 Artist's arttributes:
|
| • |
Femme |
| • |
Photographie, Dessin, Performance |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 26 |
| Royaume-Uni | 24 |
| Allemagne | 12 |
| France | 8 |
| Autriche | 6 |
Most exhibitions held at: |
| Institution |
№ |
| |
Paula Cooper Gallery, Etats-Unis |
5 |
Biographie: 
1970 né à Lusaka (ZM)
Liens externes: | | Expositions (Sélección) 121
de 31.8.
de 25.5.
Expositions individuelles 14
2011
| |
| Carey Young: Memento Park - Middlesbrough Institute of Modern Art - MIMA, Middlesbrough (Angleterre) |
2010
| |
| Carey Young - Eastside Projects, Birmingham (Angleterre) |
2009
 |
| Carey Young: Uncertain Contracts - The RISD Museum - University of Rhode Island, Providence, RI |
| |
| Carey Young: Speech Acts - Contemporary Art Museum St. Louis, Saint Louis |
| |
| Carey Young - The Power Plant, Toronto, ON |
2007
| |
| If/Then - Paula Cooper Gallery, New York, NY |
| |
| Speechcraft - Modern Art Oxford, Oxford (Angleterre) |
| |
| Carey Young - Consideration - Midway Contemporary Art, Minneapolis, MN |
2005
| |
| Carey Young - Consideration - Paula Cooper Gallery, New York, NY |
| |
| Carey Young - Disclaimer - IBID Projects, Londres (Angleterre) |
| |
| Carey Young - Trafo House of Contemporary Art, Budapest |
2004
| |
| Carey Young: Disclaimer - Henry Moore Institute, Leeds (Angleterre) |
| |
| Carey Young - Index - The Swedish Contemporary Art Foundation, Stockholm |
2001
| |
| Carey Young - Business as Usual - John Hansard Gallery, Southampton (Angleterre) |
Expositions de groupe 105
2013
 |
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
| |
| Collection’12 - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
| |
| Stage Presence - Theatricality In Art And Media - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Port - Galeria Nuno Centeno (former Reflexus Arte Contemporânea), Porto |
| |
| You Are Now Entering - Centre for Contemporary Art - CCA Derry, Derry (Irlande du Nord)) |
| |
| K - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| A Plea For Tenderness - Seventeen Gallery, Londres (Angleterre) |
| |
| Group Exhibition - Paula Cooper Gallery, New York, NY |
2011
| |
| Ce matin... - Centre d’art contemporain de Quimper - le Quartier, Quimper |
| |
| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venise |
| |
| The Talent Show - University of South Florida Contemporary Art Museum, Tampa, FL |
| |
| Ventajas De Viajar En Tren - Parra & Romero, Madrid |
| |
| the Avantgarde: Specters of the Nineties - Marres - Centre for Contemporary Culture, Maastriche |
| |
| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
| |
| Void if Removed - Concrete Erudition 4 - FRAC - Ile-de-France Le Plateau, Paris |
| |
| Érudition Concéte 4 - FRAC - Ile-de-France Le Plateau, Paris |
| |
| Schon wieder und nochmal? – Handlungsspielräume - Kunstverein Medienturm, Graz |
| |
| Yes, we don’t - IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne |
|
| The Talent Show - Henry Art Gallery, Seattle, WA |
| |
| Weltraum. Die Kunst und ein Traum - Kunsthalle Wien (Museumsquartier), Vienne |
| |
| Ffilm 3 - Glynn Vivian Art Gallery, Swansea (Galles) |
2010
| |
| The Talent Show - MoMA PS1, New York, NY |
|
| Taipei Biennial 2010 - Taipei Biennial, Taïpeh |
| |
| Yesterday Will Be Better - Mit der Erinnerung in die Zukunft - Aargauer Kunsthaus, Aarau |
| |
| A Filosofia do Dinheiro - Museu da Cidade, Lisboa |
| |
| Die Perfekte Ausstellung - Heidelberger Kunstverein, Heidelberg |
| |
| E-Flux Video Rental - Fondazione Giuliani, Rome |
|
| Ständige Rezeption curated by Clemens von Wedemeyer - Galerie nächst St. Stephan - Rosemarie Schwarzwälder, Vienne |
| |
| Reprise - Paula Cooper Gallery, New York, NY |
| |
| The Talent Show - Walker Art Center, Minneapolis, MN |
| |
| ATOPIA - Art and the City in the 21st Century - CCCB - Centre de Cultura Contemporània de Barcelona, Barcelone |
| |
| Corporate Everything - Fri Art - Centre d'Art Contemporain, Fribourg |
|
| Fall Out – Desire and Disengagement in Contemporary Art - Gl Holtegaard, Holte |
2009
| |
| Die Welt als Bühne - NBK - Neuer Berliner Kunstverein, Berlin |
| |
| Feedforward. El ángel de la Historia - Laboral - Centro de Arte y Creación Industrial, Gijón |
| |
| Pattern Recognition - - Leicester City Art Gallery, Leicester (Angleterre) (closed, 2010) |
| |
| Pattern Recognition - The City Gallery, Leicester (Angleterre) |
|
| Oppositions & Dialogues - Kunstverein Hannover, Hannover |
| |
| Soft Manipzlation - Who is afraid of the new now? - Stiftelsen 3,14, Bergen |
| |
| ISLANDS & GHETTOS. Über territoriale Segregation in Städten des 21. Jahrhundert - Kunstraum Kreuzberg / Bethanien, Berlin |
|
| ISLANDS+GHETTOS - Neue Gesellschaft für Bildende Kunst (NGBK), Berlin |
| |
| Commentary - Paula Cooper Gallery, New York, NY |
|
| The Space of the Work and the Place of the Object - SculptureCenter, New York, NY |
2008
|
| Soft Manipulation - who is afraid of the new now? - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| Objects of Value - MAM - Miami Art Museum, Miami, FL |
| |
| Getting Even - Oppositions + Dialogues in Contemporary Art - Lewis Glucksman Gallery, Cork |
| |
| Electioneering - Fort Worth Contemporary Arts, Fort Worth, TX |
| |
| OURS: Democracy in the Age of Branding - Sheila C. Johnson Design Center, New York, NY |
| |
| Mieux vaut être un virus que tomber malade - Mains d'oeuvres, Saint Ouen |
| |
| Business as Usual - Museum of Contemporay Art Detroit, Detroit, MI |
| |
| Terms of Use - Centro Cultural Montehermoso, Vitoria-Gasteiz |
| |
| les ateliers de rennes - Musée des Beaux-Arts de Rennes, Rennes |
2007
| |
| The Dotted Line - BRIC Rotunda Gallery, New York, NY |
| |
| No, future - Bloomberg Space, Londres (Angleterre) |
| |
| Global Feminism - Davis Museum at Wellesley College, Wellesley, MA |
| |
| Scheitern - Landesgalerie am Oberösterreichischen Landesmuseum, Linz |
| |
| Global Feminisms - Brooklyn Museum of Art, New York, NY |
| |
| 2 Moscow Biennale of Contemporary Art - Moscow Biennale of contemporary art, Moscou |
2006
| |
| work [w3:k] - - Ormeau Baths Gallery OBG, Belfast (Irlande du Nord) (closed, 2011) |
|
| SCAPE 2006 - don’t misbehave! - SCAPE Biennial of Art in Public Space, Christchurch |
| |
| 7. Werkleitz Biennale - Happy Believers - Werkleitz Biennale, Halle (Saale) |
| |
| Mostly Harmless - Govett-Brewster Art Gallery, New Plymouth |
| |
| British Art Show 6 - Spike Island, Bristol (Angleterre) |
| |
| Unfinished Business - Muzej savremene umetnosti Beograd, Belgrade |
| |
| Jump into Cold Water: Practice as Research - Shedhalle, Zürich |
| |
| work [wз:k] - Lewis Glucksman Gallery, Cork |
| |
| Body: New Art from the UK - Oakville Galleries, Oakville, ON |
| |
| British Art Show 6 - Cornerhouse, Manchester (Angleterre) |
2005
| |
| Body - New Art from the UK - Ottawa Art Gallery, Ottawa, ON |
| |
| PERFORMA 05 - Performa, New York, NY |
|
| British Art Show 6 - BALTIC Centre for Contemporary Art, Gateshead (Angleterre) |
| |
| The IX Baltic Triennial of International Art - BMW - The Baltic Triennial of International Art, Vilnius |
| |
| 3rd Tirana Biennial 2005 - Tirana Biennial, Tirana |
| |
| heal the world - The Third Line - Dubai, Dubai |
| |
| Sharjah International Art Biennial 7 - Sharjah Biennial, Sharjah |
| |
| Making Things Public - Atmosphären der Demokratie - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
| What Business Are You In? - Atlanta Contemporary Art Center, Atlanta, GA |
2004
| |
| Videozone 2 - Videozone - International Video-Art Biennial, Tel Aviv |
| |
| Life of a Commercial Gallery IBID Projects - Cooper Gallery, Dundee (Écosse) |
| |
| Cycle Tracks will Abound in Utopia - ACCA - Australian Centre for Contemporary Art, Melbourne, VIC |
|
| "Black Friday. Exercises in Hermetics" - Galerie Kamm, Berlin |
|
| Electric Earth - Videos y Cine Británico - MAC Museo de Arte Contemporáneo. Universidad de Chile, Santiago De Chili |
| |
| definitively provisional - Appendiks, Copenhague |
2003
| |
| A Short History of Performance - Part II - Whitechapel Art Gallery, Londres (Angleterre) |
| |
| From Dust to Dusk - International exhibition of contemporary art - Kunsthal Charlottenborg, Copenhague |
| |
| Gesellschaftsbilder – Images of Society - Kunstmuseum Thun, Thun |
|
| Definitively Provisional - Whitechapel Project Space, Londres (Angleterre) |
|
| Beck´s Futures - Centre for Contemporary Arts (CCA), Glasgow (Écosse) |
| |
| ’MOSZKVA TÉR’ Project - Gravitation - Ludwig Museum - Museum of Contemporary Art - Budapest, Budapest |
|
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venise |
|
| Beck´s Futures 2003 - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
2002
| |
| Exchange and transform - Kunstverein München, Munich |
| |
| The Passions of the Good Citizen - Apexart, New York, NY |
2001
|
| AUSGETRÄUMT ... - Wiener Secession, Vienne |
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| The Communications Department - Wilkinson Gallery, Londres (Angleterre) |
| |
| Nothing - Contemporary Art Centre (CAC), Vilnius |
| |
| Look Out - PM Gallery & House, Londres (Angleterre) |
1999
| |
| CRASH! Corporatism & Complicity - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| Répertoire des vendeurs 1 |
Etats-Unis
| | Paula Cooper Gallery, New York, NY
|
Collections 4
Autriche
| | Kunstverein Medienturm, Graz
|
Etats-Unis
| | The RISD Museum - University of Rhode Island, Providence, RI
|
Royaume-Uni
| | Tate Britain, Londres (Angleterre)
|
| | Tate Modern, Londres (Angleterre)
|
Catalogues
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