The Power Plant
Queens Quay West 231
M5J 2G8 Toronto, ON
Canada
city map
hotel accommodation
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Opening hours:
Tu, We, Th, Fr, Sa, Su 12:00-18:00
We 12:00-20:00
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 Institution's artists also shown at: |
| Institution |
№ |
№ |
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MoMA - Museum of Modern Art, USA |
156 |
121 |
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Musée d´art contemporain de Montréal, Canada |
149 |
123 |
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Metro Pictures Gallery, USA |
137 |
26 |
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Leo Castelli Gallery, USA |
133 |
13 |
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Luhring Augustine Gallery, USA |
117 |
41 |
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Profile |
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Foundation year: 1987
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Previous Exhibitions 208
2012
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 | Beat Nation |
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 | Althea Thauberger - MaratSadeBohnice |
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| The Clock |
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| Continuous Coverage |
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| Tools for Conviviality |
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| Dissenting Histories Artist Project: Dave Dyment |
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| Sabine Bitter / Helmut Weber |
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| Kerry Tribe: Speak, Memory |
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| Dissenting Histories: 25 Years of The Power Plant |
2011
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| Coming After |
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| Stan Douglas |
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| 13th Annual RBC Canadian Painting Competition |
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| Derek Sullivan - Albatross Omnibus |
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| The Plot |
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| Welcome to the Hotel Munber |
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| Rearview Mirror |
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| A Sign in the Northwest Passage |
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| Das Auge (The Eye) |
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| Phantom Truck + Always After (The Glass House) |
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| To What Earth Does This Sweet Cold Belong? |
2010
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| Ian Wallace: The Economy of the Image |
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| Pae White: Material Mutters |
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| Adaptation: Between Species |
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| Ryan Trecartin : Any Ever |
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| Sharon Lockhart : Podwórka |
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| Peter Campus : Reflections and Inflections |
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| Joachim Koester : Hypnagogia |
2009
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| Nothing to Declare: Current Sculpture from Canada |
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| Recent Snow: Projected Works by Michael Snow |
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| Candice Breitz |
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| Universal Code |
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| Lawrence Weiner - CUL-DE-SAC |
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| Carey Young |
2008
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| If we can’t get it together |
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| Goldin+Senneby |
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| Emily Vey Duke and Cooper Battersby: Beauty Plus Pity |
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| Scott Lyall |
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| Harrell Fletcher - Collective Learning |
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| Not Quite How I Remember It |
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| Simon Starling - Cuttings (Supplement) |
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| Sadie Benning - Play Pause |
2007
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| Steven Shearer |
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| Andrea Bowers - The Weight of Relevance |
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| Stephen Andrews - Cartoon |
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| Francesco Vezzoli: A True Hollywood Story! |
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| Paul P. - Dusks, Lamplights |
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| Rafael Lozano-Hemmer: Pulse Front: Relational Architecture 12 |
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| Auto Emotion - Autobiography, emotion and self-fashioning |
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| Fiona Banner |
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| Yael Bartana |
2006
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| Carlos Amorales: Useless Wonder |
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| Aleksandra Mir: Organized Movement – A Video Diary |
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| We can do this now |
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| Make Your Own Life - Artists In & Out of Cologne |
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| Eve Sussman - 89 Seconds at Alcázar |
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| Annie Pootoogook |
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| Angela Bulloch |
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| Michael Elmgreen and Ingar Dragset - The Welfare Show |
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| Shary Boyle. Lace figures |
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| Simon Martin. Wednesday afternoon |
2005
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| On Kawara |
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| The Cold City Years |
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| Javier Téllez |
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| Geoffrey Farmer & Joëlle Tuerlinckx |
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| Ignacio Iturria |
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| Glenn Ligon |
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| Dedicated to You, But You Weren't Listening |
2004
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| Ken Lum Works With Photography |
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| Emma Kay |
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| JOHN KÖRMELING |
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| LAURA KIKAUKA - Exactly the Same, but Completely Different |
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| JANET CARDIFF - Forty-Part Motet |
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| THE REPUBLIC OF LOVE - Shary Boyle, Jay Isaac, Paul P., Tony Romano |
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| WIM DELVOYE - Cloaca - New & Improved |
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| DANIEL RICHTER - Pink Flag - White Horse |
2003
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| ART OF THE GREAT PROLETERIAN CULTURAL REVOLUTION |
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| GUY MADDIN - GUY MADDIN - Cowards Bend the Knee |
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| JOÃO PENALVA |
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| RODNEY GRAHAM - Phonokinetoscope |
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| LIAM GILLICK - communes, bars and greenrooms |
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| Stretch Americas Beneath the Surface. |
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| LIZ MAGOR |
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| THE ROYAL ART LODGE - Ask the Dust |
2002
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| THE PARADISE INSTITUTE - Janet Cardiff and George Bures Miller |
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| BOUNCE - Brian Jungen/Myfanwy MacLeod/Damian Moppett |
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| IN THROUGH THE OUT DOOR - David Armstrong-Six, Germaine Koh and Nestor Krüger |
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| LEE BUL - Live Forever |
2001
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| Kim Adams and Marla Hlady - Aernout Mik |
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| Zhang Huan |
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| Substitute Cities |
2000
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| Candida Höfer |
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| Christine Davis |
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| Shirley Wiitasalo |
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| Double Cross: The Hollywood Films of Douglas Gordon |
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| Tim Hawkinson |
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| Mike Kelley and Paul McCarthy: Collaborative Works |
1999
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| Jonathan Lasker Selective Identities: Paintings from the 90s |
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| Beck and Al Hansen: Playing with Matches |
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| Angela Grauerholz: SENTENTIA I-LXII |
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| Stan Douglas |
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| The Hand |
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| Jessica Stockholder |
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| Hagop Sandaldjian:The Eye of The Needle |
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| Chrysanne Stathacos: The Wish Machines |
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| Arnaud Maggs: Works 1976 - 1999 |
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| Eugene Leroy |
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| Sophie Ristelhueber |
1998
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| American Playhouse: The Theatre of Self-Presentation |
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| Picturing The Toronto Art Community: The Queen Street Years |
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| Changing Spaces: Artists' Projects from The Fabric Workshop and Museum, Philadel |
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| Georganne Deen |
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| Threshold |
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| Catherine Richards: Charged Hearts/Coeurs électrisés |
1997
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| The Vibrant Art Scene of the Republic of Korea |
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| Rococo Tattoo: The Ornamental Impulse in Toronto Art |
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| Dialogue with Kunstforeningen, Copenhagen |
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| Hypermnesiac Fabulations: The New British Art Scene |
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| Steve Reinke: The Hundred Videos |
1996
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| Digital Gardens: A World in Mutation |
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| Stacey Lancaster: The Happening |
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| John Marriott: The Happening |
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| Liaisons |
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| The American Trip |
1995
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| Heavy Mental |
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| Melvin Charney |
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| The Age of Anxiety |
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| Beauty #2 |
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| John McEwen |
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| Press Enter: Between Seduction and Disbelief |
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| Spring Hurlbut: La Somnolence |
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| Peter Bowyer: Further Arrangement |
1994
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| Vera Frenkel : ...from the Transit Bar |
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| Kiki Smith |
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| Stephen Schofield |
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| Naked State |
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| Janet Cardiff: To Touch |
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| Yasumasa Morimura: Psychoborg |
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| Roland Brenner: Capital Z |
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| Faye HeavyShield: Into the Garden of Angels |
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| The Michael Snow Project: Embodied Vision |
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| Susan Schelle: A Question of Behaviour |
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| Will Gorlitz |
1993
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| Anish Kapoor |
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| Geoffrey James: Asbestos |
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| Via Lewandowsky |
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| Whiteness and Wounds |
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| Rx: Let's Play Doctor |
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| Ann Hamilton: a round |
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| David Buchan: Inside the Image |
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| General Idea's Fin de siècle |
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| Jan Vercruysse: Toronto 1993 |
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| Janice Gurney: Sum Over Histories |
1992
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| Yves Gaucher 1978-1992: Abstract Practices |
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| Regeneration |
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| Mark Luyten: Stepping Stones |
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| Ronald Jones |
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| Jack Goldstein |
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| Carl Beam: The Columbus Boat |
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| The Creation...of the African Canadian Odyssey |
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| Günther Forg |
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| Tania Mouraud |
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| Per Barclay |
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| Andy Fabo and Shelagh Keeley: From the Intimacy of the Page |
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| Jerry Pethick: Still Veils |
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| Kim Adams: Earth Wagons |
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| Raymond Gervais: Roto-Univers |
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| Rosemarie Trockel |
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| Colette Whiten: New Needleworks |
1991
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| Intersections: Claude Philippe Benoit - Interieur, jour |
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| Colin Campbell: Media Works 1972-1990 |
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| Ilya Kabakov and John Scott |
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| Intersections: Clegg and Guttmann -Proposal for an open tool shelter |
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| Tony Cragg: Sculpture 1975-1990 |
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| Joanne Tod |
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| Intersections: Mark Lewis – What is to be done? |
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| Afrika - Sergei Bugaev |
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| Comedies of Objecthood: Gordon Lebredt / Stephen Prina |
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| Mary Kelly: Interim |
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| Joey Morgan: Everything You Always Wanted, Anywhere But Here |
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| Arlene Stamp: Red Works |
1990
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| Intersections: Alan Storey – Climatic Drawing Machine |
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| Intersections: Tunga |
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| Tanya Mars: Pure Hell |
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| Sandra Meigs: Pas de deux |
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| Ida Applebroog: Happy Families |
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| Michael Fernandes: Walls |
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| Adrian Piper: Reflections |
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| Tim Jocelyn: Fictions & Realities |
1989
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| Christian Boltanski: Lessons of Darkness |
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| Attila Richard Lukacs: A Selected Survey |
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| Ed Poitras: Indian Territory |
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| Robin Collyer: In Site - On Place |
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| John Greyson: Fictional Documents – Gay Culture & the Media |
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| Robert Fones: Selected Work 1979–89 |
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| Alain Paiement: Amphitheatres |
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| Alan Belcher: Photos, Sculpture, Objects |
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| Louise Noguchi: Selected Work 1982-85 |
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| Samuel Beckett and Stan Douglas: Teleplays |
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| Nancy Spero: Works Since 1950 |
1988
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| Enchantment / Disturbance |
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| Ian Wallace: Selected Works 1970–1987 |
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| Museum Stories: Works by Andrew Forster |
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| David Griggs: Blind Portage |
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| Geneviève Cadieux |
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| Jana Sterbak |
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| Antonio Muntadas |
1987
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| Brian Groombridge |
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| The Architecture of Frank Gehry |
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