 Artist's arttributes:
|
| • |
Mujer |
| • |
Escultura |
La mayoría de las exposiciones en: |
| país |
№ |
| Estados Unidos | 48 |
| Alemania | 22 |
| Italia | 9 |
| Francia | 6 |
| Países Bajos | 4 |
Most exhibitions held at: |
| Institution |
№ |
| |
Tracy Williams, Ltd, Estados Unidos |
4 |
| |
Galleria Raffaella Cortese, Italia |
4 |
Datos Biográficos: 
11.7.1951 Nació en Los Angeles, CA (US)
Enlaces externos: | | Exposiciones (Selección) 107
Exposiciones Individuales 16
2011
| |
| Barbara Bloom - Galleria Raffaella Cortese, Milano |
2010
| |
| Barbara Bloom - Galerie Gisela Capitain, Colonia |
| |
| Staged - Lüttgenmeijer, Berlin |
| |
| Present - Tracy Williams, Ltd, Nueva York, NY |
2008
| |
| The Collections of Barbara Bloom - Martin-Gropius-Bau, Berlin |
| |
| Barbara Bloom - Nur 1 Bild! - - Dany Keller Galerie - Munich, Munchen (closed, 2009) |
| |
| The Collections of Barbara Bloom - ICP - International Center of Photography, Nueva York, NY |
2007
| |
| Barbara Bloom - Tracy Williams, Ltd, Nueva York, NY |
2002
| |
| Barbara Bloom - - Galerie Six Friedrich Lisa Ungar, Munchen (closed) |
2000
| |
| Barbara Bloom - Galerie Pièce Unique, Paris |
1999
| |
| Barbara Bloom - Peter Blum Gallery, Nueva York, NY |
1998
| |
| Barbara Bloom - Galleria Raffaella Cortese, Milano |
| |
| Barbara Bloom - Pictures from the Floating World - Sala Rekalde, Bilbao |
1995
 |
| Barbara Bloom - Pictures from the Floating World - Leo Castelli Gallery, Nueva York, NY |
1990
| |
| Barbara Bloom: The Tip of the Iceberg - Galerie Isabella Czarnowska, Berlin |
1987
| |
| Barbara Bloom: Ein Neger mit Gazelle zagt im Regen nie (Madam I'm Adam) - Galerie Isabella Czarnowska, Berlin |
Exposiciones Colectivas 91
2013
| |
| Ersatz Affiches - Tracy Williams, Ltd, Nueva York, NY |
2012
| |
| Drawing a Blank (On Forgetting, Refusal, Censure and Impotence) - David Kordansky Gallery, Los Angeles, CA |
| |
| Loughelton Revisited - Winkleman Gallery, Nueva York, NY |
| |
| The Artists’ Postcard Show - Spike Island, Bristol (Inglaterra) |
| |
| Art: The Language of Less - Castellani Art Museum, Lewiston, NY |
| |
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991 - Contemporary Arts Museum Houston, Houston, TX |
2011
| |
| Atlas. How to carry the world on one's back? - Deichtorhallen Hamburg, Hamburgo |
|
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1991 - Nasher Museum of Art, Durham, NC |
| |
| Books on Books - SI Swiss Institute, Nueva York, NY |
| |
| Glasstress 2011 - Palazzo Cavalli Franchetti, Venecia |
| |
| Atlas. How to carry the world on one's back? - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| The Deconstructive Impulse: Women Artists Reconfigure The Signs Of Power, 1973-1992 - Neuberger Museum of Art, Purchase, NY |
2010
| |
| The Tell-Tale Heart (Part 2) - James Cohan Gallery - Shanghai, Shanghai |
| |
| The Tell-Tale Heart (Part 2) - James Cohan Gallery - New York, Nueva York, NY |
| |
| In full bloom - Galleria Raffaella Cortese, Milano |
|
| Starter Works from the Vehbi Koç Foundation Contemporary Art Collection - ARTER - space for art, Istanbul |
| |
| FAX - Para/Site Art Space, Hong Kong, SAR |
 |
| Quartet–Four Biennials Reflected in Prints - International Centre of Graphic Arts (MGLC), Ljubljana |
| |
| FAX - Torrance Art Museum, Torrance, CA |
2009
|
| FAX - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
| |
| Learn to Read Art: A History of Printed Matter - MoMA PS1, Nueva York, NY |
| |
| Un plan simple 3/3 (Écran) - Maison populaire de Montreuil, Montreuil |
|
| FAX - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| Who killed the Painting? - Weserburg | Museum für moderne Kunst, Bremen |
| |
| Dress Codes: Clothing as Metaphor - Katonah Museum of Art, Katonah, NY |
| |
| Glasstress 2009 - Palazzo Cavalli Franchetti, Venecia |
|
| Take the Money and Run - de Appel arts centre, Amsterdam |
| |
| FAX - The Drawing Center, Nueva York, NY |
| |
| Living with... - Galleria Raffaella Cortese, Milano |
| |
| Regift - SI Swiss Institute, Nueva York, NY |
| |
| The Anniversary Show - Tracy Williams, Ltd, Nueva York, NY |
| |
| Un plan simple 1/3 (Perspective) - Maison populaire de Montreuil, Montreuil |
2008
| |
| Chances Are The Comets In Our Future: A Visual Introduction to Drag City - Gallery 400 - University of Illinois at Chicago, Chicago, IL |
| |
| Art Metropole: The Top 100 - MSVU Art Gallery, Halifax, NS |
2007
| |
| Scenes and Sequences - Peter Blum Edition, New York - Aargauer Kunsthaus, Aarau |
2006
| |
| The Shadow - by Lea Vergine - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
| |
| Die 90er - Vom Künstlerbuch zur CD-ROM - Weserburg | Museum für moderne Kunst, Bremen |
2004
| |
| Place for the Self - Apexart, Nueva York, NY |
| |
| Trespassing - Houses X Artists - Palm Springs Art Museum, Palm Springs, CA |
| |
| Ausstellungen 1994 - 2004 - Sabine Schmidt Galerie, Colonia |
| |
| MCA Unpacked II - Selections from the MCA Collection by Michelle Nikou (SA) and - The Anne & Gordon Samstag Museum of Art, Adelaida, SA |
| |
| Selections from the Permanent Collection - The Fabric Workshop and Museum, Philadelphia, PA |
| |
| Female Identities? KünstlerInnen der Sammlung Goetz - Weserburg | Museum für moderne Kunst, Bremen |
| |
| TRESPASSING: Houses x Artists - Blaffer Gallery - The Art Museum of the University of Houston, Houston, TX |
2003
| |
| Sand in der Vaseline - Künstlerbücher 1980 bis 2002 - Neues Museum - Staatliches Museum für Kunst und Design in Nürnberg, Nuremberg |
| |
| Me, We - Art in General, Nueva York, NY |
|
| A Clear Vision: Photographic Works from the F.C. Gundlach Collection - Deichtorhallen Hamburg, Hamburgo |
| |
| Place for the Self - Apexart, Nueva York, NY |
| |
| The Sound of Video - Voice and Rhythm in Audiovisual - LAB, Copenhagen |
| |
| Trespassing - Houses X Artists - University of South Florida Contemporary Art Museum, Tampa, FL |
|
| "Phantom der Lust. Visionen des Masochismus in der Kunst" - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
| |
| Raid the Icebox - Margo Leavin Gallery, Los Angeles, CA |
2002
| |
| Sand in der Vaseline, Künstlerbücher II, 1980 - 2002 - Kaiser Wilhelm Museum, Krefeld |
2001
| |
| Benefit 2001 Raffle - Momenta Art, Nueva York, NY |
2000
| |
| Persona(l) - Selections from the Robert J. Shiffler Collection - SoFA Gallery at Indiana University, Bloomington, IN |
| |
| Dinge in der Kunst des XX. Jahrhundert - Haus der Kunst München, Munchen |
| |
| American Home - Works from the Permanent Collection - The Fabric Workshop and Museum, Philadelphia, PA |
1999
| |
| Quelques-unes des dernières acquisitions de la Collection Frac Rhône-Alpes - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
|
| Chronos and Kairos, die Zeit in der zeitgenössischen Kunst - Kunsthalle Fridericianum, Cassel |
|
| Moving Images Film-Reflexion in der Kunst - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| The Permanent Collection - Into the 21st Century - San Jose Museum of Art, San Jose, CA |
1998
| |
| The cultured tourist - Leslie Tonkonow Artworks + Projects, Nueva York, NY |
1997
| |
| Tableaux - Contemporary Arts Museum Houston, Houston, TX |
| |
| Pablo Cano: The Pursuit of Love and Animated Altarpieces - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
1995
| |
| As far as Amsterdam goes... - de Appel arts centre, Amsterdam |
|
| 4. International İstanbul Biennial - International Istanbul Biennial, Istanbul |
| |
| First International Biennial Exhibition: Longing and Belonging: From the Faraway Nearby - Site Santa Fe, Santa Fe, NM |
| |
| SITE Santa Fe's First International Biennial - Longing and Belonging: From the Faraway Nearby - SITE Santa Fe Biennial, Santa Fe, NM |
| |
| Untitled (Reading Room) - Margo Leavin Gallery, Los Angeles, CA |
| |
| Chocolate! - SI Swiss Institute, Nueva York, NY |
1994
| |
| Pictures Of The Real World (In Real Time) - Le Consortium, Dijonn |
| |
| Zwischenspiel Multiples - NBK - Neuer Berliner Kunstverein, Berlin |
| |
| Pictures of The Real World (In Real Time) - Paula Cooper Gallery, Nueva York, NY |
1992
| |
| Al(l)ready made - Stedelijk Museum ’s-Hertogenbosch, 's-Hertogenbosch |
1991
| |
| Inscapes - de Appel arts centre, Amsterdam |
1990
| |
| Un art de la distinction ? - Abbaye St André - Centre d'art contemporain Meymac, Meymac |
| |
| 8th Biennale of Sydney 1990 - The Readymade Boomerang - Biennale of Sydney, Sydney, NSW |
| |
| The Indomitable Spirit: Photographers And Artists Respond In The Time Of Aids - ICP - International Center of Photography, Nueva York, NY |
1989
| |
| A Forest Of Signs: Art In The Crisis Of Representation - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Barbara Bloom, Marcel Broodthaers, Daniel Buren, Louise Lawler, Allan McCollum - Galerie Isabella Czarnowska, Berlin |
1988
| |
| International Landscape - Galerie Christoph Dürr, Munchen |
| |
| Spazi '88 - Centro per l´Arte Contemporanea Luigi Pecci, Prato, PO |
| |
| Gran Pavese, The Flag Project - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antverpen |
| |
| XLIII Esposizione internazionale d’Arte. La Biennale di Venezia. Il luogo degli artisti - La Biennale di Venezia, Venecia |
| |
| International Landscape - Forum Stadtpark, Graz |
1987
|
| CalArts - Skeptical Belief(s) - The Renaissance Society at The University of Chicago, Chicago, IL |
1986
| |
| Damaged Goods: Desire and the Economy of the Object - New Museum of Contemporary Art, Nueva York, NY |
1982
| |
| A Fatal Attraction - Art and the Media - The Renaissance Society at The University of Chicago, Chicago, IL |
1976
| |
| Barbara Bloom, David Salle - Artists Space, Nueva York, NY |
| Instituciones Representantes 4 |
Alemania
| | Galerie Gisela Capitain, Colonia
|
Estados Unidos
| | I.C. Editions, Nueva York, NY
|
| | Tracy Williams, Ltd, Nueva York, NY
|
Italia
| | Galleria Raffaella Cortese, Milano
|
Colecciónes 11
Alemania
| | Weserburg | Museum für moderne Kunst, Bremen
|
Australia
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
Dinamarca
Estados Unidos
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | MoMA - Museum of Modern Art, Nueva York, NY
|
| | The West Collection, Oaks, PA
|
| | The Fabric Workshop and Museum, Philadelphia, PA
|
Finlandia
| | Kiasma - Museum of Contemporary Art, Helsinki
|
Francia
| | IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne
|
Suiza
| | Fotomuseum Winterthur, Winterthur
|
Catálogos
| | Kunstprojekt Petuelpark "auf einer unsichtbaren Strasse, auf der Höhe ihrer Fenster"- Galerie Six Friedrich Lisa Ungar, Munchen |
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