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 Most exhibitions in: |
| Country |
№ |
| USA | 47 |
| Ireland (Republic) | 28 |
| Germany | 25 |
| United Kingdom | 20 |
| Spain | 13 |
| Most exhibitions held at: |
| Institution |
№ |
| |
Irish Museum of Modern Art - IMMA, Ireland (Republic) |
12 |
| |
Kerlin Gallery, Ireland (Republic) |
10 |
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Timothy Taylor Gallery, United Kingdom |
9 |
| |
Galerie Bernd Klüser, Germany |
9 |
| |
Galerie Jamileh Weber, Switzerland |
5 |
Biography: 
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Courtesy by "Ingleby Gallery", Edinburgh (Scotland)
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30.6.1945 Born in Dublin (Baile Átha Cliath) (IE)
1949 - 1959 Family moves to London.
Grows up in a working-class area of south London and attends local convent schools. Paintings in Catholic churches have an important influence on him. The nine-year-old schoolboy wants to become an artist.
Becomes interested in American rhythm and blues music and starts a music club of his own. Retains his interest in popular music all his life.
1960 - 1962 Apprenticed at a commercial printing shop in London. Joins a graphic design studio.
1962 - 1965 Attends evening classes at the Central School of Art, London.
Is interested in figurative painting.
1964 Sees Vincent van Gogh’s painting Chair at Tate Gallery. Its feeling of honesty has a profound effect.
1965 Decides to dedicate himself entirely to art studies. Studies at the Croydon College of Art, London, until 1968.
Is interested in van Gogh, Emil Nolde, Karl Schmidt-Rottluff and Henri Matisse.
Discovers Abstract Expressionism.
1967 Comes across a copy of Mark Rothko’s exhibition catalogue of 1961. Abandons figurative painting altogether. Influenced also by Bridget Riley’s Op Art.
1968 - 1972 Attends Newcastle University, Newcastle-upon-Tyne, England. After graduation remains as teaching assistant. At the same time teaches one day a week at the Sunderland College of Art.
His technically flawless paintings consist of a complicated grid system of intersecting bands and lines, which form a rich optical field. The illusion of depth and space is activated by colour contrasts. The influence of the Op Art is clearly visible.
Visits Morocco in 1969. The stripes and colours of local textiles and carpets and the southern light make as deep an impression as they did on Eugene Delacroix, Matisse and Paul Klee.
1970 Awarded the Stuyvesant Foundation Prize.
1972 - 1973 Awarded the John Knox Fellowship. Makes his first visit to the United States. Attends Harvard University, Cambridge, Massachusetts. Experiments with new techniques. Starts using tape and spray paints in paintings composed of grids of interlacing vertical and horizontal or diagonal bands and stripes. All expressiveness is omitted.
1973 After returning to England has his first solo exhibition at the Rowan Gallery, London.
Sells out the entire show.
Inset #2 means a temporary break in his rigid grid system and prefigures his device of the inset canvas, which becomes his distinctive feature from the beginning of the 1980s.
1973 - 1975 Teaches at the Chelsea College of Art and Design and Goldsmith’s College of Art and Design, London.
1975 Creates Change, a series of 50 acrylic works on paper. The pivotal series reflects the crises of his personal life. At the same time it prefigures the large, spatially hermetic dark canvases of the following years.
Awarded the Harkness Fellowship for two years. Moves to New York. Lives with the artist Catherine Lee. American art, especially Minimalism, and his friendship with Robert Ryman encourage him to simplify his expression.
1977 Has his first solo exhibition in New York at the Duffy-Gibbs Gallery.
1978 Marries painter Catherine Lee.
1978 - 1982 Teaches part-time at Princeton University, New Jersey, USA. Develops important friendships and contacts in the academic and art world.
At this time his paintings are grey or dark, almost monochrome “Black paintings”. The composition is pared down to the extreme. Sets of squares are replaced by thin horizontal or vertical lines.
1979 Decides together with his wife to choose from his works every year one especially important or typical work to be named after her. This marks the beginning of his private collection, the Catherine Paintings series.
1980 Travels to Mexico. Inspired by the trip, he begins painting from nature, transcribing his experience of colour and light directly on the paper with watercolours. Before 1980 used watercolour only occasionally.
1981 Has first retrospective at the Ikon Gallery, Birmingham, England. The exhibition travels within the United Kingdom under the auspices of the Arts Council of Great Britain.
Starts to withdraw from Minimalist aesthetics. Colour and space return. Stops taping his stripes and starts drawing them freehand. Brushstrokes are clearly visible. A soft painterly outline becomes characteristic of his works. Gets his richness of colour by overpainting in many different layers.
The large polyptych Backs and Fronts, his manifesto painting is completed.
1981 - 1984 Professor at the Parsons School of Art, New York, USA.
1982 Spends part of the summer working at the artists’ colony founded by Edward Albee at Montauk, Long Island. Produces small works on panel.
Reaches maturity in Heart of Darkness. Combines rigid geometry with expressive texture and colour.
1982 - 1983 Uses his inset technique with more freedom. Combines and recombines canvases to make polyptychs.
1983 Becomes American citizen.
Paul, his nineteen-year-old son from a previous marriage, dies in a car accident in London.
Receives the National Endowment for the Arts Fellowship.
Receives the Guggenheim Fellowship.
Begins his first collaboration with a printer. This prefigures his long-term commitment to printmaking using various graphic techniques.
1984 International breakthrough.
Dedicates his painting Paul to his deceased son.
Receives the National Endowment for the Arts Fellowship
Selected for the exhibition entitled An International Survey of Recent Painting and Sculpture.
1985 Has his first solo exhibition in an American museum the Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania. The exhibition travels to the Museum of Fine Arts, Boston, Massachusetts.
Major museums acquire large-scale Modernist paintings by Scully at a time when Postmodernism is the dominant trend.
The paintings become more physical, to the point where they can stand freely on the floor without any need for support, although they are conceived to hang on the wall.
1987 Changes to a less complex, flatter and smaller scale of working.
Uses the inset for the first time by embedding a small canvas into a large one.
1987 - 1990 Makes a number of visits to Mexico. Exposure to new sources of visual stimuli can be seen in new watercolours and works on paper.
1988 Introduces an element of steel for the first time.
1989 Has his first solo exhibition in a European museum at the Whitechapel Art Gallery, London. The exhibition travels to Palacio Velázquez, Madrid and to Städtische Galerie im Lenbachhaus, Munich.
1990 Maurice Poirier’s monograph is published by Hudson Hills Press, New York. Photographs by Scully published for the first time, in black and white as illustrations and in colour in the paintings section.
1991 Starts to incorporate his insets into large steel frames.
Returns to the checkerboard motif, which he used quite early in his oeuvre.
1992 In December revisits Morocco to make a film for the BBC on Matisse, who visited Morocco in 1912-13.
Lectures at Harvard.
1993 Has his first exhibition of the Catherine Paintings in the Museum of Modern Art of Fort Worth, Texas.
1994 Makes first paintings at his new studio in Barcelona.
1994 Participates in the Joseph Beuys Lectures 1995 on the state of contemporary art in Britain, Europe and the United States, Ruskin School of Drawing and Fine Art, Oxford University, England.
Starts making three-dimensional Floating Paintings. These are rectangular vertical sheet metal boxes attached to the wall along one of the narrowest sides. The other sides are covered by painted vertical stripes.
1996 Visits Morocco. The portfolio Atlas Walls of 1998 includes several photos from this trip.
1997 Photographs exhibited for the first time, Sala de Exposiciones Rekalde, Bilbao, Spain.
1998 Participates in a colloquium held in conjunction with the exhibition “Richard Pousette-Dart (1916-1992)”, Metropolitan Museum of Art, New York.
1999 Visits Santo Domingo. The portfolio Santo Domingo for Nené consists of photos taken during this trip.
Paints Chelsea Wall, the first painting in the new studio in Chelsea, New York City.
2000 Becomes an Honorary Fellow of the London Institute of Arts and Letters.
2001 Becomes a member of Aosdána, an Irish affiliation of artists engaged in literature, music and the visual arts.
2002 Starts working as a part-time professor of painting at Akademie der Bildenden Künste, Munich, Germany.
2003 Receives the degree of an Honorary Doctor of Fine Arts from the Massachusetts College of Art, the United States, and the National University of Ireland.
Lives and works in New York, NY (US), Barcelone (ES) and Munich (DE)
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Public exhibitions 172
until 23.12.
Solo shows 60
2009
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| Sean Scully - Ulster Museum, Belfast (Northern Ireland) |
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| Konstantinopel oder die versteckte Sinnlichkeit - MKM Museum Küppersmühle für Moderne Kunst, Duisburg |
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| Sean Scully - Paintings from the 80s - Timothy Taylor Gallery, London (England) |
2008
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| La surface peinte - Galerie Lelong - Paris, Paris |
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| Sean Scully - MACRO Future, Rome |
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| Sean Scully - Musée d'Art moderne de Saint-Etienne, Saint-Etienne |
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| Sean Scully: The Art of the Stripe - Hood Museum of Art, Hanover, NH |
2007
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| PHOTOGRAPHIEN UND GRAPHIK - Galerie Bernd Klüser, Munich |
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| The Prints of Sean Scully - Naples Museum of Art, Naples, FL |
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| Sean Scully - Galerie Jamileh Weber, Zurich |
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| Sean Scully - Fundación Joan Miró, Barcelona |
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| Sean Scully - Portfolio – Santo Domingo for Nené - Museum Pfalzgalerie Kaiserslautern, Kaiserslautern |
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| Sean Scully - Kerlin Gallery, Dublin |
2006
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| Sean Scully - Timothy Taylor Gallery, London (England) |
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| Sean Scully - Weston Link, Edinburgh (Scotland) |
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| Sean Scully. Wall of light - The Metropolitan Museum of Art, New York City, NY |
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| Sean Scully - Wall of Light - Cincinnati Art Museum, Cincinnati, OH |
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| Sean Scully - L.A. Louver Gallery, Venice, CA |
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| Sean Scully - Architektur der Farbe - Kunstmuseum Liechtenstein, Vaduz |
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| Sean Scully - Wall of Light - The Modern Art Museum of Fort Worth, Fort Worth, TX |
2005
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| Sean Scully - Mirrors 1982 - 2004 - Centre de la Gravure et de l'Image imprimée, La Louvière |
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| Sean Scully - New Work - Galerie Lelong - New York, New York City, NY |
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| Sean Scully - Paintings & Works on Paper - Abbot Hall Art Gallery, Kendal, Cumbria (England) |
2004
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| Sean Scully - Body of Light - National Gallery of Australia, Canberra, ACT |
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| Sean Scully - Galerie Lelong - Paris, Paris |
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| Sean Scully. Estampes 1983 - 2003 - Centre Culturel Irlandais, Paris |
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| Sean Scully - Kerlin Gallery, Dublin |
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| Sean Scully - Galerie Bernd Klüser, Munich |
2003
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| Sean Scully - Prints and Photographs - Alexander and Bonin, New York City, NY |
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| Sean Scully - Photographs - L.A. Louver Gallery, Venice, CA |
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| Sean Scully - The Color of Time - Galerie Jamileh Weber, Zurich |
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| Sean Scully - Sara Hildén Art Museum, Tampere |
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| Sean Scully - Timothy Taylor Gallery, London (England) |
2002
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| Sean Scully - Galerie Lelong - New York, New York City, NY |
2001
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| Sean Scully - Walls, Windows, Horizons - David Winton Bell Gallery, Providence, RI |
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| Sean Scully - Galerie Bernd Klüser, Munich |
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| Sean Scully - Die neunziger Jahre - HDK - Haus der Kunst - München, Munich |
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| Sean Scully - Galerie Dittmar, Berlin |
2000
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| Sean Scully on Paper - The Metropolitan Museum of Art, New York City, NY |
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| Sean Scully - Works on Paper, 1975-1996 - Albright-Knox Art Gallery, Buffalo, NY |
1999
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| Sean Scully - Galerie Bernd Klüser, Munich |
1998
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| Sean Scully - Works on Paper 1975-1996 - Denver Art Museum, Denver, CO |
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| Sean Scully - Timothy Taylor Gallery, London (England) |
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| Sean Scully - Bawag Foundation, Vienna |
1997
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| Sean Scully - Bilder und Arbeiten auf Papier - Galerie Jamileh Weber, Zurich |
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| Sean Scully - Mary Boone Gallery - 745 Fifth Avenue, New York City, NY |
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| Sean Scully - Sala Rekalde, Bilbao |
1996
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| Sean Scully - Arbeiten auf Papier - Museum Folkwang Essen, Essen |
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| Sean Scully : The Catherine Paintings & Watercolours - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
1995
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| Sean Scully - Mary Boone Gallery - 745 Fifth Avenue, New York City, NY |
1993
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| Sean Scully: The Catherine Paintings - The Modern Art Museum of Fort Worth, Fort Worth, TX |
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| Sean Scully - Mary Boone Gallery - 745 Fifth Avenue, New York City, NY |
1992
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| Sean Scully: New Prints - Greenfield Sacks Gallery, Santa Monica, CA |
1989
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| Sean Scully - Whitechapel Art Gallery, London (England) |
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| Sean Scully Recent woodcuts and etchings - Greg Kucera Gallery, Seattle, WA |
1987
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| Sean Scully / MATRIX 112 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
Group shows 111
2009
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| Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN |
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| Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA |
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| Sammlung der Fundación La Caixa - Kunsthalle in Emden, Emden |
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| Drei. Das Tryptichon in der Moderne - Kunstmuseum Stuttgart - Galerie der Stadt Stuttgart, Stuttgart |
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| Made in USA - L’art américain dans les collections du Centre de la Gravure - Centre de la Gravure et de l'Image imprimée, La Louvière |
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| Synchronies: Undercurrents in Postwar European and American Abstraction - Hackett Freedman Gallery, San Francisco, CA |
2008
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| FIFTY PERCENT SOLITUDE - Kerlin Gallery, Dublin |
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| Hugh Lane Centenary Print Collection - Dublin City Gallery The Hugh Lane, Dublin |
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| REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Bernd Klüser, Munich |
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| Summer Show - Timothy Taylor Gallery, London (England) |
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| A Year in Drawing - Galerie Lelong - New York, New York City, NY |
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| Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA |
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| Celebrating 20 year - Kerlin Gallery, Dublin |
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| Rhythmus 21 - Positionen des Abstrakten - Städtische Galerie im Lenbachhaus & Kunstbau, Munich |
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| Unique Act - Dublin City Gallery The Hugh Lane, Dublin |
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| Monet - Kandinsky - Rothko und die Folgen - Bank Austria Kunstforum, Vienna |
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| MAXImin - Fundación Juan March, Madrid |
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| Degas to Diebenkorn: The Phillips Collects - The Phillips Collection, Washington, DC |
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| For the Spirit - From the UBS Art Collection - Mori Art Museum, Tokyo |
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| Masterpieces of Modern British Art - OSBORNE SAMUEL, London (England) |
2007
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| La vida privada - Coleccion Josep Civit - CDAN - Centro de Arte y Naturaleza - Fundación Beulas, Huesca |
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| No Answer is also an answer - Recent Acquisitions 2005 – 2007 - Dublin City Gallery The Hugh Lane, Dublin |
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| frisch gestrichen - museum franz gertsch, Burgdorf |
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| Themes and Variations in Painting and Sculpture - MFAH - Museum of Fine Arts Houston, Houston, TX |
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| Summer Group Show - Kerlin Gallery, Dublin |
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| Collecting the Past, Present & Future - Highlights of British Art From Turner to Freud - Abbot Hall Art Gallery, Kendal, Cumbria (England) |
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| Große Malerei - Lentos Kunstmuseum Linz, Linz |
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| Antes y después del minimalismo - Museu d´Art Espanyol Contemporani (Fundación Juan March), Palma de Mallorca |
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| (I’m Always Touched) By Your Presence, Dear - New Acquisitions - Irish Museum of Modern Art - IMMA, Dublin |
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| Radharc - Galway Arts Centre, Galway |
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| Klasse Skully 2007 - whiteBOX e.V., Kultfabrik, Munich |
2006
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| Gallery Artists - Kerlin Gallery, Dublin |
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| Summer Group Show - Kerlin Gallery, Dublin |
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| Big Juicy Paintings - MAM - Miami Art Museum, Miami, FL |
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| "Kunst und Photographie, Photographie und Kunst" - Galerie Bernd Klüser, Munich |
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| Nomaden im Kunstsalon - Begegnungen mit der Moderne von Bayer bis Sol LeWitt - Lentos Kunstmuseum Linz, Linz |
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| Selected Works - John Berggruen Gallery, San Francisco, CA |
2005
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| GROUP SHOW Gallery Artists - Kerlin Gallery, Dublin |
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| Drawings and Works on Paper from the IMMA Collection - Irish Museum of Modern Art - IMMA, Dublin |
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| Stephan Girard, Nicolas Ruel, Sean Scully - Galerie Lacerte Art Contemporain, Quebec City |
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| Pairings II - Hackett Freedman Gallery, San Francisco, CA |
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| Sean Scully, Stephan Girard, Nicolas Ruel - Galerie Orange Art Contemporain, Montreal, QC |
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| Summer Group Show - Kerlin Gallery, Dublin |
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| Summer Show - Pyms Gallery, London (England) |
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| fotografia 2005 - Estiarte, Madrid |
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| Summer Group Show - McKee Gallery, New York City, NY |
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| Eye of the Storm: The IMMA Collection - Irish Museum of Modern Art - IMMA, Dublin |
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| Nueva tecnología-nueva iconografía-nueva fotografía - Museo de Arte Abstracto Español, Cuenca |
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| The giving person - PAN - Palazzo delle Arti di Napoli, Naples |
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| After The Thaw - Recent Irish Art from the AIB Collection - Crawford Municipal Art Gallery, Cork |
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| Western Biennale of Art - John Natsoulas Center for the Arts, Davis, CA |
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| Von Paul Gauguin bis Imi Knoebel. Werke aus der Hilti art foundation - Kunstmuseum Liechtenstein, Vaduz |
2004
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| the Gallery selects... - Alexander and Bonin, New York City, NY |
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| Bloomsday 16. Juni 1904 - 16. Juni 2004 - Galerie Bernd Klüser, Munich |
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| Matisse to Freud: A Critic's Choice - The Alexander Walker Bequest - British Museum, London (England) |
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| Monocromos - de Malevich al presente - Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid |
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| Views from an Island and Representing the Táin - Shanghai Art Museum, Shanghai |
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| In the Time of Shaking: Irish artists for Amnesty International - Irish Museum of Modern Art - IMMA, Dublin |
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| Bearings: Landscapes from the IMMA Collection - Irish Museum of Modern Art - IMMA, Dublin |
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| A Vision of Modern Art in Memory of Dorothy Walker - Irish Museum of Modern Art - IMMA, Dublin |
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| Picasso to Thiebaud - Cantor Arts Center at Stanford University, Stanford, CA |
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| Under $2,000 Albers < Zaugg - Brooke Alexander Editions, New York City, NY |
2003
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| The Eighties - Part II: USA - Galerie Bernd Klüser, Munich |
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| "Nachbarschaften" - Arbeiten auf Papier - Galerie Dittmar, Berlin |
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| Streifzüge - Galerie Lelong - Zürich, Zurich |
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| Divergent - Galerie Lelong - New York, New York City, NY |
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| Museum Store Collects - ASU Art Museum - Arizona State University Art Museum, Tempe, AZ |
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| Group Show - Timothy Taylor Gallery, London (England) |
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| Avantgarde und Tradition - Lentos Kunstmuseum Linz, Linz |
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| Graphische Suiten der Edition Bernd Klüser - Galerie Bernd Klüser, Munich |
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| Human Stories - Photographs and paintings from the Essl Collection - Ludwig Museum - Museum of Contemporary Art - Budapest, Budapest |
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| Naturalezas urbanas - Galería Manuel Ojeda, Las Palmas de Gran Canaria |
2002
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| Multiples - Galerie Kandler, Toulouse |
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| Independent Visions - John Berggruen Gallery, San Francisco, CA |
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| Extranjeros - Los otros artistas españoles - Museo de Arte Contemporáneo Esteban Vicente, Segovia |
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| No Object, No Subject, No Matter... - Irish Museum of Modern Art - IMMA, Dublin |
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| Eight New Paintings - Kerlin Gallery, Dublin |
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| Augenblick - Foto/Kunst - Essl Museum, Klosterneuburg |
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| The Rowan Collection: Contemporary British and Irish Art - Irish Museum of Modern Art - IMMA, Dublin |
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| Selected Works - A Collection - Galerie Jamileh Weber, Zurich |
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| Profile of a Collection: The Gordon Lambert Trust Collection at IMMA - Irish Museum of Modern Art - IMMA, Dublin |
2001
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| Content is a Glimpse - Timothy Taylor Gallery, London (England) |
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| Prints by Painters: American Abstractions - Henry Art Gallery, Seattle, WA |
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| Group Show - McKee Gallery, New York City, NY |
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| Group Show - McKee Gallery, New York City, NY |
2000
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| Import - Irish Museum of Modern Art - IMMA, Dublin |
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| Une Ville-Une Collection - Centre de la Gravure et de l'Image imprimée, La Louvière |
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| Group Show - Timothy Taylor Gallery, London (England) |
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| Collección MMKSLW: Viena, de Warhol a Cabrita Reis - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
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| Works on Paper - Timothy Taylor Gallery, London (England) |
1999
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| Zeitschnitt 1900-2000 - 100 Jahre, 100 Werke - Lentos Kunstmuseum Linz, Linz |
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| 1999 Drawings - Alexander and Bonin, New York City, NY |
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| "Pars Pro Toto" - Galerie Lelong - Zürich, Zurich |
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| 25 Jahre - 25th anniversary - Galerie Jamileh Weber, Zurich |
1998
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| Cleveland Collects Contemporary Art - The Cleveland Museum of Art, Cleveland, OH |
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| Sarajevo 2000 - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
1997
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| The Pursuit of Painting - Irish Museum of Modern Art - IMMA, Dublin |
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| Without trembling - Galerie Fortlaan 17, Gent |
1996
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| José María Sicilia y Sean Scully - Obra gráfica reciente - Galeria Moises Perez de Albeniz, Pamplona |
1995
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| The Painterly Print - Greg Kucera Gallery, Seattle, WA |
1992
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| New Editions - Greg Kucera Gallery, Seattle, WA |
1988
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| Discreet Formalities - Greg Kucera Gallery, Seattle, WA |
| Dealer Directory 34 |
Austria
Canada
| | Galerie Orange Art Contemporain, Montreal, QC
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| | Galerie Lacerte Art Contemporain, Quebec City
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| | Nicholas Metivier Gallery, Toronto, ON
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France
| | Galerie Lelong - Paris, Paris
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Germany
| | Baukunst Galerie, Cologne
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| | Galerie Ulrike Schmela, Dusseldorf
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| | Galerie Bernd Klüser, Munich
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Ireland (Republic)
Spain
| | Galería Carles Taché, Barcelona
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| | Pedro Peña Art Gallery, Marbella
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| | Galería DV, San Sebastián
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| | Galería Antonia Puyó, Zaragoza
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Switzerland
| | Galerie Jamileh Weber, Zurich
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United Kingdom
| | Adam Gallery, London (England)
|
| | Alan Cristea Gallery, London (England)
|
| | Timothy Taylor Gallery, London (England)
|
| | Caroline Wiseman, London (England)
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USA
| | The Barbara Krakow Gallery, Boston, MA
|
| | Alexander and Bonin, New York City, NY
|
| | Galerie Lelong - New York, New York City, NY
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| | Edward Tyler Nahem, New York City, NY
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| | Diane Villani Editions, New York City, NY
|
| | Works on Paper, Inc. WP Editions, Philadelphia, PA
|
| | John Berggruen Gallery, San Francisco, CA
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| | Crown Point Press, San Francisco, CA
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| | Graystone, San Francisco, CA
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| | L.A. Louver Gallery, Venice, CA
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Public collections 34
Austria
| | Essl Museum, Klosterneuburg
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| | Lentos Kunstmuseum Linz, Linz
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| | Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna
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Finland
| | Kiasma - Museum of Contemporary Art, Helsinki
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Germany
| | Museum Folkwang Essen, Essen
|
| | ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe
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| | Museum Schloß Wilhelmshöhe, Kassel
|
| | Städtische Galerie im Lenbachhaus & Kunstbau, Munich
|
| | Von der Heydt Museum, Wuppertal
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Ireland (Republic)
| | Dublin City Gallery The Hugh Lane, Dublin
|
| | Irish Museum of Modern Art - IMMA, Dublin
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Italy
| | Galleria d´Arte Moderna di Bologna - GAM, Bologna
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| | Collezione Maramotti, Reggio Emilia
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Japan
| | Bridgestone Museum of Art, Tokyo
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Spain
| | Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid
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Switzerland
United Kingdom
| | Birmingham Museums & Art Gallery, Birmingham (England)
|
| | Kettle's Yard, Cambridge, Cambridgeshire (England)
|
| | Dundee Contemporary Arts - DCA, Dundee (Scotland)
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| | Tate Britain, London (England)
|
| | Whitworth Art Gallery, Manchester (England)
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USA
| | MIT List Visual Arts Center, Cambridge, MA
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| | Ackland Art Museum, Chapel Hill, NC
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| | Des Moines Art Center, Des Moines, IA
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| | The Modern Art Museum of Fort Worth, Fort Worth, TX
|
| | MFAH - Museum of Fine Arts Houston, Houston, TX
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| | Kemper Museum of Contemporary Art, Kansas City, MO
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| | The Snite Museum of Art, Notre Dame, IN
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| | David Winton Bell Gallery, Providence, RI
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| | Daum Museum of Contemporary Art, Sedalia, MO
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| | The Corcoran Gallery of Art, Washington, DC
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| | The Phillips Collection, Washington, DC
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Catalogs
| | "The Color of Time - The Photographs of Sean Scully"- Galerie Bernd Klüser, Munich |
| | Sean Scully "Barcelona Paintings"- Galerie Bernd Klüser, Munich |
| | Sean Scully "Cat. Raisonne 1968-1999"- Galerie Bernd Klüser, Munich |
| | Sean Scully "Die Moderne und die Grenze der Vergegenständlichung"- Galerie Bernd Klüser, Munich |
| | Sean Scully "Works on Paper"- Galerie Bernd Klüser, Munich |
| | Sean Scully "The Beauty of the Real"- Galerie Bernd Klüser, Munich |
| | Sean Scully "Paintings and Works on Paper"- Galerie Bernd Klüser, Munich |
| | Sean Scully Ausstellungskatalog Düsseldorf/München- Galerie Bernd Klüser, Munich |
|
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