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See further information relating to Sebastián Díaz Morales - + 52 Exhibitions
- + 2 Galleries
- + 3 Public collections
- + Exhibition Analyser
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Most exhibitions in: |
| Country |
№ |
| France | 12 |
| Netherlands | 10 |
| Germany | 9 |
| USA | 4 |
| Spain | 4 |
Most exhibitions held at: |
| Institution |
№ |
| |
Galerie Carlier | Gebauer, Germany |
3 |
| |
Netherlands Media Art Institute - Montevideo/Time Based Arts, Netherlands |
2 |
| |
Centro Andaluz de Arte Contemporáneo (CAAC), Spain |
2 |
| |
De Appel, Netherlands |
2 |
Biography: 
1975 Born in Comodoro Rivadavia (AR)
1993 - 1999 Universidad del Cine de Antin, Capital Federal, Argentina
2000 - 2001 Rijksakademie Van Beeldende Kunsten, Amsterdam, Netherlands
Scholarship 2000 Rijksakademie Van Beeldende Kunsten, Ministry of Foreign Affairs, RAIN Network: “PULSE” Workshop, Durban, South Africa.
Grant Fundacion Antorchas, Argentina
2001 Mondrian Foundation: “Joubert Park Exhibition”, Johannesburg, South Africa
Rijksakademie Van Beeldende Kunsten, Ministry of Foreign Affairs, RAIN Network: “RUANG RUPA” Workshop, Jakarta, Indonesia
2002 Rijksakademie Van Beeldende Kunsten, Ministry of Foreign Affairs, RAIN Network: Diego Gutierrez initiative Workshop, Mexico City
Lives and works in Amsterdam and Argentina
| | Public exhibitions 55 
until 10.1.2010
until 10.1.2010
Solo shows 7
2007
| |
| Sebastian Diaz Morales - Galerie Carlier | Gebauer, Berlin |
2005
| |
| Sebastian Diaz Morales - Prototypes - Galerie Carlier | Gebauer, Berlin |
2004
| |
| Sebastián Díaz Morales - Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin |
2003
 |
| In A Not So Distant Future - Sebastian Diaz Morales - Stedelijk Museum Bureau Amsterdam, Amsterdam |
| |
| Sebastian Diaz Morales - Reinier van Ewijk Projects (former Buro Empty), Amsterdam |
2002
 |
| Sebastian Diaz Morales - "The Apocalyptic Man" - Galerie Carlier | Gebauer, Berlin |
 |
| Sebastian Diaz Morales - Just like a That Productions - Städtisches Museum Abteiberg, Mönchengladbach |
Group shows 46
2009
 |
| BLICKMASCHINEN / Visual Tactics or how pictures emerge - Műcsarnok Kunsthalle, Budapest |
| |
| On Joy, Sadness and Desire - Smart Project Space, Amsterdam |
| |
| Visionaries - Audiovisual Works in Latin America - Biblioteca Luis Ángel Arango del Banco de la Repúb, Santafé de Bogota |
 |
| In Search of the Unknown - Netherlands Media Art Institute - Montevideo/Time Based Arts, Amsterdam |
| |
| Animated Painting - Faulconer Gallery, Grinnell, IA |
2008
| |
| Déplacements - Le 10 Neuf - Centre Régional d'Art Contemporain, Montbéliard |
| |
| Dans la nuit des images - Galeries nationales du Grand Palais, Paris |
| |
| Blickmaschinen oder wie Bilder entstehen. Die zeitgenössische Kunst schaut auf die Sammlung Werner Nekes - Museum für Gegenwartskunst Siegen, Siegen |
 |
| Interstitial Zones - Historical Facts, Archaeologies of the Present and Dialectics of Seeing - Argos, Brussels |
| |
| H Box - Tate Modern, London (England) |
| |
| Locked in - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| Argentinos en el exterior - MAMBA - Museo de Arte Moderno de Buenos Aires, Buenos Aires |
| |
| le bruissement des images - Centre photographique d’Ile-de-France, Pontault Combault |
| |
| Geopolitics of the Animation - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Resonant Visions - Contemporary video from Latin America - NGV National Gallery of Victoria, Melbourne, VIC |
| |
| HBOX PROJECT - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
| |
| Collection Videos & Films Jean-Conrad & Isabelle Lemaitre - Kunsthalle zu Kiel der Christian-Albrechts-Universität, Kiel |
2007
| |
| Résidents - Espace EDF Electra, Paris |
 |
| Territoires de l´Image - Palais des Beaux-Arts Lille, Lille |
| |
| Animated Painting - San Diego Museum of Art, San Diego, CA |
| |
| Geopolíticas de la animación - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla |
| |
| Art Protects - Yvon Lambert - Paris, Paris |
| |
| A for Alibi - De Appel, Amsterdam |
| |
| Who is here - MMCA Macedonian Museum of Contemporary Art, Thessaloniki |
| |
| E-flux Video Rental - Centre culturel Suisse, Paris |
| |
| e-flux video rental - Carpenter Center for the Visual Arts, Cambridge, MA |
 |
| Sebastian Diaz Morales / Eva Stefani / Constantinos Hadzinikolaou - ViewMaster - Qbox gallery, Athens |
2006
| |
| ON / OFF - FRAC - Lorraine, Metz |
| |
| Just in Time – Proposal for Municipal Art Acquisitions - Stedelijk Museum Amsterdam, Amsterdam |
| |
| E-Flux Video Rental - Arthouse at the Jones Center - Contemporary Art for Texas, Austin, TX |
| |
| curator for one day - Netherlands Media Art Institute - Montevideo/Time Based Arts, Amsterdam |
 |
| Biennale of Sydney 2006 - Biennale of Sydney, Sydney, NSW |
| |
| Nederland 1 - museumgoudA, Gouda |
2005
| |
| Buenos días Santiago - una exposición como expedición - MAC Museo de Arte Contemporáneo. Universidad de Chile, Santiago |
| |
| Rencontres Internationales Paris/Berlin 2005 - roARaTorio - Rencontres Internationales Paris/Berlin, Paris |
| |
| T1 Torino Triennale Tremusei - Torino Trienniale, Turin |
| |
| 11ème Biennale de l’Image en Mouvement - Biennale de l'Image en Mouvement, Geneva |
| |
| e-flux video rental - Portikus, Frankfurt/Main |
2004
| |
| Ralentir vite - FRAC - Ile-de-France Le Plateau, Paris |
 |
| Dedicated to a Proposition - Extra City - Center for Contemporary Art, Antwerp |
 |
| SITUATIONS CONSTRUITES - attitudes - espace d'arts contemporains, Geneva |
| |
| De leur temps. Collections privées Francaises - Musee des Beaux Arts Tourcoing, Tourcoing |
| |
| Panorama 5 - Le Fresnoy, Studio national des arts contemporains, Tourcoing |
| |
| Emotions Eins - Frankfurter Kunstverein, Frankfurt/Main |
2001
 |
| In the Mean Time... - De Appel, Amsterdam |
Dealer Directory 2 |
Belgium
| | Galerie Catherine Bastide, Brussels
|
Germany
| | Galerie Carlier | Gebauer, Berlin
|
Public collections 3

France
| | FRAC - Franche-Comté, Besançon
|
Netherlands
| | Netherlands Media Art Institute - Montevideo/Time Based Arts, Amsterdam
|
United Kingdom
| | Tate Britain, London (England)
|
Catalogs
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