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 Institution's artists also shown at: |
| Institution |
№ |
№ |
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MoMA - Museum of Modern Art, USA |
116 |
40 |
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The Art Institute of Chicago, USA |
60 |
28 |
| |
The National Gallery of Art, USA |
57 |
22 |
| |
ICP - International Center of Photography, USA |
45 |
22 |
| |
The Metropolitan Museum of Art, USA |
44 |
24 |
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Public exhibitions 5
22.06. - 01.09. (in 35 days)
18.05. - 11.08. (still more than 2 months)
14.05. - 31.10. (still more than 5 months)
28.02. - 26.05. (9 days remaining)
15.01. - 21.07. (still more than 2 months)
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Profile |
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Foundation year: 1961
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Artists |
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Berenice Abbott 1898-1991, US
Ansel Adams 1902-1984, US
John James Audubon 1785-1851, US
George Bellows 1882-1925, US
James Gilchrist Benton 1820-1881, US
David F. Berry
Albert Bierstadt 1830-1902, US
William Merritt Chase 1849-1916, US
Frederic Edwin Church 1826-1900, US
Thomas Cole 1801-1848, US
Carlotta Corpron 1901-1988, US
Stuart Davis 1894-1964, US
Roy DeCarava 1919-2009, US
Willard van Dyke 1906-1986, US
Thomas Eakins 1844-1916, US
Walker Evans 1903-1975, US
Edward Everett 1818-1903
Robert Frank 1924, CH, US
Laura Gilpin 1891-1979, US
William Harnett 1848-1892, US, IE
Marsden Hartley 1877-1943, US
John K. Hillers 1843-1925, DE
Lewis Hine 1874-1940, US
William Henry Jackson 1843-1942, US
Darius Kinsey 1871-1945, US
Gertrude Käsebier 1852-1934, US
Dorothea Lange 1895-1965, US
Robert Laurent 1890-1970, US
Russell Lee 1903-1986, US
Laura Letinsky 1962, CA
Buffalo Meat (Oewotoh) 1847-1917
Barbara Morgan 1900-1992, US
Elie Nadelman 1882-1946, US
Georgia O'Keeffe 1887-1986, US
Timothy H. O'Sullivan 1840-1882, US
John Frederick Peto 1854-1907, US
Eliot Porter 1901-1990, US
Frederic Remington 1861-1909, US
Arthur Rothstein 1915-1985, US
Augustus Saint-Gaudens 1848-1907, US
Ben Shahn 1898-1969, US
Charles Sheeler 1883-1965, US
Stephen Shore 1947, US
Clara Estelle Sipprell 1885-1975, US, CA
Erwin E. Smith 1886-1947
Luther Smith
Alfred Stieglitz 1864-1946, US
Paul Strand 1890-1976, US
Karl Struss 1886-1981, US
Bessie Potter Vonnoh 1872-1955, US
Carleton Watkins 1829-1916, US
Edward Weston 1886-1958, US
Clarence Hudson White 1871-1925, US
Charles H. Williamson 1826-1874
Marion Post Wolcott 1911-1990, US
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Previous Exhibitions 253
2013
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 | Big Pictures |
2012
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 | Larry Sultan’s Homeland: American Story |
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| To See as Artists Se |
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| American Vanguards |
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| Organic Meditations |
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| Sargent’s Youthful Genius: Paintings from the Clark |
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| Romance Maker: The Watercolors of
Charles M. Russell |
2011
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| John Marin: Modernism at Midcentury |
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| Will Barnet: Relationships, Intimate and Abstract, 1935–1965 |
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| Subhankar Banerjee: Where I Live I Hope to Know |
2010
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| American Modern: Abbott, Evans, Bourke-White |
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| Constructive Spirit: Abstract Art in South and North America, 1920s–50s |
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| Ansel Adams: Eloquent Light |
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| Leon Polk Smith: The Tamarind Lithography Workshop |
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| American Moderns on Paper: Masterworks from the Wadsworth Atheneum Museum of Art |
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| Masterworks of American Photography: Popular Culture |
2009
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| Edward S. Curtis: The North American Indian |
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| The Harmon and Harriet Kelley Collection of African-American Art: Works on Paper |
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| High Modernism: Alfred Stieglitz and His Legacy |
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| Barbara Crane: Challenging Vision |
2008
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| Mary Lucier: The Plains of Sweet Regret |
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| Allen Jones and Nicholas Krushenick: Tamarind Lithography Workshop |
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| Sentimental Journey: The Art of Alfred Jacob Miller |
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| Marsden Hartley and the West: The Search for an American Modernism |
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| Nell Dorr: From Everlasting to Everlasting |
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| Louise Nevelson: Tamarind Lithography Workshop |
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| Fort Worth Landmarks in the 1950s: Watercolors by Bror Utter |
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| Intimate Modernism: Fort Worth Circle Artists in the 1940s |
2007
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| Nathan Oliveira: Tamarind Lithography Workshop |
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| Accommodating Nature: The Photographs of Frank Gohlke |
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| Chimneys and Towers: Charles Demuth’s Late Paintings of Lancaster |
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| Forging an American Identity: The Art of William Ranney |
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| William H. Johnson’s World on Paper |
2006
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| Audubon’s Passion |
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| Regarding the Land: Robert Glenn Ketchum and the Legacy of Eliot Porter |
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| Reinventing America - Three Modern Views on Paper |
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| Focus on Photographs - Man Ray’s Électricité |
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| Lewis Hine - Children of Texas |
2005
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| Edward Hopper in Four Acts |
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| Laura Wilson: Avedon at Work |
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| Alfred Stieglitz and Georgia O'Keeffe at Lake George |
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| Kipton Kumler - A Portfolio of Plants |
2004
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| Brent Phelps - Photographing the Lewis and Clark Trail |
2003
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| Edward Weston - Life Work |
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| James Otto Lewis and The Aboriginal Port-Folio, 1835–1836 |
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| Wildlife and Western Heroes: Alexander Phimister Proctor, Sculptor |
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| A Faithful and Vivid Picture - Karl Bodmer’s North American Prints |
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| Focus on Photographs - Erwin E. Smith |
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| Casting a Spell - Winslow Homer, Artist and Angler |
2002
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| Eliot Porter - The Color of Wildness |
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| Carl Mydans - American Photojournalist |
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| The Master Prints of Edward S. Curtis - Portraits of Native America |
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| Laura Gilpin and the Navajo - An Enduring Friendship |
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| Stuart Davis - Prints and Drawings |
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| The Spirit of Buildings - Laura Gilpin’s Architectural Photography |
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| Woodland Portraits: Photographs by Eliot Porter and Jeannette Klute |
2001
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| Robert Adams - True West |
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| Avedon’s American West |
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| Laura Gilpin and Eliot Porter in New Mexico |
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| Works on Paper by Remington and Russell |
1999
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| William Sidney Mount Painter of American Life |
1998
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| Picture Man - Charles Russell’s Watercolors |
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| Imagining the Open Range - Erwin E. Smith, Cowboy Photographer |
1997
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| A Passion for Birds: Eliot Porter’s Photography |
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| Charles Sheeler in Doylestown: American Modernism and the Pennsylvania Tradition |
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| Stage Folk: Caricatures of the New York Stage by Al Frueh |
1996
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| The Shores of a Dream: Yasuo Kuniyoshi’s Early Work in America |
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| Lifting the Veil: Robert S. Duncanson and the Emergence of the African–American Artist |
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| Thomas Eakins and the Swimming Picture |
1995
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| New York to Hollywood: Photographs by Karl Struss |
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| Thomas Cole’s Paintings of Eden |
1994
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| Charles M. Russell: Sculptor |
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| Thomas Hovenden: Intimate Insights |
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| How the West Was Made: Fact and Fiction in the Works of Remington and Russell |
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| Ominous Hush: The Thunderstorm Paintings of Martin Johnson Heade |
1993
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| Eliot Porter: The Landscape of Home |
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| Homecoming: William H. Johnson and Afro–America, 1938–1946 |
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| Gertrude Käsebier, Photographer |
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| Laura Gilpin: The Early Work |
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| Turner’s Frontier |
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| Bror Utter |
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| The Paintings of George Bellows |
1992
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| Word Painter: The Illustrated Letters and Watercolors of Charles M. Russell |
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| Alfred Jacob Miller: Watercolors of the American West |
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| William M. Harnett |
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| Ralph Earl: The Face of the Young Republic |
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| Photographs by W. Eugene Smith: A Recent Gift |
1991
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| Nature’s Chaos: Photographs by Eliot Porter |
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| Carl Wimar: Chronicler of the Missouri River Frontier |
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| Portraits of Women Air Force Service Pilots by Anne Noggle: For God, Country, and the Thrill of It |
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| Arthur Wesley Dow and His Influence |
1990
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| Cast and Recast: Sculpture by Frederic Remington in the Amon Carter Museum Collection |
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| George N. Barnard: Photographer of Sherman’s Campaign |
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| Clara Sipprell: Pictorial Photographer |
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| Of Time and Place: Walker Evans and William Christenberry |
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| Visual Poetry: The Drawings of Joseph Stella |
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| Worthington Whittredge |
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| Robert Adams: To Make It Home: Photographs of the American West |
1989
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| Hand, Eye and Stone: The Lithographs of Thomas Hart Benton |
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| Bourke-White: A Retrospective |
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| Robert Mills: Designs for Democracy |
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| Sign Language: Contemporary Southwest Native America: Photographs by Skeet McAuley |
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| Bruce Goff: Toward Absolute Architecture |
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| Oscar Bluemner: Landscapes of Sorrow and Joy |
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| Where Images Come From: Drawings and Photographs by Frederick Sommer |
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| The flag paintings of Childe Hassam |
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| Winslow Homer: Paintings of the Civil War |
1988
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| John Sloan: Spectator of Life |
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| Views of Texas, 1852–1856: Watercolors by Sarah Ann Lillie Hardinge |
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| George Bellows: The Artist and His Lithographs, 1916–1924 |
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| Supreme Instants: The Photographs of Edward Weston |
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| Laton A. Huffman: Frontier Photographer |
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| Francis W. Edmonds: American Master in the Dutch Tradition |
1987
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| Eliot Porter |
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| The Architecture of Richard Morris Hunt |
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| Certain Places: Photographs by William Clift |
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| John Storrs |
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| W. Eugene Smith: Let Truth Be the Prejudice |
1986
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| New Landscapes |
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| Stuart Davis: Graphic Work and Related Paintings |
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| Berenice Abbott: Paris Portraits |
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| Winslow Homer Watercolors |
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| People of the Forest: Photographs of the Maya by Gertrude Blom |
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| Laura Gilpin: An Enduring Grace |
1985
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| John Haberle: Master of Illusion |
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| In the American West: Photographs by Richard Avedon |
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| Carl Mydans: A Photojournalist’s Journey through War and Peace |
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| Monotypes by Maurice Prendergast from the Terra Museum of American Art |
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| Richard Kern’s Watercolors |
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| Cervin Robinson: Photographs, 1958–1983 |
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| Charles M. Russell: Paintings, Drawings, and Sculpture |
1984
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| A Writer’s Eye: An Exhibition of Field Study Drawings by Paul Horgan |
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| Weston in Mexico |
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| Views of a Vanishing Frontier |
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| Three Documentary Photographers |
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| Ansel Adams Photographs |
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| The Prints of Louis Lozowick |
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| The Early Landscapes of Frederic Edwin Church, 1845–1854 |
1983
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| Selections from the Karl Struss Estate |
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| Important Information Inside: The Still–Life Paintings of John F. Peto |
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| Carleton E. Watkins: Photographer of the American West |
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| Charles Willson Peale and His World |
1982
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| Paul Strand: The Mexican Portfolio |
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| Cast and Recast: The Sculpture of Frederic Remington |
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| Alfred Jacob Miller: Artist on the Oregon Trail |
1981
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| William Henry Jackson, Mammoth Plate Photographs |
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| George Catlin: The Artist and the American Indian |
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| Jamie Wyeth |
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| The Graphic Art of Mary Cassatt |
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| Carleton Watkins Photographs |
1980
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| Carlotta Corpron: Designer with Light |
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| Marsden Hartley |
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| The Most Remarkable Scenery: Thomas Moran’s Watercolors of the American West |
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| W. H. Jackson and J. K. Hillers Photographs |
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| Jose Guadalupe Posada |
1979
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| Walt Kuhn, A Classic Revival |
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| Myron Wood, Photographs of Colorado and New Mexico |
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| Bill Gollings, Cowboy Artist |
1978
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| The Utah Photographs of George Edward Anderson |
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| Two Portfolios: Manuel Alvarez Bravo and Elliott Erwitt |
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| Caroline Vaughan Photographs |
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| Laura Gilpin Retrospective |
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| The Forgotten Season: Winter Landscapes by George Durrie |
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| Rodeo of John A. Stryker |
1977
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| Ben Shahn: A Retrospective, 1898–1969 |
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| Ansel Adams: Photographs of the Southwest |
1976
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| Thomas Eakins - A Family Album |
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| Dean Brown: Photographs of Death Valley |
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| Glenn La Fontaine Sculpture |
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| Arthur T. Lee Watercolors |
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| Ferenc Berko: Images of Nature |
1975
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| The Face of Liberty |
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| Frank Gohlke Photographs |
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| Eadweard Muybridge: The Stanford Years, 1872–1882 |
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| The King Ranch, 1939–1944: A Photographic Essay |
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| James Madison Alden, 1834–1922 |
1974
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| William H. Jackson Photographs |
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| Audubon Quadrupeds |
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| The Photographs of Laton Alton Huffman |
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| Greene & Greene: Architects in the Residential Style |
1973
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| Drawings by George Morrison |
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| Eliot Porter Retrospective |
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| Krazy Kat: Original Cartoon Drawings by George Herriman |
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| Photographs by Liliane De Cock |
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| Frederic Remington Retrospective |
1972
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| Barbara Morgan Photographs |
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| The Viviparous Quadrupeds of North America |
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| Selection of I. J. Benjamin Lithographs |
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| Velox Ward |
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| Max Weber: The Years 1906–1916 |
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| Nordfeldt the Painter |
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| Alfred Jacob Miller |
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| Albert Bierstadt |
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| Paintings by Isabelle Johnson |
1971
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| The Big Thicket: A Way of Life |
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| Out of the Silence |
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| Pueblo Architecture of the Southwest |
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| Leonard Baskin |
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| Paul Kane’s Frontier |
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| Photographs by Diane Hopkins |
1970
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| Wynn Bullock Photographs |
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| Drawings by John Marin |
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| Paintings by Philip C. Curtis |
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| Southwest Color: Photographs by E. J. Poulsen |
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| Thomas Eakins: His Photographic Works |
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| George Catlin’s The LaSalle Series |
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| The Artist Was A Young Man |
1969
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| A Personal Country |
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| The Passion of Ahab |
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| The Mexican Portfolio |
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| Portfolio One |
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| Adolf Dehn Retrospective |
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| Marin in New Mexico: 1929 and 1930 |
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| A Retrospective Exhibition of the Architecture of Mies van der Rohe |
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| W. H. D. Koerner: Illustrating the Western Myth |
1968
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| Hudson River Portfolio |
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| The Enduring Navaho |
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| Khasa Goes to the Fiesta |
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| The Eloquent Light |
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| Exhibit Honoring Harry Jackson, Susan M. Summer Pogzeba, and Wolfgang Pogzeba |
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| Gravestone Rubbings by Ann Parker/Avon Neal |
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| Haight–Ashbury, 1967 |
1967
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| Cady Wells, A Retrospective Exhibition |
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| Ward Lockwood, A Retrospective Exhibition of Paintings, Prints and Drawings |
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| The American Country Woman |
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| Patterns of Beauty |
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| Frank Mechau, 1904–1946, A Retrospective Exhibition of Paintings and Drawings |
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| The Architectural Genius of Bernard Ralph Maybeck |
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| How a Lithograph Is Made: Jose Luis Cuevas |
1966
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| Texas Homes of the Nineteenth Century |
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| The Birds of America by J. J. Audubon |
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| Brett Weston: Photographs |
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| Camposantos: A Photographic Essay |
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| The Drawings of Andrew Dasburg |
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| Georgia O’Keeffe |
1965
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| Early Western Trails and Some Ghost Towns |
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| Paintings and Watercolors by Henry F. Farny |
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| Photographs by Edward Weston |
1964
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| Sam Houston’s Texas |
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| Peter Hurd, The Gate and Beyond |
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| Charles M. Russell’s Miniature Wax Sculpture |
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| Illustrated Letters by Charles M. Russell |
1963
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| Wolfgang Pogzeba Sculpture |
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| Harry Jackson Sculptures |
1962
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| Ed Borein Etchings |
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| George Catlin Paintings |
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| 101 Sketches by Seth Eastman |
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| Adam Clark Vroman: Photographer of the Southwest |
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| Paper Talk, The Illustrated Letters of Charles M. Russell |
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| Peter Moran Sketches |
1961
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| Harry Jackson Sculptures and Drawings |
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| On the Warpath, Pipe of Peace |
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| Inaugural Exhibition |
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