Artist's arttributes:
|
| • |
Mujer |
| • |
Performance |
La mayoría de las exposiciones en:
|
| país |
№ |
| Estados Unidos | 32 |
| España | 5 |
| Reino Unido | 4 |
| Alemania | 3 |
Most exhibitions held at:
|
| Institution |
№ |
| |
El Museo del Barrio, Estados Unidos |
2 |
| |
Fundación Antoni Tàpies, España |
2 |
| |
The Project, Estados Unidos |
2 |
Datos Biográficos: 
 |
|
Courtesy by "Elastic Residence", London (England)
|
18.6.1960 Nació en New York City, NY (US)
Enlaces externos:
| | Exposiciones (Selección) 62 
Exposiciones Individuales 6
2012
| |
| The Empty Plaza / La Plaza Vacia - Alexander Gray Associates, Nueva York, NY |
2008
| |
| Operation Atropos - White Flag Projects, Saint Louis, MO |
| |
| Coco Fusco: "Buried Pig with Moros" - - The Project, Nueva York, NY (closed) |
2006
 |
| Coco Fusco - Operation Atropos - Elastic Residence, Londres (Inglaterra) |
| |
| Coco Fusco - - MC Kunst, Los Angeles, CA (closed) |
2004
| |
| Coco Fusco - - The Project, Nueva York, NY (closed) |
Exposiciones Colectivas 56
2013
| |
| Nyc 1993: Experimental Jet Set, Trash And No Star - New Museum of Contemporary Art, Nueva York, NY |
2012
| |
| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| re.act.feminism #2. A Performing Archive - Fundación Antoni Tàpies, Barcelona |
 |
| re.act.feminism #2 - a performing archive - Fundación Antoni Tàpies, Barcelona |
2011
| |
| Voces Y Visiones: Gran Caribe - El Museo del Barrio, Nueva York, NY |
| |
| 8th Bienal do Mercosul - Bienal do Mercosul, Porto Alegre |
2010
 |
| History of Disappearance - Aarhus Kunstbygning - Center for Contemporary Art, Aarhus |
| |
| Lush Life - Collette Blanchard Gallery, Nueva York, NY |
| |
| Lush Life - Shell be Apples - Eleven Rivington, Nueva York, NY |
| |
| The Facebook Show - Museum of New Art - MONA, Pontiac (MI) |
| |
| Lush Life - Chapter One: Whistle - Sue Scott Gallery, Nueva York, NY |
| |
| Self as disappearance - Centre d’art contemporain la Synagogue de Delme, Delme |
2009
| |
| Indomitable Women at BAC 10.0 - CCCB - Centre de Cultura Contemporània de Barcelona, Barcelona |
| |
| Status Report - BRIC Rotunda Gallery, Nueva York, NY |
| |
| 2009 International Incheon Women Artist's Biennale - International Incheon Women Artist's Biennale, Incheon |
 |
| ARTE ≠ VIDA - Museo de Arte Carrillo Gil, Ciudad de Mexico |
| |
| live art /levende scene - Kunstnernes Hus, Oslo |
2008
| |
| KISSS - Castlefield Gallery, Manchester (Inglaterra) |
| |
| Nicht alles tun - :emyt, Berlin |
| |
| Nicht Alles Tun - Galerie IG Bildende Kunst, Viena |
| |
| Cultura Subyugada - Interrupciones y resistencias sobre lo femenino - Museo de Arte Contemporáneo de Rosario (MACRo), Rosario |
 |
| Whitney Biennial 2008 - Whitney Biennial, Nueva York, NY |
| |
| Arte Vida: Actions By Artists Of The Americas, 1960-2000 - El Museo del Barrio, Nueva York, NY |
| |
| La mirada Iracunda - Centro Cultural Montehermoso, Vitoria-Gasteiz |
2007
| |
| Cara (a)cara/ Face 2 Face - CCE - Centro Cultural Español, Coral Gables (Miami), FL |
| |
| Black Panther Rank and File - Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC |
| |
| Killing Time - - Exit Art, Nueva York, NY (closed, 2012) |
| |
| I am making Art - Chapitre 3 - Identité et Transformation - Centre d´Art Contemporain Geneve, Ginebra |
| |
| La era de la discrepancia - MUCA Roma - Museo Universitario de Ciencias y Arte, Ciudad de Mexico |
| |
| transmediale.07 - Akademie der Künste, Berlin |
2006
| |
| WAITING LIST: Time and transition in Cuban Contemporary Art - Mestna Galerija / City Art Gallery Ljubljana, Ljubljana |
| |
| Frontera 450+ - Station Museum of Contemporary Art, Houston, TX |
| |
| History of disappearance. 30° anniversario della Franklin Furnace - neon>fdv, Milano |
| |
| Black Panther Rank and File - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| The Whole World is Rotten - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
2005
| |
| Global Tour - W139, Amsterdam |
| |
| PERFORMA 05 - Performa, Nueva York, NY |
| |
| KISSS (Kinship International Strategy on Surveillance and Supression) - Conical Inc, Melbourne, VIC |
| |
| Day Labor - MoMA PS1, Nueva York, NY |
| |
| NOT A DROP BUT THE FALL - Künstlerhaus Bremen, Bremen |
| |
| History of Disappearance - BALTIC Centre for Contemporary Art, Gateshead (Inglaterra) |
| |
| Defence: Body and Nobody in Self-Protection - UCR Sweeney Art Gallery, Riverside, CA |
| |
| The Whole World is Rotten: Free Radicals and the Gold Coast Slave Castles of Paa Joe - Jack Shainman Gallery, Nueva York, NY |
| |
| Collection Remixed - Bronx Museum of the Arts (BxMA), Nueva York, NY |
 |
| La costilla maldita - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
2004
| |
| Democracy was Fun - White Box, Nueva York, NY |
| |
| 5th Shanghai Biennale - Techniques of the visible - Shanghai Biennale, Shanghai |
| |
| connect the dots - LeRoy Neiman Gallery, Nueva York, NY |
| |
| Emoção Art.ficial - Itaú Cultural Institute, São Paulo |
| |
| Nothing If Not Satirical - The Nunnery Gallery, Londres (Inglaterra) |
2003
 |
| Strangers: the first ICP triennial of photography and video - ICP - International Center of Photography, Nueva York, NY |
2000
| |
| 3rd Gwangju Biennale - Man+Space - Gwangju Biennale, Gwangju |
1997
| |
| Alt. Use. Media - Shedhalle, Zürich |
1996
| |
| a/drift - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
1993
| |
| Guillermo Gomez-Pena and Coco Fusco: The Year of the White Bear - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
1992
| |
| Those Fluttering Objects of Desire - - Exit Art, Nueva York, NY (closed, 2012) |
Instituciones Representantes 1 |
Estados Unidos
| | Alexander Gray Associates, Nueva York, NY
|
Colecciónes 2

España
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcelona
|
Reino Unido
| | Elastic Residence, Londres (Inglaterra)
|
Catálogos
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