 Artist's arttributes:
|
| • |
Femme |
| • |
Peinture, Sculpture |
| • |
Art conceptuel |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 138 |
| Allemagne | 30 |
| Espagne | 18 |
| Royaume-Uni | 13 |
| Autriche | 10 |
Most exhibitions held at: |
| Institution |
№ |
| |
Thomas Erben Gallery, Etats-Unis |
7 |
| |
New Museum of Contemporary Art, Etats-Unis |
7 |
| |
MoMA PS1, Etats-Unis |
6 |
| |
Generali Foundation, Autriche |
6 |
Biographie: 
20.9.1948 né à New York City-Harlem, NY (US)
Liens externes: | | Expositions (Sélección) 267
jusqu'au 29.9.
jusqu'au 18.8.
jusqu'au 11.7.
jusqu'au 10.7.
Expositions individuelles 34
2012
| |
| est. 2002 - Elizabeth Dee Gallery, New York, NY |
2010
| |
| Adrian Piper - Past Time: Selected Works 1973 - 1995 - Elizabeth Dee Gallery, New York, NY |
2008
| |
| Adrian Piper - Elizabeth Dee Gallery, New York, NY |
2006
| |
| Adrian Piper - The Mythic Being - Smart Museum of Art, Chicago, IL |
2005
| |
| Adrian Piper - Index - The Swedish Contemporary Art Foundation, Stockholm |
2003
 |
| Adrian Piper - Since 1965 - Museu d´Art Contemporani de Barcelona - MACBA, Barcelone |
| |
| Adrian Piper - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
2002
 |
| Adrian Piper - - Galleria Emi Fontana, Milan (closed) |
|
| Adrian Piper seit 1965 - Generali Foundation, Vienne |
2001
| |
| Adrian Piper - Food for the Spirit - The RISD Museum - University of Rhode Island, Providence, RI |
| |
| Adrian Piper: A Retrospective, 1965-2000 - The Andy Warhol Museum, Pittsburg, PA |
2000
| |
| Adrian Piper - Thomas Erben Gallery, New York, NY |
| |
| Adrian Piper - Work From The Color Wheel Series - Paula Cooper Gallery, New York, NY |
| |
| Adrian Piper - A Retrospective, 1965 - 2000 - New Museum of Contemporary Art, New York, NY |
| |
| Medi(t)ations: Adrian Piper’s Videos, Installations, Performances, And Soundworks 1968–1992 - MOCA Grand Avenue, Los Angeles, CA |
| |
| Adrian Piper - Voges + Partner Gallery, Francfort-sur-le-Main |
1999
| |
| Adrian Piper: A Retrospective, 1965–2000 - Center for Art and Visual Culture, Baltimore, MD |
1998
| |
| Adrian Piper - Thomas Erben Gallery, New York, NY |
| |
| Who Are You? Selected Works by Adrian Piper - Davis Museum at Wellesley College, Wellesley, MA |
1997
| |
| Food for the Spirit – July 1971 - Thomas Erben Gallery, New York, NY |
1995
| |
| Adrian Piper: Cornered/Decide Who You Art - UB Art Galleries - University of Buffalo, Buffalo, NY |
1994
| |
| Adrian Piper - The Hypothesis Series 1968-70 - Paula Cooper Gallery, New York, NY |
1992
| |
| Adrian Piper - Paula Cooper Gallery, New York, NY |
| |
| Adrian Piper - Kettle's Yard, Cambridge, Cambridgeshire (Angleterre) |
| |
| Adrian Piper - Cornerhouse, Manchester (Angleterre) |
| |
| Adrian Piper: What It's Like, What it is, #2 - Krannert Art Museum, Champaign, IL |
1991
| |
| Adrian Piper: Reflections, 1967-1987 - Santa Monica Museum of Art, Santa Monica, CA |
| |
| Adrian Piper: Close to Home - University of Iowa Museum of Art, Iowa City, IA |
1990
| |
| Why Guess? - - Exit Art, New York, NY (closed, 2012) |
| |
| Cornered: Adrian Piper - New Museum of Contemporary Art, New York, NY |
| |
| Adrian Piper: Reflections - The Power Plant, Toronto, ON |
1989
| |
| Adrian Piper / MATRIX 130 - Berkeley Art Museum and Pacific Film Archive BAM/PFA, Berkeley, CA |
| |
| Adrian Piper: Reflections 1967 – 1988 - Galleries at Moore College of Art & Design, Philadelphie, PA |
1980
| |
| Adrian Piper / Matrix 56 - The Wadsworth Atheneum Museum of Art, Hartford, CT |
Expositions de groupe 229
2013
| |
| Lonely At The Top - Moments On Moments - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anvers |
| |
| Aufstieg und Fall der Apartheid: Fotografie und Bürokratie des täglichen Lebens - Haus der Kunst München, Munich |
| |
| Specific Collisions - Marianne Boesky Gallery, New York, NY |
| |
| Amazing! Clever! Linguistic! - An Adventure in Conceptual Art - Generali Foundation, Vienne |
| |
| The Assistants - David Kordansky Gallery, Los Angeles, CA |
|
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
| |
| Moments on Moments - Lunds konsthall, Lund |
| |
| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Believers - KOW - Koch Oberhuber Wolff, Berlin |
| |
| Blues For Smoke - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Ends of the Earth – Land Art bis 1974 - Haus der Kunst München, Munich |
| |
| Transitions: Drawings From The Collection Of Mima - Mead Gallery - Warwick Arts Centre, Coventry (Angleterre) |
| |
| Come Closer: Art Around the Bowery, 1969–1989 Bowery Artist Tribute - New Museum of Contemporary Art, New York, NY |
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York, NY |
| |
| I Wish This Was A Song. Music in Contemporary Art - The Museum of Contemporary Art Oslo, Oslo |
| |
| Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life - ICP - International Center of Photography, New York, NY |
| |
| This Will Have Been: Art, Love & Politics in the 1980 - Walker Art Center, Minneapolis, MN |
| |
| Ends of the Earth: Land Art to 1974 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Sex + Philosophy - Leslie Tonkonow Artworks + Projects, New York, NY |
| |
| Parts & Labour (3 Hours Minimum Wage) - Camberwell Space, Londres (Angleterre) |
| |
| La Triennale 2012 - Intense Proximity - Palais de Tokyo, Paris |
| |
| Remote Control - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| |
| Moments - Eine Geschichte der Performance in 10 Akten - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Time-Lapse - Site Santa Fe, Santa Fe, NM |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991 - Contemporary Arts Museum Houston, Houston, TX |
| |
| 100 Years (version #4 Boston, 2012) - Boston University Art Gallery - BUAG, Boston, MA |
2011
| |
| Looking Back / The 6th White Columns Annual - White Columns, New York, NY |
| |
| Known, Unknown, Anonymous and On Death Row - Qbox gallery, Atenas |
| |
| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venise |
| |
| Eyes Looking For a Head to Inhabit - ms2 – Muzeum Sztuki Lodz, Lodz |
|
| Eyes Looping for a Head to Inhabit - ms - Muzeum Sztuki Lodz, Lodz |
| |
| The Talent Show - University of South Florida Contemporary Art Museum, Tampa, FL |
|
| Cambio de paradigma - Colección Serralves ańos 60-70 - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
|
| The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1991 - Nasher Museum of Art, Durham, NC |
| |
| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
|
| The Talent Show - Henry Art Gallery, Seattle, WA |
| |
| 15 Years Thomas Erben Gallery - Thomas Erben Gallery, New York, NY |
| |
| Collected. Vignettes - The Studio Museum in Harlem, New York, NY |
| |
| Compass - Drawings from the Museum of Modern Art New York - Martin-Gropius-Bau, Berlin |
| |
| PROOFS AND REFUTATIONS - David Zwirner, Inc., New York, NY |
| |
| The Presence of Absence - Columbia Museum of Art, Columbia, SC |
| |
| The Deconstructive Impulse: Women Artists Reconfigure The Signs Of Power, 1973-1992 - Neuberger Museum of Art, Purchase, NY |
2010
| |
| Other Rooms - Minsheng Art Museum, Shanghai |
| |
| The Talent Show - MoMA PS1, New York, NY |
|
| The Last Newspaper - New Museum of Contemporary Art, New York, NY |
|
| 29° Bienal de Săo Paulo - Bienal de Sao Paulo, Săo Paulo |
| |
| Artists at Max’s Kansas City, 1965-1974 - Loretta Howard Gallery, New York, NY |
| |
| 89 Km. Colección CGAC - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
|
| Pictures by Women: A History of Modern Photography - MoMA - Museum of Modern Art, New York, NY |
| |
| The Talent Show - Walker Art Center, Minneapolis, MN |
| |
| Self as disappearance - Centre d’art contemporain la Synagogue de Delme, Delme |
2009
| |
| The Malady of Writing. A project on text and speculative imagination - Museu d´Art Contemporani de Barcelona - MACBA, Barcelone |
| |
| Serralves 2009 - The Collection, 3rd Part - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Ecstatic Resistance - Grand Arts, Kansas City, MO |
|
| 1969 - MoMA PS1, New York, NY |
|
| See this Sound. Versprechungen von Bild und Ton - Lentos Kunstmuseum Linz, Linz |
|
| The MATRIX Effect - The Wadsworth Atheneum Museum of Art, Hartford, CT |
| |
| The show continues upstairs - Supportico Lopez Berlin, Berlin |
|
| In Transit 09 - Resistance of the Object - Performing Arts Festival - Haus der Kulturen der Welt, Berlin |
| |
| Rebelle - Kunst & Feminisme 1969 - 2009 - Museum voor Moderne Kunst Arnhem - MMKA, Arnhem |
| |
| The Eventual - Futura, Prague |
| |
| Photoconceptualism, 1966–1973 - Whitney Museum of American Art, New York, NY |
| |
| Be sure to attend very carefully to what I have to say to you - Fri Art - Centre d'Art Contemporain, Fribourg |
| |
| The Quick and the Dead - Walker Art Center, Minneapolis, MN |
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York, NY |
| |
| UN-SCR-1325 - CAM - Chelsea Art Museum, New York, NY |
| |
| NeoHooDoo: Art for a Forgotten Faith - - MAM - Miami Art Museum, Miami, FL (closed, 2013) |
|
| Confronting History: Contemporary Artists Envision the Past - Middlebury College Museum of Art, Middlebury, VT |
| |
| Funkaesthetics - Justina M Barnicke Gallery, University of Toronto, Toronto, ON |
|
| The Third Mind: American Artists Contemplate Asia: 1860-1989 - Solomon R. Guggenheim Museum, New York, NY |
| |
| the space between - Gävle Konstcentrum, Gävle |
| |
| NÓS - Museu da República, Rio de Janeiro, RJ |
| |
| Swing Time Free style - Charlotte Fogh Contemporary, Aarhus |
2008
|
| re.act.feminism - performancekunst der 1960er und 70er jahre heute - AdK - Akademie der Künste, Berlin |
| |
| Great Women Artists: Feminist Art From The Permanent Collection - Neuberger Museum of Art, Purchase, NY |
| |
| Swing time - Beaver Projects, Copenhague |
| |
| USA Today - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| I Am Making Art: 4 estudios sobre el cuerpo del artista - Centro Huarte de Arte Contemporáneo, Huarte |
|
| NeoHooDoo: Art for a Forgotten Faith - MoMA PS1, New York, NY |
| |
| Cinema Remixed & Reloaded: Black Women Artists and the Moving Image since 1970 - Contemporary Arts Museum Houston, Houston, TX |
|
| WACK! Art and the Feminist Revolution - Vancouver Art Gallery, Vancouver, BC |
| |
| Kult des Künstlers - Ich kann mir nicht jeden Tag ein Ohr abschneiden - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Street Art, Street Life - Bronx Museum of the Arts (BxMA), New York, NY |
| |
| Close Encounters: Facing the Future - American University Museum at the Katzen Arts Center, Washington, DC |
| |
| Freeway Balconies - - Deutsche Guggenheim, Berlin (closed, 2013) |
| |
| NeoHooDoo: Art for a Forgotten Faith - The Menil Collection, Houston, TX |
| |
| NeoHooDoo: Art for a Forgotten Faith - Anton Kern Gallery, New York, NY |
|
| 16th Biennale of Sydney - Biennale of Sydney, Sydney, NSW |
| |
| Multitasking - Synchronität als kulturelle Praxis - Overbeck-Gesellschaft, Lübeck |
| |
| Multitasking - Stedelijk Museum ’s-Hertogenbosch, 's-Hertogenbosch |
| |
| Pasións Privadas, Visións Públicas - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| W.D.A.O.V.T.O.P.N.N.M.T.B.V. - Galeria Bassols-Balmes, Barcelone |
| |
| The Space Between - Museum Anna Nordlander, Skellefteĺ |
| |
| Second Thoughts - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Live Art on Camera - SPACE, Londres (Angleterre) |
|
| WACK!: Art and the Feminist Revolution - MoMA PS1, New York, NY |
| |
| Person Of The Crowd: The Contemporary Art Of Flânerie - Neuberger Museum of Art, Purchase, NY |
2007
|
| Sands Murray-Wassink - Above Average Looking / Accessible Lives (SOMATOPOWER) - Lothringer13 - Städtische Kunsthalle München, Munich |
| |
| Forms of Resistance Artists and the desire for social change from 1871 to the present - Stedelijk Van Abbemuseum, Eindhoven |
| |
| WACK! Art and the Feminist Revolution - National Museum of Women in the Arts, Washington, DC |
| |
| Cinema Remixed and Reloaded (Part I) - Spelman College Museum of Fine Art, Atlanta, GA |
| |
| A batalla dos xéneros - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Multitasking - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
| |
| The Loaded Lens - Goodman Gallery Cape, Cape Town |
| |
| Role Exchange - Sean Kelly Gallery, New York, NY |
| |
| Ver bailar. Diálogo entre la danza y las bellas artes - Centro Andaluz de Arte Contemporáneo (CAAC), Séville |
| |
| Start - Leonard & Bina Ellen Art Gallery, Montreal, QC |
| |
| I am making Art - Chapitre 3 - Identité et Transformation - Centre d´Art Contemporain Geneve, Genčve |
| |
| Whenever It Starts It Is The Right Time, Strategien für eine unstetige Zukunft - Frankfurter Kunstverein, Francfort-sur-le-Main |
| |
| The Eventual - FRAC - Bourgogne, Dijon |
| |
| Role Play: Feminist Art Revisited - Galerie Lelong - New York, New York, NY |
|
| WACK! - Art And The Feminist Revolution - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Lithography - Scottish National Gallery of Modern Art, Édimbourg (Écosse) |
| |
| For a Special Place: Documents and Works from the Generali Foundation Collection - Austrian Cultural Forum New York, New York, NY |
| |
| Tanzen, Sehen - Museum für Gegenwartskunst Siegen, Siegen |
| |
| Lessons in Learning: Art and Aducation from the Artists Book Collection - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
|
| Ausgerechnet… Mathematik und Konkrete Kunst - Museum im Kulturspeicher, Würzburg |
| |
| Mapas, Cosmogonias e Puntos de Referencia - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| "REALLIFE 1979-1990" - Artists Space, New York, NY |
| |
| Normal Love - Künstlerhaus Bethanien, Berlin |
2006
| |
| Adrian Piper, Eric Baudelaire, Josephine Meckseper and Wayne Gonzales - Elizabeth Dee Gallery, New York, NY |
| |
| Art Link - Göteborgs Konsthall, Gothembourg |
| |
| ...und so hat Konzept noch nie Pferd bedeutet - Generali Foundation, Vienne |
| |
| ACADEMY. Learning from Art - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anvers |
|
| Das Achte Feld - Geschlechter, Leben u. Begehren in der bildenden Kunst s. 1960 - Museum Ludwig, Cologne |
| |
| Ponto de Fuga: Obras da Colecçăo da Fundaçăo de Serralves - Centro Cultural de Lagos, Lagos |
| |
| Paper Trail - African American Works on Paper - The High Museum of Art, Atlanta, GA |
2005
| |
| Looking at Words - Andrea Rosen Gallery, New York, NY |
|
| Occupying Space - MSU - Museum of Contemporary Art Zagreb, Zagreb |
|
| Crowd of the Person - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| War is over - 1945 - 2005 la libertá dell'arte da Picasso a Warhol a Cattelan - GAMeC - Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo |
| |
| Black Is a Color: African American Art from the Corcoran Gallery of Art - Taft Museum of Art, Cincinnati, OH |
| |
| Wie Gesellschaft und Politik ins Bild kommen - Generali Foundation, Vienne |
|
| Occupying Space - The Generali Collection - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Camuflaje - Objectif exhibitions, Anvers |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, Londres (Angleterre) |
|
| At the Mercy of Others: The Politics of Care - Whitney Museum of American Art, New York, NY |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
| |
| La insurrección invisible de un millón de mentes - Sala Rekalde, Bilbao |
| |
| the invisible insurrection of a million minds - Sala Rekalde, Bilbao |
|
| Occupying Space - Sammlung Generali Foundation - Haus der Kunst München, Munich |
|
| What Business Are You In? - Atlanta Contemporary Art Center, Atlanta, GA |
2004
|
| Funky Lessons - Bawag Contemporary - Bawag Foundation, Vienne |
| |
| Minority Report - Aarhus Festival of Contemporary Art, Aarhus |
|
| Collected Views From East Or West - Generali Foundation, Vienne |
| |
| Funky Lessons - Büro Friedrich, Berlin |
| |
| Provocations - Recent Selections from the Permanent Collection - Bronx Museum of the Arts (BxMA), New York, NY |
| |
| Communauté 2 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
| |
| Curious Crystal of Unusual Purity - MoMA PS1, New York, NY |
| |
| A arańeira. 100 artistas da colección CGAC - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
|
| Evidence of Impact: Art and Photography 1963–1978 - Whitney Museum of American Art, New York, NY |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
|
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
2003
| |
| Change of Values. Works from the ARCO Foundation Collection - EACC - Espai d´Art Contemporani de Castelló, Castellon de la Plana |
| |
| One Planet Under A Groove - Museum Villa Stuck, Munich |
|
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
| |
| Sandwiched (in New York) - Public Art Fund, New York, NY |
| |
| 24/7: Wilno - Nueva York (visa para) - Contemporary Art Centre (CAC), Vilnius |
| |
| Identität schreiben – Autobiographie in der Kunst - Galerie für Zeitgenössische Kunst - GfZK, Leipzig |
| |
| Imperfect Marriages - - Galleria Emi Fontana, Milan (closed) |
| |
| The Space Between: Artists Engaging Race and Syncretism - Davis Museum at Wellesley College, Wellesley, MA |
| |
| Walking in the City - Apexart, New York, NY |
2002
| |
| Gloria - another look at feminist art in the 1970s - White Columns, New York, NY |
| |
| Mass Appeal - Gallery 101, Ottawa, ON |
|
| Documenta 11 - Documenta, Cassel |
| |
| Family - The Aldrich Contemporary Art Museum, Ridgefield, CT |
| |
| Enough about me - Momenta Art, New York, NY |
| |
| Whiteness, A Wayward Construction - Laguna Art Museum, Laguna Beach, CA |
| |
| Issues of Identity in Recent American Art - Samek Art Gallery , Lewisburg, PA |
| |
| From The Observatory - Paula Cooper Gallery, New York, NY |
2001
| |
| Objectif [Camouflage] - Objectif exhibitions, Anvers |
| |
| Record All-Over - Mamco - musée d´art moderne et contemporain, Genčve |
| |
| Wiederaufnahme - retake - Neuer Aachener Kunstverein, Aachen |
| |
| New Heimat - Frankfurter Kunstverein, Francfort-sur-le-Main |
|
| Conception - The Conceptual Document 1968-1972 - The Morris and Helen Belkin Art Gallery, Vancouver, BC |
| |
| Issues of Identity - Ewing Gallery of Art and Architecture, Knoxville, TN |
| |
| One Planet Under a Grove: Hip Hop and Contemporary Art - Bronx Museum of the Arts (BxMA), New York, NY |
|
| Antagonismes... - Museu d´Art Contemporani de Barcelona - MACBA, Barcelone |
| |
| Issues of Identity in Recent Contemporary American Art - University Galleries at Illinois State University, Normal, Il |
|
| doublelife - Identität und Transformation in der zeitgenössischen Kunst - Generali Foundation, Vienne |
| |
| Love Supreme - La Criée - Centre d'Art Contemporain, Rennes |
|
| Blondies and Brownies - weiß weiß bin ich auch - Aktionsforum Praterinsel, Munich |
| |
| Century City - Tate Modern, Londres (Angleterre) |
2000
|
| Au-delŕ du spectacle - Centre Pompidou - Musée National d´Art Moderne, Paris |
|
| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
| |
| A good cast is worth repeating - Voges + Partner Gallery, Francfort-sur-le-Main |
| |
| Around 1984 - A Look at Art in the Eighties - MoMA PS1, New York, NY |
| |
| taboos, titillations & thrills - MSVU Art Gallery, Halifax, NS |
| |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 - - Exit Art, New York, NY (closed, 2012) |
| |
| Accrochage Part II - Thomas Erben Gallery, New York, NY |
1999
| |
| Accrochage Part I - Thomas Erben Gallery, New York, NY |
| |
| Liverpool Biennial 1999 - Liverpool Biennial of Contemporary Art, Liverpool (Angleterre) |
| |
| Persuasion: Tales of Persuasion and the Avant-Garde - UB Art Galleries - University of Buffalo, Buffalo, NY |
| |
| Group Show - Thomas Erben Gallery, New York, NY |
| |
| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art (QMA), New York, NY |
| |
| out of actions - Museum of Contemporary Art Tokyo (MOT), Tokyo |
1998
| |
| Arte y acción - Museu d´Art Contemporani de Barcelona - MACBA, Barcelone |
| |
| out of actions - Aktionismus, Body Art & Performances 1949-1979 - Museum für angewandte Kunst (MAK), Vienne |
| |
| Travel and Leisure - Paula Cooper Gallery, New York, NY |
|
| Out of Actions: Between Performance and the Object, 1949-1979 - The Geffen Contemporary at MOCA, Los Angeles, CA |
1997
| |
| Minimal Politics: Performativity and Minimalism in Recent American Art - Center for Art and Visual Culture, Baltimore, MD |
| |
| If I ruled the world - Shedhalle, Zürich |
1996
| |
| a/drift - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Ciphers of Identity - Kemper Museum of Contemporary Art, Kansas City, MO |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Leon Golub/Adrian Piper - New Work/Cornered - Rice Gallery, Houston, TX |
1994
| |
| The Theater of Refusal: Black Art & Mainstream Criticism - Center for Art and Visual Culture, Baltimore, MD |
| |
| Mapping - MoMA - Museum of Modern Art, New York, NY |
| |
| Transformers - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Ciphers of Identity - Ronald Feldman Fine Arts Inc, New York, NY |
1993
| |
| Kontext Kunst- The Art of the 90's - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
| |
| Mistaken Identities - Weserburg | Museum für moderne Kunst, Bremen |
| |
| 1920: The Subtlety of Subversion/The Continuity of Intervention - - Exit Art, New York, NY (closed, 2012) |
1992
| |
| Pour la suite du monde - Musée d´art contemporain de Montréal, Montreal, QC |
1991
| |
| Dislocations - MoMA - Museum of Modern Art, New York, NY |
| |
| Bad Politics - Greg Kucera Gallery, Seattle, WA |
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, New York, NY |
1985
| |
| The Art of Memory / The Loss of History - New Museum of Contemporary Art, New York, NY |
1984
1983
| |
| Language, Drama, Source & Vision - New Museum of Contemporary Art, New York, NY |
1980
| |
| Issue: Social Strategies by Women Artists - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
1978
| |
| Louise Lawler, Adrian Piper & Cindy Sherman - Artists Space, New York, NY |
1970
| |
| Conceptual Art and Conceptual Aspects - - New York Cultural Center, New York, NY (closed, 1975) |
| Répertoire des vendeurs 1 |
Etats-Unis
| | Elizabeth Dee Gallery, New York, NY
|
Collections 16
Allemagne
| | Museum gegenstandsfreier Kunst, Otterndorf
|
Australie
| | Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD
|
Autriche
| | Generali Foundation, Vienne
|
Espagne
| | CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela
|
Etats-Unis
| | Museum of Contemporary Art Chicago (MCA), Chicago, IL
|
| | Jersey City Museum, Jersey City, NJ
|
| | Samek Art Gallery , Lewisburg, PA
|
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | Bronx Museum of the Arts (BxMA), New York, NY
|
| | Neuberger Museum of Art, Purchase, NY
|
| | Reading Public Museum, Reading, PA
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
| | Davis Museum at Wellesley College, Wellesley, MA
|
France
Royaume-Uni
| | Abbot Hall Art Gallery, Kendal, Cumbria (Angleterre)
|
Catalogues
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