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Institution's artists also shown at: |
| Institution |
№ |
№ |
| |
MoMA - Museum of Modern Art, USA |
196 |
52 |
| |
The National Gallery of Art, USA |
88 |
24 |
| |
The Art Institute of Chicago, USA |
87 |
37 |
| |
ICP - International Center of Photography, USA |
76 |
36 |
| |
The Metropolitan Museum of Art, USA |
53 |
34 |
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Public exhibitions 12
10.06. - 31.08. (in 357 days)
18.03. - 01.06. (in 273 days)
11.03. - 01.06. (in 266 days)
04.02. - 08.06. (in 231 days)
04.02. - 08.06. (in 231 days)
13.11. - 03.02. (in 148 days)
01.10. - 05.01. (in 105 days)
01.10. - 05.01. (in 105 days)
13.08. - 19.01. (in 56 days)
23.07. - 20.10. (in 35 days)
09.04. - 29.09. (still more than 3 months)
26.03. - 25.08. (still more than 2 months)
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Profile |
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Foundation year: 1954
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Artists |
Manuel Álvarez-Bravo 1902-2002, MX
William Anastasi 1933, US
Eugène Atget 1857-1927, FR
Herbert Bayer 1900-1985, AT, US
Virginia Beahan
Pierre Bonnard 1867-1947, FR
Dove Bradshaw 1949, US
Anne Brigman 1869-1950, US
Horace Bristol 1908-1997, US
Kaucyila Brooke 1952, US
John Coplans 1920-2003, UK
Ralston Crawford 1906-1977, CA
Edward S. Curtis 1868-1952, US
Fred Holland Day 1864-1933, US
Edgar Degas 1834-1917, FR
Luc Delahaye 1962, FR
Thomas Eakins 1844-1916, US
William Eggleston 1939, US
Peter Henry Emerson 1856-1936, CU
Frederick H. Evans 1853-1943, UK
Walker Evans 1903-1975, US
Jaromír Funke 1896-1945, CZ
Arnold Genthe 1869-1942, DE
Vincent van Gogh 1853-1890, NL
Alex Harris 1949, US
Lewis Hine 1874-1940, US
David Hockney 1937, UK
André Kertész 1894-1985, HU
Heinrich Kühn 1866-1944, DE
Dorothea Lange 1895-1965, US
Helge Leiberg 1954, DE
Max Liebermann 1847-1935, DE
Laura McPhee 1958, US
Lee Miller 1907-1977, US
Tina Modotti 1846-1942, IT
László Moholy-Nagy 1895-1946, HU
Claude Monet 1840-1926, FR
Edvard Munch 1863-1944, NO
Nadar 1820-1910, FR
Dorothy Norman 1905-1997, US
Camille Pissarro 1830-1903, FR
Sigmar Polke 1941-2010, DE
Martin Puryear 1941, US
Man Ray 1890-1976, US
Pierre-Auguste Renoir 1841-1919, FR
Arthur Rothstein 1915-1985, US
Albert Rudomine 1892-1975, RU, UA
Lucas Samaras 1936, GR
August Sander 1876-1964, DE
George H. Seeley 1880-1955, US
Stephen Shore 1947, US
Walter Sickert 1860-1942, UK
Aaron Siskind 1903-1991, US
Frederick Sommer 1905-1999, US
Edward Steichen 1879-1973, US
Joel Sternfeld 1944, US
Alfred Stieglitz 1864-1946, US
Paul Strand 1890-1976, US
Josef Sudek 1896-1976, CZ
Madoka Takagi 1956
Edmund Teske 1911-1996, US
Doris Ulmann 1884-1934, US
Andy Warhol 1928-1987, US
Carleton Watkins 1829-1916, US
Weegee 1899-1968, US
Edward Weston 1886-1958, US
Garry Winogrand 1928-1984, US
Paul Wolff 1887-1951, FR
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Previous Exhibitions 183
2013
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 | Looking East: Rubens's Encounter with Asia |
2012
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 | Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 |
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 | In Focus: Robert Mapplethorpe |
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 | The Photographs of Ray K. Metzker and the Institute of Design |
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 | Messerschmidt and Modernity |
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 | Gustav Klimt: The Magic of Line |
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 | Drama and Devotion: Heemskerck's "Ecce Homo" Altarpiece from Warsaw |
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 | In Focus: Picturing Landscape |
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 | The Getty Research Institute: Recent Print Acquisitions |
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 | Herb Ritts: L.A. Style |
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 | Portraits of Renown: Photography and the Cult of Celebrity |
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 | Renaissance Drawings from Germany and Switzerland, 1470–1600 |
2011
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 | In Focus: Los Angeles, 1945–1980 |
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 | Images of the Artist |
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 | Modern Antiquity: Picasso, de Chirico, Leger, and Picabia in the Presence of Antique |
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 | Lyonel Feininger Photographs, 1928 - 1939 |
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 | Narrative Interventions in Photography |
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 | Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 |
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 | From Start to Finish: De Wain Valentine's Gray Column |
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 | In Focus: The Sky |
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 | Luminous Paper: British Watercolors and Drawings |
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 | A Revolutionary Project: Cuba from Walker Evans to Now |
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 | Paris: Life & Luxury |
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 | Spirit of an Age: Drawings from the Germanic World, 1770–1900 |
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 | In Focus: The Tree |
2010
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 | Felice Beato: A Photographer on the Eastern Road |
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 | Photography from the New China |
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 | The Secret Life of Drawings |
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 | Obsidian Mirror-Travels: Refracting Ancient Mexican Art and Archaeology |
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 | Imagining the Past in France, 1250–1500 |
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 | In Focus: Still Life |
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 | Illuminated Manuscripts from Belgium and the Netherlands |
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 | From Line to Light: Renaissance Drawing in Florence and Venice |
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 | Engaged Observers: Documentary Photography since the Sixties |
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 | The Spectacular Art of Jean-Léon Gérôme |
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 | Printing The Grand Manner: Charles Le Brun And Monumental Prints In The Age Of Louis Xiv |
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 | In Focus: Tasteful Pictures |
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 | Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention |
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 | Building the Medieval World: Architecture in Illuminated Manuscripts |
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 | Urban Panoramas: Opie, Liao, Kim |
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 | A Record of Emotion: The Photographs of Frederick H. Evans |
2009
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 | Drawings by Rembrandt and His Pupils: Telling the Difference |
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 | Drawing Life: The Dutch Visual Tradition |
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 | In Focus: The Worker |
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 | Irving Penn: Small Trades |
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 | Capturing Nature's Beauty: Three Centuries of French Landscapes |
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 | In Focus: Making a Scene |
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 | Cast in Bronze: French Sculpture from Renaissance to Revolution |
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 | Foundry to Finish: The Making of a Bronze Sculpture |
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 | Temptation and Salvation: The Psalms of King David |
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 | Walls of Algiers: Narratives of the City |
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 | Paul Outerbridge: Command Performance |
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 | Jo Ann Callis: Woman Twirling |
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 | Made for Manufacture |
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 | Taking Shape: Finding Sculpture in the Decorative Arts |
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 | German and Central European Manuscript Illumination |
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 | La Roldana's Saint Ginés: The Making of a Polychrome Sculpture |
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 | In Focus: The Portrait |
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 | Interjections: Lucian Freud Still Life |
2008
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 | Drawing the Classical Figure |
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 | Captured Emotions: Baroque Painting in Bologna, 1575–1725 |
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 | Tango with Cows: Book Art of the Russian Avant-Garde, 1910-1917 |
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 | The Belles Heures of the Duke of Berry |
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 | Jim Dine: Poet Singing (The Flowering Sheets) |
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 | Dialogue among Giants: Carleton Watkins and the Rise of Photography in California |
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 | Sur le motif: Painting in Nature around 1800 |
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 | A Light Touch: Exploring Humor in Drawing |
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 | Please Be Seated: A Video Installation by Nicole Cohen |
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 | In Focus: The Landscape |
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 | Faces of Power and Piety: Medieval Portraiture |
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 | Bernini and the Birth of Baroque Portrait Sculpture |
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 | The Marvel and Measure of Peru: Three Centuries of Visual History, 1550-1880 |
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 | Maria Sibylla Merian & Daughters: Women of Art and Science |
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 | Bernd and Hilla Becher: Basic Forms |
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 | August Sander: People of the Twentieth Century |
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 | Imagining Christ |
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 | Ten Years in Focus: The Artist and the Camera |
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 | Lessons from Bernard Rudofsky |
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 | Consuming Passion: Fragonard's Allegories of Love |
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 | Rare Finds: Ten Years of Collecting Manuscripts |
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 | Ten Years of Drawings: What, How, and Why |
2007
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 | André Kertész: Seven Decades |
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 | The Goat's Dance: Photographs by Graciela Iturbide |
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 | China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century |
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 | In Focus - The Nude |
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 | Taddeo and Federico Zuccaro: Artist-Brothers in Renaissance Rome |
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 | Please Be Seated: A Video Installation by Nicole Cohen |
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 | Recent History: Photographs by Luc Delahaye |
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 | Edward Weston: Enduring Vision |
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 | Evidence of Movement |
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 | Defining Modernity: European Drawings, 1800–1900 |
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 | Defining Modernity: European Drawings, 1800–1900 |
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 | Manet's Bar at the Folies-Bergere |
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 | Oudry's Painted Menagerie |
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 | Medieval Beasts |
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 | Radiant Darkness: The Art of Nocturnal Light |
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 | A Place in the Sun - Photographs of Los Angeles by John Humble |
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 | The Old Order and the New: P. H. Emerson and Photography, 1885-1895 |
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 | Zoopsia - New Works by Tim Hawkinson |
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 | Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970 |
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 | Sigmar Polke - Photographs, 1968–1972 |
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 | Made for Manufacture: Drawings for Sculpture and the Decorative Arts |
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 | French Manuscript Illumination of the Middle Ages |
2006
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 | The Gospels in Medieval Manuscript Illumination |
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 | Where We Live: Photographs of America from the Berman Collection |
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 | Guercino: Mind to Paper |
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 | Public Faces/Private Spaces: Recent Acquisitions |
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 | From Caspar David Friedrich to Gerhard Richter |
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 | A tumultuous assembly. Visual poems of the Italian Futurists |
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 | Landscape in the Renaissance |
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 | Casting Nature: François-Thomas Germain's Machine d'Argent |
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 | Rubens and Brueghel: A Working Friendship |
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 | Rubens and His Printmakers |
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 | Eliot Porter - In the Realm of Nature |
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 | Ensor's Graphic Modernism |
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 | The Cult of Saints |
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 | Reckless Behaviour |
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 | Carmontelle's Transparency: An 18th-Century Motion Picture |
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 | Degas at the Getty |
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 | Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970 |
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 | Courbet and the Modern Landscape |
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 | Agitated images. John Heartfield and German photomontage |
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 | Robert Adams - Landscapes of Harmony and Dissonance |
2005
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 | Drawings from Leonardo to Titian: A North Italian Itinerary |
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 | Julius Shulman, Modernity and the Metropolis |
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 | Titian and the Commander: A Renaissance Artist and His Patron |
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 | Pictures for the Press |
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 | Scene of the Crime - Photo by Weegee |
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 | Paper Art: Collecting Drawings in Holland, 1600-1800 |
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 | Shrine and Shroud |
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 | Rembrandt's Late Religious Portraits |
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 | The Artist Turns to the Book |
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 | Light and Water |
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 | The Photographs of Frederick Sommer - A Centennial Tribute |
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 | Three Roads Taken - The Photographs of Paul Strand |
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 | For Your Approval: Oil Sketches by Tiepolo |
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 | Masterpieces in Miniature |
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 | All the Mighty World: The Photographs of Roger Fenton |
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 | Jacques-Louis David: Empire to Exile |
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 | Drawn to Rome: French Neoclassical Sketchbooks and Prints |
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 | A Revolutionary Age: Drawing in Europe, 1770–1820 |
2004
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 | Images of Violence in the Medieval World |
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 | Past Presence: Objects of Study at the Getty Research Institute |
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 | Cézanne in the Studio: Still Life in Watercolors |
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 | The Prismatic Palette: Four Centuries of Watercolor |
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 | Imagining the Orient |
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 | Sea Tails: a viedeo collaboration |
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 | Spirit into Matter: The Photographs of Edmund Teske |
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 | Visions of Grandeur: Drawing in the Baroque Age |
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 | Window onto Spain: Drawings and Prints from Ribera to Goya |
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 | Recent Acquisitions |
2003
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 | Classical Connections: The Enduring Influence of Greek and Roman Art |
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 | Comic Art: The Paris Salon in Caricature |
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 | Casting Characters: Portraits & Studies of Heads |
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 | Jean-Antoine Houdon |
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 | Julia Margaret Cameron, Photographer |
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 | Photographs of Artists by Alexander Liberman |
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 | Michelangelo to Vasari: Drawing the Figure in Renaissance Florence |
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 | Strange days - Photographs from the Sixties y Winogrand, Eggleston and Arbus |
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 | Picturing the Natural World |
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 | Between Heaven and Earth: Images of Christ and the Virgin |
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 | Robert Motherwell - A la pintura (to painting) |
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 | Surrealist Muse - Lee Miller, Roland Penrose and Man Ray |
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 | Bill Viola - the passions |
2002
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 | Mise en Page: The Art of Composing on Paper |
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 | Landscapes of Myth |
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 | About Life - The photographs of Dorothea Lange |
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 | The Grapes of Wrath: Horace Bristol's California Photographs |
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 | Orazio Gentileschi in Genoa: Paintings for the Palazzo Sauli |
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 | French Drawings in the Age of Greuze |
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 | The danube Exodus - The Rippling Currents of the River |
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 | Gustave Le Gray, Photographer |
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 | Dutch Drawing of the Golden Age |
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 | The Geometry of Seeing: Perspective and the Dawn of Virtual Space |
2001
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 | Manuel Alvarez Bravo - Optical Parables |
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 | Walker Evans - before + after |
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 | Mexico: From Empire to Revolution |
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 | Shaping the Great City: Modern Architecture in Central Europe 1890 - 1937 |
2000
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 | Raphael at the Getty |
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 | Painting on Light: Drawings and Stained Glass in the Age of Durer and Holbein |
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 | Departures - 11 artists in the Getty |
1999
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 | Brassaï - the eye of Paris |
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 | Edgar Degas, photographer |
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