 Artist's arttributes:
|
| • |
Hombre |
| • |
Objeto, Instalación |
La mayoría de las exposiciones en: |
| país |
№ |
| Estados Unidos | 128 |
| Alemania | 14 |
| Reino Unido | 13 |
| Francia | 11 |
| Italia | 10 |
Most exhibitions held at: |
| Institution |
№ |
| |
MoMA - Museum of Modern Art, Estados Unidos |
6 |
| |
Palazzo Grassi - Francois Pinault Foundation, Italia |
5 |
| |
L&M Arts, New York, Estados Unidos |
5 |
Datos Biográficos: 
1943 Nació en Springfield, IL (US)
Enlaces externos: | | Exposiciones (Selección) 218
desde el 20.7.
hasta el 15.9.
hasta el 15.9.
hasta el 8.9.
Exposiciones Individuales 12
2011
| |
| David Hammons - L&M Arts, New York, Nueva York, NY |
2007
| |
| David Hammons - L&M Arts, New York, Nueva York, NY |
2006
| |
| David Hammons - Jack Tilton Gallery, Nueva York, NY |
| |
| David Hammons. Selected works. - - Zwirner & Wirth, Nueva York, NY (closed, 2009) |
| |
| Media Series - David Hammons - Saint Louis Art Museum, Saint Louis, MO |
2004
| |
| David Hammons - Phat Free - The Fabric Workshop and Museum, Philadelphia, PA |
2003
2002
| |
| David Hammons - White Cube - Hoxton Square, Londres (Inglaterra) |
2000
| |
| David Hammons. Global Fax Festival - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| David Hammons: Real Time - Centre for Contemporary Art Ujazdowski Castle, Varsovia |
1989
| |
| David Hammons - - Exit Art, Nueva York, NY (closed, 2012) |
1986
| |
| Higher Goals - BRIC Rotunda Gallery, Nueva York, NY |
Exposiciones Colectivas 202
2013
| |
| Memphis Social - Apexart, Nueva York, NY |
| |
| Nyc 1993: Experimental Jet Set, Trash And No Star - New Museum of Contemporary Art, Nueva York, NY |
2012
| |
| Cartografías contemporáneas - CaixaForum Barcelona, Barcelona |
| |
| Cartografías contemporáneas. Dibujando el pensamiento - CaixaForum Madrid, Madrid |
| |
| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary Arts London, Londres (Inglaterra) |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Now Dig This! Art and Black Los Angeles 1960–1980 - MoMA PS1, Nueva York, NY |
| |
| Blues For Smoke - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Inside Out and From the Ground Up - MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH |
| |
| Silence - The Menil Collection, Houston, TX |
| |
| Mash Up: Collage from 1930 to the present - L&M Arts, Los Angeles, Venice, CA |
| |
| Everyday Abstract - Abstract Everyday - James Cohan Gallery - New York, Nueva York, NY |
| |
| This Will Have Been: Art, Love & Politics in the 1980 - Walker Art Center, Minneapolis, MN |
 |
| Manifesta 9 - Koolmijn van Waterschei-Genk, Genk |
| |
| À rebours - Venus Over Manhattan Art, Nueva York, NY |
| |
| La Triennale 2012 - Intense Proximity - Palais de Tokyo, Paris |
| |
| 30 Americans - Chrysler Museum of Art, Norfolk, VA |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Asche und Gold Eine Weltenreise - MARTa Herford, Herford |
2011
| |
| Group Exhibition - Mitchell-Innes & Nash - West Street, Nueva York, NY |
| |
| In Context - Roberts & Tilton, Culver City, CA |
| |
| Mars vs Venus: Images of Male and Female - Greg Kucera Gallery, Seattle, WA |
| |
| Now Dig This! Art and Black Los Angeles 1960 - 1980 - Hammer Museum, Los Angeles, CA |
 |
| 30 Americans - The Corcoran Gallery of Art, Washington, DC |
|
| Under the Big Black Sun: California Art 1974-1981 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| One, Another - FLAG Art Foundation, Nueva York, NY |
|
| The World Belongs to You - Palazzo Grassi - Francois Pinault Foundation, Venecia |
| |
| Elogio del dubbio - Palazzo Grassi - Francois Pinault Foundation, Venecia |
|
| 30 Americans - North Carolina Museum of Art, Raleigh, NC |
| |
| Compass - Drawings from the Museum of Modern Art New York - Martin-Gropius-Bau, Berlin |
| |
| Investigations of a Dog - Magasin 3 Stockholm Konsthall, Estocolmo |
2010
| |
| BigMinis - Fetishes of Crisis - CAPC - Musée d'art contemporain, Burdeos |
| |
| les recherches d’un chien - La Maison Rouge, Paris |
| |
| The Earth is Flat After All - Perry Rubenstein Gallery - 527 West 23 Street, Nueva York, NY |
| |
| Huckleberry Finn - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Keeping it Real: An Exhibition in 4 Acts: Act 2: Subversive Abstraction - Whitechapel Art Gallery, Londres (Inglaterra) |
| |
| Coup de Ville - WARP, Sint-Niklaas |
| |
| Afro Modern. Journeys through the Black Atlantic - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Grass Grows by Itself - Marlborough Chelsea, Nueva York, NY |
|
| Kupferstichkabinett: Between Thought and Action - White Cube - Hoxton Square, Londres (Inglaterra) |
| |
| Off the Wall Part 1: Thirty Performative Actions - Whitney Museum of American Art, Nueva York, NY |
| |
| Sound & Vision - The Art Institute of Chicago, Chicago, IL |
| |
| Keeping it Real: An Exhibition in Four Acts: Act 1: The Corporeal - Whitechapel Art Gallery, Londres (Inglaterra) |
| |
| Investigations of a dog - Ellipse Foundation, Alcoitão |
|
| Don Juan in the Village - Lars Bohman Gallery, Estocolmo |
| |
| Mehr Teppich / More Carpets - Galerie Isabella Bortolozzi, Berlin |
| |
| With or Without You: Art in Harlem, 2000 - 2006 - - Triple Candie, Nueva York, NY (closed, 2010) |
| |
| Lost And Found - Neugerriemschneider, Berlin |
| |
| Radical Conceptual - Museum für Moderne Kunst (MMK), Frankfurt/Main |
| |
| Disembodied - Aspen Art Museum, Aspen, CO |
| |
| Hard Targets - Wexner Center for the Arts, Columbus, OH |
| |
| From Then to Now : Masterworks of Contemporary African-American Art - MOCA - Museum of Contemporary Art Cleveland, Cleveland, OH |
| |
| Afro Modern: Journeys through the Black Atlantic - Tate Liverpool, Liverpool (Inglaterra) |
| |
| Collecting Biennials - Whitney Museum of American Art, Nueva York, NY |
| |
| Ich weiß gar nicht, was Kunst ist - Einblicke in eine private Sammlung - MARTa Herford, Herford |
2009
| |
| Beg Borrow and Steal - Rubell Family Collection, Miami, FL |
| |
| Walker Evans and the Barn - Stedelijk Museum Bureau Amsterdam - SMBA, Amsterdam |
| |
| Harsh Terrain - Roberts & Tilton, Culver City, CA |
|
| 30 Seconds off an Inch - The Studio Museum in Harlem, Nueva York, NY |
| |
| California Maximalism - Nyehaus, Nueva York, NY |
| |
| Investigations of a Dog. Works from the FACE Collections - Fondazione Sandretto Re Rebaudengo, Turín |
| |
| California Calling: Works from Santa Barbara Collections, 1948 - 2008 (Part II) - Santa Barbara Museum of Art, Santa Barbara, CA |
|
| Beyond Black White and Gray - L&M Arts, New York, Nueva York, NY |
| |
| Hello Goodbye Thank You, Again - castillo/corrales, Paris |
| |
| The Secret Life of Objects - Midway Contemporary Art, Minneapolis, MN |
| |
| Bad Habits - Albright-Knox Art Gallery, Buffalo, NY |
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| A Subject Full of Suggestion - Georgia Scherman Projects, Toronto, ON |
| |
| NeoHooDoo: Art for a Forgotten Faith - - MAM - Miami Art Museum, Miami, FL (closed, 2013) |
2008
| |
| 30 Americans - Rubell Family Collection, Miami, FL |
| |
| Die Wiederholung der Zeichen - Alte Fabrik - Gebert Stiftung für Kultur, Rapperswil |
|
| NeoHooDoo: Art for a Forgotten Faith - MoMA PS1, Nueva York, NY |
| |
| "Infinite Light" in "to:Night" - Leubsdorf Art Gallery - Hunter College, Nueva York, NY |
| |
| Street Art, Street Life - Bronx Museum of the Arts (BxMA), Nueva York, NY |
|
| Here Is Every. Four Decades of Contemporary Art - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| Paintings & Drawings - L&M Arts, New York, Nueva York, NY |
| |
| NeoHooDoo: Art for a Forgotten Faith - The Menil Collection, Houston, TX |
| |
| NeoHooDoo: Art for a Forgotten Faith - Anton Kern Gallery, Nueva York, NY |
| |
| Quiet Politics - - Zwirner & Wirth, Nueva York, NY (closed, 2009) |
| |
| You can go your own way - Leslie Fritz Gallery, Nueva York, NY |
| |
| That Was Then...This Is Now - MoMA PS1, Nueva York, NY |
| |
| L'Argent - FRAC - Ile-de-France Le Plateau, Paris |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Ad Absurdum - MARTa Herford, Herford |
| |
| Book/Shelf - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| Martian Museum of Terrestrial Art - Barbican Art Gallery, Londres (Inglaterra) |
| |
| Working History - The Douglas F. Cooley Memorial Art Gallery, Portland, OR |
| |
| Under Pain of Death - Austrian Cultural Forum New York, Nueva York, NY |
| |
| Person Of The Crowd: The Contemporary Art Of Flânerie - Neuberger Museum of Art, Purchase, NY |
2007
| |
| New York States of Mind - Queens Museum of Art (QMA), Nueva York, NY |
| |
| Sounding the Subject: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust - MIT List Visual Arts Center, Cambridge, MA |
| |
| The Complexity of the Simple - L&M Arts, New York, Nueva York, NY |
| |
| Multiplex: Directions in Art, 1970 to Now - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| Art Kissing - Momenta Art, Nueva York, NY |
| |
| Brocken Memory - Ghana National Art Museum, Accra |
| |
| New York - States of Mind - Haus der Kulturen der Welt, Berlin |
| |
| Passion Complex - Selected Works from the Albright-Knox Art Gallery - 21st Century Museum of Contemporary Art - Kanazawa, Kanazawa |
| |
| Black Panther Rank and File - Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC |
| |
| L.A. Object and David Hammons Body Prints - Roberts & Tilton, Culver City, CA |
|
| skulptur projekte münster 07 - Skulptur Projekte Münster, Munster |
| |
| Silenzio. Una mostra da ascoltare - Fondazione Sandretto Re Rebaudengo, Turín |
| |
| Sequence 1 - Palazzo Grassi - Francois Pinault Foundation, Venecia |
| |
| Art in America , Now - MOCA Shanghai, Shanghai |
| |
| Out of Time - A Contemporary View - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| Closed Circuit: Video and New Media at the Metropolitan - The Metropolitan Museum of Art, Nueva York, NY |
| |
| "REALLIFE 1979-1990" - Artists Space, Nueva York, NY |
2006
| |
| Radical NY! The Downtown show: the New York art scene, 1974-1984 and abstract expresionism: 1940-1960 - Austin Museum of Art - AMOA, Austin, TX |
| |
| The Francois Pinault Collection - A Post-Pop selection - Palazzo Grassi - Francois Pinault Foundation, Venecia |
|
| THE 1980s - A TOPOLOGY - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Open HOUSE (part 2) - Ellipse Foundation, Alcoitão |
| |
| Off the shelf - The Frances Lehman Loeb Art Center, Poughkeepsie, NY |
| |
| black alphabet - conTEXTS of contemporary african-american art - Zacheta - National Gallery of Art, Varsovia |
| |
| 6th Gwangju Biennale 2006 - Gwangju Biennale, Gwangju |
| |
| Civil Restitutions - Thomas Dane Gallery, Londres (Inglaterra) |
| |
| Group show (opening exhibition) - Ellipse Foundation, Alcoitão |
| |
| The Downtown Show: The New York Art Scene, 1974–1984 - The Andy Warhol Museum, Pittsburg, PA |
| |
| Subject - Lyman Allyn Art Museum, New London, CT |
| |
| Where are we going - Selections from the Francois Pinault Collection - Palazzo Grassi - Francois Pinault Foundation, Venecia |
| |
| Collection of the Fondation Cartier pour l'art contemporain - Museum of Contemporary Art Tokyo (MOT), Tokyo |
| |
| Black Panther Rank and File - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| Los Angeles 1955-1985 The birth of an art capital - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| Neo-Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter - Apexart, Nueva York, NY |
| |
| Figures in the Field - Figurative Sculpture and Abstract Painting from Chicago C - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Humor Me - H&R Block Artspace at Kansas City Art Institute, Kansas City, MO |
| |
| The Downtown Show: The New York Art Scene, 1974–1984 - Grey Art Gallery, NYU, Nueva York, NY |
2005
| |
| Irreducible - Bronx Museum of the Arts (BxMA), Nueva York, NY |
| |
| GREATER THAN THE SUM: Selections from the Craig Robins Collection of Contemporary Art - Mofa - Florida State University Museum of Fine Arts, Tallahassee, FL |
| |
| War is over - 1945 - 2005 la libertá dell'arte da Picasso a Warhol a Cattelan - GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo |
| |
| Back to Black - The New Art Gallery Walsall, Walsall, West Midlands (Inglaterra) |
| |
| Irreducible - Contemporar Short Form Video - Miami Art Central, Miami, FL |
|
| African American Art - Masterworks of Contemporary Art - Saint Louis Art Museum, Saint Louis, MO |
| |
| Back to Black - Art, Cinema and the Racial Imaginary - Whitechapel Art Gallery, Londres (Inglaterra) |
|
| Schadowland - An Exhibition as a Film - Walker Art Center, Minneapolis, MN |
| |
| Celebrate 22 years - Jack Tilton Gallery, Nueva York, NY |
| |
| The Whole World is Rotten: Free Radicals and the Gold Coast Slave Castles of Paa Joe - Jack Shainman Gallery, Nueva York, NY |
| |
| Irreducible - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
2004
| |
| Ralentir vite - FRAC - Ile-de-France Le Plateau, Paris |
|
| Contested Fields - Des Moines Art Center, Des Moines, IA |
| |
| Every Stone Tells A Story: The Performance Work of Jimmie Durham and David Hammons - Ramapo College Art Galleries, Mahwah, NJ |
| |
| Eclipse - Towards the edge of the visible - White Cube - Hoxton Square, Londres (Inglaterra) |
| |
| Seeds and Roots - The Studio Museum in Harlem, Nueva York, NY |
|
| "The Big Nothing" - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphia, PA |
| |
| Modern Means: Continuity and Change in Art from 1880 to the Present - Mori Art Museum, Tokyo |
| |
| What did you expect? - Galerie Jan Mot, Bruselas |
2003
| |
| One Planet Under A Groove - Museum Villa Stuck, Munchen |
| |
| black belt - The Studio Museum in Harlem, Nueva York, NY |
| |
| HairStories - Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ |
| |
| Hands on, Hands down - The Studio Museum in Harlem, Nueva York, NY |
| |
| puddel-wonderful - Greenberg Van Doren Gallery, Nueva York, NY |
|
| Gelijk het leven is - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Magic Markers - Des Moines Art Center, Des Moines, IA |
| |
| There´s no land but the land (up there is just a sea of possibilities) - Meyer Riegger Karlsruhe, Karlsruhe |
2002
| |
| Ökonomien der Zeit - Migros Museum für Gegenwartskunst, Zürich |
| |
| RETROSPECTACLE: 25 Years of Collecting Modern and - Denver Art Museum, Denver, CO |
| |
| Extension - Works from the Collection - Magasin 3 Stockholm Konsthall, Estocolmo |
|
| Fekete Fehér / Gondolsz-e ma Fekete Afrikára? - Mucsarnok Kunsthalle, Budapest |
2001
| |
| ARS 01 Unfolding Perspectives - Kiasma - Museum of Contemporary Art, Helsinki |
| |
| One Planet Under a Grove: Hip Hop and Contemporary Art - Bronx Museum of the Arts (BxMA), Nueva York, NY |
|
| Antagonismes... - Museu d´Art Contemporani de Barcelona - MACBA, Barcelona |
| |
| About Objects - The RISD Museum - University of Rhode Island, Providence, RI |
| |
| Locus Focus - Sonsbeek 2001 - Museum voor Moderne Kunst Arnhem - MMKA, Arnhem |
| |
| Love Supreme - La Criée - Centre d'Art Contemporain, Rennes |
| |
| Pollock to Today - Highlights from the Permanent Collection - Whitney Museum of American Art, Nueva York, NY |
2000
|
| Hypermental - Wahnhafte Wirklichkeit 1955 - 2000 von Salvador Dalí bis Jeff Koon - Kunsthaus Zürich, Zürich |
| |
| Through Melancholia and Charm—Four Installations - Galerie Nordenhake - Berlin, Berlin |
| |
| Group Show - James Cohan Gallery - New York, Nueva York, NY |
|
| Over The Edges - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Giuseppe Gallo, Antony Gormely, David Hammons. Trialogo. - Palazzo delle Esposizioni, Roma |
| |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, Nueva York, NY (closed, 2012) |
1999
| |
| 5 POSITIONEN - Christine König Galerie, Viena |
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
1998
| |
| Saptiotemporal - Magasin 3 Stockholm Konsthall, Estocolmo |
| |
| Voor het verdwijnt en erna - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Etre nature - Fondation Cartier pour l'art contemporain, Paris |
| |
| Travel and Leisure - Paula Cooper Gallery, Nueva York, NY |
1997
| |
| Whitney Biennial 1997 - Whitney Biennial, Nueva York, NY |
| |
| Civil Progress: Life in Black America - Greg Kucera Gallery, Seattle, WA |
1996
| |
| A Glimpse of the Norton Collection As Revealed by Kim Dingle - Site Santa Fe, Santa Fe, NM |
| |
| Comme un oiseau - Fondation Cartier pour l'art contemporain, Paris |
1995
| |
| A Glimpse of the Norton Collection As Revealed by Kim Dingle - Santa Monica Museum of Art, Santa Monica, CA |
1994
| |
| The Theater of Refusal: Black Art & Mainstream Criticism - Center for Art and Visual Culture, Baltimore, MD |
| |
| The Social Fabric - Arcadia University Art Gallery , Glenside, PA |
1993
| |
| 2e Biennale de Lyon - et tous ils changent le monde - La Biennale de Lyon, Lyon |
| |
| Jimmie Durham / David Hammons / Pedro Cabrita Reis - Fri Art - Centre d'Art Contemporain, Fribourg |
1992
| |
| documenta 9 - Documenta, Cassel |
| |
| Parkett - CECCH - Centre d'édition contemporaine - Genève, Ginebra |
1991
| |
| Residue Politics - Arcadia University Art Gallery , Glenside, PA |
| |
| The Hybrid State - - Exit Art, Nueva York, NY (closed, 2012) |
| |
| Dislocations - MoMA - Museum of Modern Art, Nueva York, NY |
| |
| Carnegie International - Carnegie Museum of Art, Pittsburg, PA |
| |
| Bad Politics - Greg Kucera Gallery, Seattle, WA |
| |
| Illegal American - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
| |
| Re-Writing History - Cornerhouse, Manchester (Inglaterra) |
1990
| |
| Re-Writing History - Kettle's Yard, Cambridge, Cambridgeshire (Inglaterra) |
| |
| Ponton Temse - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, Nueva York, NY |
| |
| Illegal America - - Exit Art, Nueva York, NY (closed, 2012) |
|
| Awards in the Visual Arts 8 - Henry Art Gallery, Seattle, WA |
1985
| |
| After Tilted Arc - Storefront for Art and Architecture, Nueva York, NY |
1982
|
| OCTOPUS: An Act of Sculpture by Papo Colo - - Exit Art, Nueva York, NY (closed, 2012) |
| Instituciones Representantes 2 |
Austria
| | Christine König Galerie, Viena
|
Estados Unidos
| | ACE Gallery - Los Angeles, Los Angeles, CA
|
Colecciónes 14
Bélgica
| | SMAK Stedelijk Museum voor Actuele Kunst, Gent
|
Estados Unidos
| | Albright-Knox Art Gallery, Buffalo, NY
|
| | Fogg Museum, Cambridge, MA
|
| | MIT List Visual Arts Center, Cambridge, MA
|
| | Museum of Contemporary Art Chicago (MCA), Chicago, IL
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | MoMA - Museum of Modern Art, Nueva York, NY
|
| | Whitney Museum of American Art, Nueva York, NY
|
Francia
| | Fondation Cartier pour l'art contemporain, Paris
|
Italia
| | Punta della Dogana - Francois Pinault Foundation, Venecia
|
Portugal
| | Ellipse Foundation, Alcoitão
|
Reino Unido
| | Tate Britain, Londres (Inglaterra)
|
Suecia
| | Magasin 3 Stockholm Konsthall, Estocolmo
|
Catálogos
|
