City, NY |
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| Soft Manipzlation - Who is afraid of the new now? - Stiftelsen 3,14, Bergen |
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| The view from elsewhere - Sherman Contemporary Art Foundation - SCAF, Sydney, NSW |
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| 008. Collection, nouvelles connexions - FRAC - Poitou-Charentes, Angoulême |
2008
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| Soft Manipulation - who is afraid of the new now? - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
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| Medium Religion - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
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| Manifesta 7 - Comitato Manifesta 7, Bolzano |
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| Les inquiets - Centre Pompidou - Musée National d´Art Moderne, Paris |
2007
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| In Focus - Tate Modern, London (England) |
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| Coding:Decoding - Stiftelsen 3,14, Bergen |
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| Landschaft (Entfernung) - Württembergischer Kunstverein, Stuttgart |
2006
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| Arteast Collection 2000+23 - Moderna galerija Ljubljana, Ljubljana |
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| Coding:Decoding - Kunsthallen Nikolaj, Copenhagen |
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| 15th Biennale of Sydney 2006 - Biennale of Sydney, Sydney, NSW |
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| Out of Beirut - Modern Art Oxford, Oxford (England) |
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| Hadith: Conversations - Galerie Sfeir-Semler - Beirut, Beirut |
2005
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| Split Subjects - de Appel arts centre, Amsterdam |
2003
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| Contemporary Arab Representations: Beirut/Lebanon - Bildmuseet, Umeå |
2002
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| Fundamentalisms of the New Order - Kunsthal Charlottenborg, Copenhagen |
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| Contemporary Arab Representations, Beirut/Lebanon - Witte de With Center for Contemporary Art, Rotterdam |
| Dealer Directory 2 |
Germany
| | Galerie Sfeir-Semler - Hamburg, Hamburg
|
Lebanon
| | Galerie Sfeir-Semler - Beirut, Beirut
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Catalogs
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