Meessen De Clercq
Abdijstraat 2 Rue de l'Abbaye
1000 Brussels
Belgium
city map
hotel accommodation
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Opening hours:
Tu, We, Th, Fr, Sa 11:00-18:00
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 Institution's artists also shown at: |
| Institution |
№ |
№ |
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Galerie van Gelder, Netherlands |
19 |
1 |
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Galerie Ferdinand van Dieten - Galerie d'Eendt, Netherlands |
10 |
1 |
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Galería Estrany - De La Mota, Spain |
10 |
1 |
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Galerie Chantal Crousel, France |
9 |
1 |
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Centre d’Art la Panera, Spain |
8 |
2 |
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Art Fairs |
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| ARCOmadrid (10, 11, 12) |
| Art Basel (13) |
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| Art Basel Miami Beach (10, 11, 12) |
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| Art Brussels (09, 10, 11, 12, 13) |
| Art Rotterdam (11, 12, 13) |
| Art-O-Rama (10) |
| Frieze Art Fair New York (12) |
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| Loop - The Video Art Fair (11) |
| MiArt (13) |
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Artists |
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Ignasi Aballí 1958, ES
Lieven De Boeck 1971, BE
Sarah Bostwick 1979, US
Jordi Colomer 1962, ES
Patrick Everaert 1963, BE
Hreinn Fridfinnsson 1943, IS
Ellen Harvey 1967, UK
Jorge Méndez Blake 1974, MX
Claudio Parmiggiani 1943, IT
Bruno Perramant 1962, FR
Sarah Pickering 1972, UK
Fabrice Samyn 1981, BE
José Maria Sicilia 1954, ES
Maarten Vanden Eynde 1977, BE
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Previous Exhibitions 72
2013
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 | Bricks and Age |
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| Mayes Lumber |
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| The Smuggler’s Outfit |
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| Marieta Chirulescu |
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| Senza titolo |
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| Continuum |
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| The Price of Nails |
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| The Philosophical Nail |
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| Image not found |
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| an aspen’s inability to be a pine |
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| Hreinn Fridfinnsson |
2012
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| In_dependance |
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| We live in the flicker |
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| Becoming European |
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| Without |
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| Sad Eis |
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 | Particles |
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| Relics |
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| Actual Space |
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| Satier: Lead on Copper |
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| Fabrice Samyn - Vanishing Point of View |
2011
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| Francis Al˙s |
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| Thomas Schütte - Alte Freunde |
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| Bruno Perramant - History of abstraction IV, 8 squares, 8 objects |
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| Claudio Parmiggiani - Lo Spazio del Cuore |
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| La Vie Mode d’Emploi (Life A User’s Manual) |
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| Jonathan Monk - Name Used To Fill Space |
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| Jorge Méndez Blake - Empty Bookshelf |
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| Sarah Pickering - Art and Antiquities |
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| Fabrice Samyn - Vous ętes ici / U bent hier |
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| Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts |
2010
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| Ignasi Aballí - Transparent States |
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| Evariste Richer - The Catalyst |
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| Dan Graham - March 31, 1966 |
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| 99 Problems |
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| The Archive of Disappearance |
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| The Red Library |
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| Objects are like they appear |
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| El Ojo de agua |
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| Thought forms |
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| Industrial Evolution |
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| Untitled (Catrame II) |
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| Territories of Time |
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| The Earth seen from the Moon |
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| Preset Adjustments II |
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| Iridescence |
2009
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| Passages |
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| Je est un hôte |
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| Wounds. Absence of Objects |
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| The Empty Collection |
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| Into the Darkness (Par les Sillons) |
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| Untitled (Hero/Slave) |
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| Claudio Parmiggiani |
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| Hreinn Fridfinnsson |
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| I Went |
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| AVENIDA IXTAPALUCA (Houses for Mexico) |
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| Explosions |
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| Bruno Perramant - Bis non Repetita |
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| Hreinn Fridfinnsson - The Fall |
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| Jorge Méndez Blake - Das Kapital |
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| Patrick Everaert - I lost my Sugar in Salt Lake City |
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| Cornelia Parker - Thirty Pieces of Silver |
2008
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| Nan Goldin - Naomi with my dog Yuri and other pictures |
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| Stéphane Mandelbaum - The complete engravings |
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| Mona Hatoum - Drowning Sorrows (Gran Centenario) |
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| Sophie Calle - Statues ennemies |
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| Mar Arza |
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| Fabrice Samyn - Restoring the abyss |
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| To show |
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| Bruce Nauman - Fingers and holes |
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| Andrea Fogli - Journey to the center of the earth |
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| Absens |
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