 Artist's arttributes:
|
| • |
Female |
| • |
Video |
Most exhibitions in: |
| Country |
№ |
| Germany | 21 |
| Switzerland | 15 |
| United Kingdom | 13 |
| Austria | 12 |
| Spain | 10 |
Most exhibitions held at: |
| Institution |
№ |
| |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Germany |
3 |
Biography: 
1955 Born in Zürich, ZH (CH)
External links: | | Public exhibitions (Selection) 127
from 1.6.
from 25.5.
until 30.6.
Solo shows 9
2013
| |
| Ursula Biemann - Egyptian Chemistry – Deep Weather – Sahara Chronicle - NBK - Neuer Berliner Kunstverein, Berlin |
2012
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| Ursula Biemann - Sahara Chronicle - Kunstverein Konstanz e.V., Konstanz |
| |
| Ursula Biemann - Mission Reports - Lentos Kunstmuseum Linz, Linz |
2011
| |
| Stanstead Project, Or How To Cross The Border: Part 1 - Foreman Art Gallery of Bishop’s University, Sherbrooke, QC |
2009
| |
| Ursula Biemann - Black Sea Files - Arnolfini, Bristol (England) |
| |
| Ursula Biemann: MISSION REPORTS - Kunsthallen Nikolaj, Copenhagen |
2008
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| Black Sea Files and Sahara - VOID , Derry (Northern Ireland) |
2007
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| Ursula Biemann - Bildmuseet, Umeĺ |
2006
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| Europlex. Border Zones - Fondazione Adriano Olivetti, Rome |
Group shows 115
2013
| |
| Passports: Globalisation in Contemporary European Video - Lewis Glucksman Gallery, Cork |
2012
| |
| Cartografías contemporáneas - CaixaForum Barcelona, Barcelona |
| |
| Cartografías contemporáneas. Dibujando el pensamiento - CaixaForum Madrid, Madrid |
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| A Balea Negra. X Aniversario Do Marco - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Border Crossing - Kunsthallen Brandts, Odense |
| |
| Status 24 - Dokumente Von Heute - Fotomuseum Winterthur, Winterthur |
| |
| All That Fits: The Aesthetics of Journalism - QUAD Gallery, Derby (England) |
| |
| Unheimliche Reisen - Archiv trifft Gegenwart - Dienstgebäude, Zurich |
| |
| Care Crisis - Futura, Prague |
| |
| inter/act: Neue Soziale Skulpturen 0: Archive of Shared Interests - Kunstmuseum Thun, Thun |
2011
| |
| The Oil Show - HMKV - Hartware MedienKunstVerein, Dortmund |
| |
| Communitas Unter anderen - Camera Austria, Graz |
| |
| The Global Contemporary, Art Worlds After 1989 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
 |
| ARS 11 - Kiasma - Museum of Contemporary Art, Helsinki |
| |
| DISLOCACIÓN. Kulturelle Verortung in Zeiten der Globalisierung - Kunstmuseum Bern, Bern |
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| Well Formed Data - Gallery 101, Ottawa, ON |
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| Never that's when - Open Space - Zentrum für Kunstprojekte, Vienna |
2010
| |
| No Ifs, No Buts - Depo, Istanbul |
| |
| Atlas. Truths, intervals, details and the afterlives of the image - Centre d´Art Contemporain Geneve, Geneva |
| |
| Nous ne notons pas les fleurs, dit le géographe - Bétonsalon, Paris |
| |
| DWELLING-IN-TRAVEL - Art Today Association - Center for Contemporary Art, Plovdiv |
| |
| Dislocación - MAC Museo de Arte Contemporáneo. Universidad de Chile, Santiago |
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| Dislocacion - Museo de la Solidaridad Salvador Allende, Santiago |
| |
| TRANSIENT SPACES – The Tourist Syndrome - Kunstraum Kreuzberg / Bethanien, Berlin |
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| Transient Spaces - The Tourist Syndrome - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
| |
| La revanche de l'archive photographique - Centre de la photographie, Geneva |
| |
| Uneven Geographies - Uneven Geographies - Nottingham Contemporary, Nottingham (England) |
| |
| La memoria del otro - MNBA - Museo Nacional de Bellas Artes Santiago Chile, Santiago |
| |
| geography of transterritories - Walter and McBean Galleries at San Francisco Art Institute, San Francisco, CA |
| |
| talk talk. Das Interview als künstlerische Praxis - galerie5020, Salzburg |
2009
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| Archive of Shared Interests – Transfer Zone – Temporary Life – Temporary Communities - White Space - Zürich, Zurich |
| |
| Liquid Archives – Notes on Relations, Ruptures and Silences - Platform3 - Räume für zeitgenössische Kunst, Munich |
| |
| Soft Fiction - Centro Cultural Okendo, San Sebastián |
| |
| talk talk. Das Interview als künstlerische Praxis - Kunstverein Medienturm, Graz |
| |
| Ursula Biemann / Hannes Rickli - Helmhaus Zürich, Zurich |
| |
| Rebelle - Kunst & Feminisme 1969 - 2009 - Museum voor Moderne Kunst Arnhem - MMKA, Arnhem |
| |
| Biennale Cuvee 09 - Weltauswahl der Gegenwartskunst - OK Offenes Kulturhaus OÖ, Linz |
| |
| Invisible Adversaries - Northern Gallery for Contemporary Art, Sunderland (England) |
| |
| Moralische Fantasien - Museum Morsbroich, Leverkusen |
2008
| |
| Porno 2.0 - Kunstraum D21, Leipzig |
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| Common Affairs - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
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| Land of the Human Rights at the Limits of the Thinkable - Emil Filla Gallery / Galerie Emila Filly, Ústí nad Labem |
 |
| 7th Shanghai Biennale - Translocalmotion - Shanghai Biennale, Shanghai |
|
| 7th Gwangju Biennale - Gwangju Biennale, Gwangju |
| |
| Eurasia. Geographic cross-overs in art - MART- Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto |
| |
| Port City - A Foundation - Liverpool, Liverpool (England) |
| |
| port city - A Foundation - Liverpool, Liverpool (England) |
|
| Moralische Fantasien - Künstlerische Strategien in Zusammenhang mit der Klimaerwärmung - Kunstmuseum des Kantons Thurgau, Warth |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| 2MOVE: Ireland - Belfast Exposed, Belfast (Northern Ireland) |
| |
| Le Porte del Mediterraneo - Palazzo Piozzo, Rivoli (TO) |
| |
| No Place - like Home. Perspectives on Migration in Europe - Argos, Brussels |
| |
| Land of Human Rights: At the Limits of the Thinkable - Rotor - association for contemporary art, Graz |
| |
| 2MOVE / Migratory Aesthetics - Stenersenmuseet, Oslo |
| |
| Cultura Subyugada - Interrupciones y resistencias sobre lo femenino - Museo de Arte Contemporáneo de Rosario (MACRo), Rosario |
2007
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| Port City - John Hansard Gallery, Southampton (England) |
| |
| Líneas de mira - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
| |
| Nachvollziehungsangebote - WUK - Kunsthalle Exnergasse, Vienna |
| |
| Port City: On Mobility and Exchange - Arnolfini, Bristol (England) |
| |
| 100 Tage 100 Videos - Kunstforeningen GL Strand, Copenhagen |
| |
| L’Europe en devenir (Partie I) - Centre culturel Suisse, Paris |
|
| 10th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
| |
| There is Always A Machine in Between Us - SF Camerawork, San Francisco, CA |
| |
| New Economy - Artists Space, New York City, NY |
|
| 1st Thessaloniki Biennale of Contemporary Art - Thessaloniki Biennale of Contemporary Art, Thessaloniki |
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| [open] spaces - GAK - Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen |
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| Zona B - als marges d’Europa - Fundación Antoni Tŕpies, Barcelona |
| |
| 2move. Movimiento Doble: Estéticas migratorias - Sala Verónicas, Murcia |
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| This Place is My Place – Begehrte Orte - Kunstverein in Hamburg, Hamburg |
2006
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| Sexwork. Kunst Mythos Realität - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
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| 1. Bienal de Canarias - Bienal de Canarias, Las Palmas de Gran Canaria |
| |
| work [w3:k] - - Ormeau Baths Gallery OBG, Belfast (Northern Ireland) (closed, 2011) |
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| 2° Bienal Internacional de Arte Contemporáneo de Sevilla - BIACS - Fundación Bienal Internacional de Arte Contemporáneo de Sevilla, Sevilla |
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| Transvideo - MMoCA - The Madison Museum of Contemporary Art, Madison, WI |
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| 100 Tage=100 Videos - Heidelberger Kunstverein, Heidelberg |
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| World Unlimited - Museum voor Moderne Kunst Arnhem - MMKA, Arnhem |
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| The unquiet world - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
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| work [wз:k] - Lewis Glucksman Gallery, Cork |
| |
| Glanz und Globalisierung - HMKV - Hartware MedienKunstVerein, Dortmund |
|
| Artist and weapon / Artysta i broń - LAZNIA - Centre for Contemporary Art, Gdansk |
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| It is hard to touch the real - Grazer Kunstverein, Graz |
|
| 25th VIPER - Viper International, Basel |
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| Cárcel de amor - Fundación Luis Seoane, A Coruńa |
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| Movilities - Künstlerhaus Stuttgart, Stuttgart |
2005
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| PhotoCairo3 - Townhouse Gallery, Cairo |
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| Going Public 05 - From the Balkans to the Baltic - aMAZE Cultural Lab, Milan |
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| CRITIQUE OF PURE IMAGE - Between Fake and Quotation - Art Today Association - Center for Contemporary Art, Plovdiv |
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| 46th October Salon - Oktobarski Salon / October Salon, Belgrade |
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| After the Fact - Berlin Photography Festival 2005 - Martin-Gropius-Bau, Berlin |
|
| RE-ACT - Kunsthallen Nikolaj, Copenhagen |
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| heal the world - The Third Line - Dubai, Dubai |
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| Sharjah International Art Biennial 7 - Sharjah Biennial, Sharjah |
|
| The Need to Document - Kunsthaus Baselland, Basel |
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| Woman's Dialogue - Armenian Center for Contemporary Experimental Art - ACCEA, Yerevan |
2004
|
| Ethnic Marketing - Centre d´Art Contemporain Geneve, Geneva |
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| Liverpool Biennial 2004 - Liverpool Biennial of Contemporary Art, Liverpool (England) |
|
| Tracer - Six Curators On Art In Rotterdam - Witte de With Center for Contemporary Art, Rotterdam |
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| Festival of Video Art - Armenian Center for Contemporary Experimental Art - ACCEA, Yerevan |
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| Swiss Art Videolobby - Contemporary Art Centre (CAC), Vilnius |
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| Trading Places – points of encounter between art and migration - Pump House Gallery, London (England) |
|
| Der Videoessay - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
2003
| |
| 10e Biennale de l'Image en Mouvement - Biennale de l'Image en Mouvement, Geneva |
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| Appel á témoins - Centre d’art contemporain de Quimper - le Quartier, Quimper |
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| printemps de septembre - Printemps de Septembre, Toulouse |
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| Geografie und die Politik der Mobilität - Generali Foundation, Vienna |
2002
| |
| Mons Veneris: Female Geographies - Austrian Cultural Forum New York, New York City, NY |
| |
| images/codes - Medienkunstpreis 2002 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Exchange and transform - Kunstverein München, Munich |
2001
| |
| Cyberfem Spirit - Spirit of Data - Edith-Russ-Haus für Medienkunst, Oldenburg |
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| Body as Byte - Kunstmuseum Luzern, Lucerne |
2000
| |
| 4. Werkleitz Biennale - real[work] - Werkleitz Biennale, Halle (Saale) |
| |
| Manifesta3 - Ljubljana - Manifesta - European Biennial of Contemporary Art, Amsterdam |
1995
| |
| Hors sol - Shedhalle, Zurich |
1990
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| $pent: Currency, Security, and Art on Deposit - New Museum of Contemporary Art, New York City, NY |
Collections 3
Austria
| | Kunstverein Medienturm, Graz
|
| | Generali Foundation, Vienna
|
Spain
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
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Catalogs
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