 Artist's arttributes:
|
| • |
Male |
| • |
Painting, Performance |
| • |
Conceptual Art |
Most exhibitions in: |
| Country |
№ |
| USA | 63 |
| United Kingdom | 12 |
| Germany | 6 |
| Belgium | 4 |
| Canada | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
Kenny Schachter / ROVE Projects LLP, United Kingdom |
5 |
| |
Galerie Catherine Bastide, Belgium |
4 |
| |
The Project, USA |
4 |
Biography: 
1955 Born in Newark, NJ (US)
External links: | | Public exhibitions (Selection) 100
until 23.6.
Solo shows 21
2012
| |
| Three Projects - Galerie Catherine Bastide, Brussels |
2011
| |
| 'Child - Eastside Projects, Birmingham (England) |
2010
| |
| Landscape + Object + Animal - Mitchell-Innes & Nash - West Street, New York City, NY |
| |
| Color Isn't Matter - Samson Projects, Boston, MA |
2009
| |
| William Pope.L - Kenny Schachter / ROVE Projects LLP, London (England) |
2008
| |
| William Pope: October Projects - Mitchell-Innes & Nash - Madison Av., New York City, NY |
| |
| William Pope. L - October Projects - Mitchell-Innes & Nash - West Street, New York City, NY |
| |
| William Pope.L - Animal Nationalism - Grand Arts, Kansas City, MO |
| |
| William Pope--biting through innocence - Galerie Catherine Bastide, Brussels |
| |
| Reststop: The Proposal - Bates College Museum of Arts, Lewiston, ME |
2007
| |
| Focus: William Pope.L - Drawing, Dreaming, Drowning - The Art Institute of Chicago, Chicago, IL |
| |
| William Pope.L - Art After White People: Time, Trees, & Celluloid... - Santa Monica Museum of Art, Santa Monica, CA |
| |
| william pope.l - snow, spraypaint, hair, sperm & baloney - Kenny Schachter / ROVE Projects LLP, London (England) |
| |
| William Pope.L - The Black Factory and Other Good Works - Yerba Buena Center for the Arts, San Francisco, CA |
2006
| |
| William Pope.L - Trophy Room - Kunsthalle wien project space karlsplatz, Vienna |
2005
| |
| William Pope. L - Kenny Schachter / ROVE Projects LLP, London (England) |
2004
| |
| Five Ways to Say the Same Sadness: New Work William Pope.L - University Art Museum University at Albany, State University of New York, Albany, NY |
| |
| William Pope.L - eRacism: electronica - Contemporary Art Museum St. Louis, Saint Louis, MO |
| |
| William Pope.L eRacism - Artists Space, New York City, NY |
| |
| William Pope L. - - The Project, New York City, NY (closed) |
1998
| |
| William Pope L. - - The Project, New York City, NY (closed) |
Group shows 78
2013
| |
| Memphis Social - Apexart, New York City, NY |
| |
| Through A Glass Darkly - Faces Past And Present - Ernst Museum Budapest, Budapest |
2012
| |
| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| Blues For Smoke - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Superhuman - Aljira - Center for Contemporary Art, Newark, NJ |
| |
| La voce delle immagini - Palazzo Grassi - Francois Pinault Foundation, Venice |
| |
| Friends & Family - Kenny Schachter / ROVE Projects LLP, London (England) |
2011
| |
| Prospect.2 New Orleans - Prospect New Orleans, New Orleans, LA |
 |
| 30 Americans - The Corcoran Gallery of Art, Washington, DC |
| |
| After Shelley Duvall '72 (Frogs on the High Line) - Maccarone Gallery, New York City, NY |
| |
| Göteborg International Biennial for Contemporary Art 2011 - Göteborg International Biennial for Contemporary Art, Gothenburg |
| |
| Inti - On Stellar Rays, New York City, NY |
| |
| Another Kind of Vapor - White Flag Projects, Saint Louis, MO |
| |
| CLAP - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
2010
|
| History of Disappearance - Aarhus Kunstbygning - Center for Contemporary Art, Aarhus |
|
| The Last Newspaper - New Museum of Contemporary Art, New York City, NY |
| |
| 2000-2010 a celebration of 10 year for the gallery - Galerie Catherine Bastide, Brussels |
| |
| Resurrectine - Ronald Feldman Fine Arts Inc, New York City, NY |
| |
| Entr’acte - Galerie Catherine Bastide, Brussels |
 |
| KNOCK KNOCK: Who’s There? That Joke Isn’t Funny Anymore - Fred Torres Collaborations, New York City, NY |
| |
| Self as disappearance - Centre d’art contemporain la Synagogue de Delme, Delme |
| |
| FAX - Para/Site Art Space, Hong Kong, SAR |
| |
| The 2010 DeCordova Biennial - DeCordova Sculpture Park and Museum, Lincoln, MA |
| |
| FAX - Torrance Art Museum, Torrance, CA |
2009
|
| FAX - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
|
| 30 Seconds off an Inch - The Studio Museum in Harlem, New York City, NY |
|
| FAX - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| Black Is, Black Ain't - H&R Block Artspace at Kansas City Art Institute, Kansas City, MO |
|
| Visiones de Confin - IVAM - Institut Valencià d'Art Modern, Valencia |
| |
| FAX - The Drawing Center, New York City, NY |
|
| Discover US! Carnival Within - An Exhibition Made in America - Uferhallen, Berlin |
| |
| Trouble at the Front - Galerie Marian Goodman, Paris |
| |
| Broken Thorn Sweet Blackberry - Sikkema Jenkins & Co., New York City, NY |
2008
| |
| Mergers and Acquisitions - Atlanta Contemporary Art Center, Atlanta, GA |
| |
| 30 Americans - Rubell Family Collection, Miami, FL |
| |
| Port City - A Foundation - Liverpool, Liverpool (England) |
| |
| Paul Thek: Werkschau im Kontext zeitgenössischer Kunst - Sammlung Falckenberg, Hamburg |
| |
| Informal Architectures - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
| |
| Black is Black ain't - The Renaissance Society at The University of Chicago, Chicago, IL |
| |
| Retail Value - Dorsky Gallery Curatorial Programs (DGCP), New York City, NY |
| |
| Person Of The Crowd: The Contemporary Art Of Flânerie - Neuberger Museum of Art, Purchase, NY |
2007
| |
| New York States of Mind - Queens Museum of Art (QMA), New York City, NY |
| |
| Paul Thek. Werkschau im Kontext - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Keeping up with the joneses - Schroeder Romero & Shredder, New York City, NY |
| |
| Port City - John Hansard Gallery, Southampton (England) |
| |
| Port City: On Mobility and Exchange - Arnolfini, Bristol (England) |
| |
| New York - States of Mind - Haus der Kulturen der Welt, Berlin |
| |
| Informal Architectures - The Banff Centre - Walter Phillips Gallery, Banff, AB |
| |
| Conceptual paper - Kenny Schachter / ROVE Projects LLP, London (England) |
| |
| Conceptual Paper - - Arndt & Partner - Berlin + Zurich, Zurich (closed, 2009) |
| |
| Plug - Brennan & Griffin , New York City, NY |
| |
| Silicone Valley - MoMA PS1, New York City, NY |
2006
| |
| A noir, e blanc, i rouge, u vert, o bleu - Farben - Kunstmuseum Kloster unserer lieben Frauen Magdeburg, Magdeburg |
| |
| Newark Between Us - Newark Arts Council, Newark, NJ |
| |
| Civil Restitutions - Thomas Dane Gallery, London (England) |
| |
| 7ème Biennale de l´Art Africain contemporain - Dak'Art Biennale de l’art africain contemporain, Dakar |
| |
| History of disappearance. 30° anniversario della Franklin Furnace - neon>fdv, Milan |
2005
| |
| Incognito - Art Exhibition and Sale - Santa Monica Museum of Art, Santa Monica, CA |
| |
| Looking at Words - Andrea Rosen Gallery, New York City, NY |
| |
| History of Disappearance - BALTIC Centre for Contemporary Art, Gateshead (England) |
| |
| About Beauty - Haus der Kulturen der Welt, Berlin |
| |
| Defence: Body and Nobody in Self-Protection - UCR Sweeney Art Gallery, Riverside, CA |
2004
| |
| Romantic Detachment - Chapter Gallery, Cardiff (Wales) |
|
| Romantic Detachment - MoMA PS1, New York City, NY |
| |
| Watch what we say - Schroeder Romero & Shredder, New York City, NY |
|
| The Interventionists: Art in the Social Sphere - Massachusetts Museum of Contemporary Art - MASS MoCA, North Adams, MA |
|
| "The Big Nothing" - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
| |
| Harlem Postcards Spring 2004 - The Studio Museum in Harlem, New York City, NY |
2003
| |
| White - - Bill Maynes Gallery, New York City, NY (closed) |
|
| In Heat - Pierogi Brooklyn, New York City, NY |
|
| Ameri©an Dre@m: A Survey - Ronald Feldman Fine Arts Inc, New York City, NY |
2002
| |
| Wallow - - The Project, New York City, NY (closed) |
| |
| Whitney Biennial 2002 - Whitney Biennial, New York City, NY |
2001
|
| Video Jam - - The Palm Beach Institute of Contemporary Art (PBICA), Lake Worth, FL (closed) |
| |
| Daniel J. Martinez, William Pope.L - - The Project, New York City, NY (closed) |
2000
| |
| Friendships in Arcadia: Writers and Artists at Yaddo in the 90s - Art in General, New York City, NY |
1999
| |
| Paradise 8 - - Exit Art, New York City, NY (closed, 2012) |
1991
| |
| Looking at Aunt Jenny - Art in General, New York City, NY |
| Dealer Directory 3 |
Belgium
| | Galerie Catherine Bastide, Brussels
|
United Kingdom
| | Kenny Schachter / ROVE Projects LLP, London (England)
|
USA
| | Mitchell-Innes & Nash - West Street, New York City, NY
|
Collections 3
France
| | Rosenblum Collection & Friends, Paris
|
USA
| | Jersey City Museum, Jersey City, NJ
|
| | Bates College Museum of Arts, Lewiston, ME
|
Catalogs
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