 Artist's arttributes:
|
| • |
Mâle |
| • |
Photographie |
| • |
Art conceptuel |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 67 |
| Allemagne | 48 |
| France | 16 |
| Autriche | 12 |
| Japon | 11 |
Most exhibitions held at: |
| Institution |
№ |
| |
Margo Leavin Gallery, Etats-Unis |
11 |
| |
Wako Works of Art, Japon |
11 |
| |
Galerie Gisela Capitain, Allemagne |
11 |
| |
David Zwirner, Inc., Etats-Unis |
8 |
| |
Luhring Augustine Gallery, Etats-Unis |
5 |
Biographie: 
1956 né à Los Angeles, CA (US)
Liens externes: | | Expositions (Sélección) 215
jusqu'au 24.11.
jusqu'au 11.8.
Expositions individuelles 44
2013
 |
| Christopher Williams - For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 18) - David Zwirner, Londres (Angleterre) |
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
2011
| |
| Christopher Williams. For Example: Dix-Huit Lecons Sur La Societe Industrielle (Revision 15) - Museum Morsbroich, Leverkusen |
| |
| United Brothers / Das Institut - Essex Street, New York, NY |
| |
| Christopher Williams - MDD - Museum Dhondt-Dhaenens, Deurle |
| |
| Christopher Williams - David Zwirner, Inc., New York, NY |
2010
| |
| Christopher Williams - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
| |
| Christopher Williams - Bergen Kunsthall, Bergen |
2009
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
| |
| Christopher Williams - Capitain Petzel Gallery, Berlin |
2008
| |
| Christopher Williams - David Zwirner, Inc., New York, NY |
2007
|
| Christopher Williams - Kunsthalle Zürich, Zürich |
|
| Christopher Williams - MAMbo - Galleria d'Arte Moderna di Bologna, Bologne |
| |
| For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 5) - - Galleria d'Arte Moderna di Bologna - GAM, Bologne (closed, 2007) |
2006
| |
| Christopher Williams - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Christopher Williams - David Zwirner, Inc., New York, NY |
2005
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
| |
| FOTOGRAFIETS UTVIDETE FELT - Preus Museum, Horten |
| |
| The Expanded Field of Photography - Preus Museum, Horten |
| |
| Christopher Williams - Kunstverein Braunschweig, Braunschweig |
| |
| Christopher Williams - For Example: Dix-Huit Leçons sur la Société Industrielle - CAG - Vancouver Contemporary Art Gallery, Vancouver, BC |
2004
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
2003
| |
| Christopher Williams - Wako Works of Art, Tokyo |
2002
 |
| Christopher Williams - David Zwirner, Inc., New York, NY |
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
2000
| |
| "Couleur Européenne Couleur Soviétique Couleur Chinoise" - Wako Works of Art, Tokyo |
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
| |
| Christopher Williams - Couleur Européenne Couleur - Soviétique Coleur Chinoise - Galerie Kienzle & Gmeiner, Berlin |
| |
| Christopher Williams - David Zwirner, Inc., New York, NY |
1999
| |
| Christopher Williams - Wako Works of Art, Tokyo |
| |
| Christopher Williams - Galerie Marian Goodman, Paris |
1998
| |
| Christopher Williams - Transform the World! Poetry Must be Made by All! - Margo Leavin Gallery, Los Angeles, CA |
| |
| Transform the world! - Galerie Gisela Capitain, Cologne |
| |
| Christopher Williams - Luhring Augustine Gallery, New York, NY |
1997
| |
| For example: Die Welt ist schön (Final Draft Revision 4) - Christopher Williams - Kunstverein in Hamburg, Hambourg |
| |
| Christopher Williams - Wako Works of Art, Tokyo |
| |
| Christopher Williams - Museum Boijmans van Beuningen, Rotterdam |
1996
| |
| Christopher Williams - Galerie Gisela Capitain, Cologne |
1993
| |
| Christopher Williams - Luhring Augustine Gallery, New York, NY |
1991
| |
| Bouquet for Bas Jan Ader and Christopher D´Arcangelo - - Galerie Max Hetzler - Cologne, Cologne (closed, 1993) |
1990
| |
| Christopher Williams - - Luhring Augustine Hetzler Gallery, Santa Monica, CA (closed, 1992) |
1989
| |
| Christopher Williams - Luhring Augustine Gallery, New York, NY |
| |
| Christopher Williams: Angola to Vietnam - Galerie Chantal Crousel, Paris |
Expositions de groupe 169
2013
| |
| the Collector: Tradition - Marres - Centre for Contemporary Culture, Maastriche |
2012
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Ghosts in the Machine - New Museum of Contemporary Art, New York, NY |
| |
| Deutsche Börse Photography Prize 2012 - The Photographers' Gallery, Londres (Angleterre) |
| |
| Chaotic Trajectories - Temporary Gallery Cologne, Cologne |
| |
| A Blind Spot - Haus der Kulturen der Welt, Berlin |
| |
| Fremde Überall – Foreigners Everywhere - Zeitgenössische Kunst aus der Pomeranz Collection - Jüdisches Museum Wien, Vienne |
| |
| Le Monde Comme Volonte Et Comme Papier Peint - Le Consortium, Dijon |
| |
| Ändere dich, Situation! - Stadtgalerie Schwaz, Schwaz |
| |
| MY.LA - Sammlung Haubrok, Berlin |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
2011
|
| Hirschfaktor - Die Kunst des Zitierens - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
| Under the Big Black Sun: California Art 1974-1981 - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Atlas. How to carry the world on one's back? - Deichtorhallen Hamburg, Hambourg |
| |
| The Self-portrait, the House and the Seasons - Mu.ZEE, Oostende |
| |
| Die Erfindung der Wirklichkeit - Photographie an der Kunstakademie Düsseldorf von 1970 bis heute - Akademie-Galerie - Die Neue Sammlung, Düsseldorf |
| |
| The Boy Who Robbed You A Few Minutes Before Arriving At The Ball - Galerie Gisela Capitain, Cologne |
| |
| Anarchisme sans adjectif - CAC - Centre d´art contemporain de Brétigny, Brétigny s/Orge |
| |
| Vermessung der Welt - Heterotopien und Wissensräume in der Kunst - Kunsthaus Graz, Graz |
| |
| Moshe Ninio, Haim Steinbach and Christopher Williams - Dvir Gallery, Tel Aviv |
| |
| Compass - Drawings from the Museum of Modern Art New York - Martin-Gropius-Bau, Berlin |
| |
| New Space, New Works - Wako Works of Art, Tokyo |
| |
| Anti/Form - Skulpturen aus der Sammlung des MUMOK - Kunsthaus Graz, Graz |
2010
| |
| Filmschoenheit - The Greene Naftali Gallery, New York, NY |
| |
| Blind Dates: New Encounters from the Edges of a Former Empire - Pratt Manhattan Gallery, New York, NY |
|
| Exhibition, Exhibition - Castello di Rivoli Museo d'Arte Contemporanea, Turin |
| |
| Swagger, Drag, Fit Together - Wallspace Gallery, New York, NY |
|
| 8th Gwangju Biennale - 10,000 Lives - Gwangju Biennale, Gwangju |
| |
| Filmschönheit - Galerie Gisela Capitain, Cologne |
| |
| Medium: Photography - Patrick Painter Inc., Santa Monica, CA |
|
| Wunschzettel - Staatsgalerie Stuttgart, Stuttgart |
| |
| Picture Industry (Goodbye to All That) - Regen Projects, Los Angeles, CA |
| |
| Endless Bummer / Surf Elsewhere - Blum & Poe, Los Angeles, CA |
| |
| Nueva Tripulación para el "Pequod". Colección de arte contemporáneo Fundación ”la Caixa” - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
|
| TWENTY FIVE - Luhring Augustine Gallery, New York, NY |
| |
| Filmschönheiten - Galerie Mezzanin, Vienne |
| |
| 25 OR 30 YEARS GALLERY: PART III photography - Galerie Paul Andriesse, Amsterdam |
| |
| Modernologies - Contemporary Artists Researching Modernity and Modernism - Muzeum Sztuki Nowoczesnej w Warszawie / Museum of Modern Art, Varsovie |
| |
| Crash - Gagosian Gallery, Londres (Angleterre) |
| |
| FAX - Para/Site Art Space, Hong Kong, SAR |
| |
| FAX - Torrance Art Museum, Torrance, CA |
2009
|
| FAX - Plug In Institute of Contemporary Art, Winnipeg, Manitoba |
| |
| Picture(s): Your California Dream - - Civic Room, Londres (Angleterre) (closed, 2010) |
|
| Modernologies - Museu d´Art Contemporani de Barcelona - MACBA, Barcelone |
| |
| Männer Frauen - Kunstraum Grässlin, St. Georgen |
|
| Das Gespinst - Die Sammlung Schürmann zu Gast im Museum Abteiberg - Städtisches Museum Abteiberg, Mönchengladbach |
|
| FAX - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| Dance with Camera - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphie, PA |
| |
| Then the work takes place - Camera Austria, Graz |
| |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection - MoMA - Museum of Modern Art, New York, NY |
| |
| FAX - The Drawing Center, New York, NY |
| |
| Proiezioni - Castello di Rivara - Centro d´arte contemporane, Rivara (TO) |
| |
| Mathias Poledna / Christopher Williams - Bonner Kunstverein, Bonn |
| |
| A Wild Night and a New Road - Altman Siegel Gallery, San Francisco, CA |
| |
| The Camera Show - Fotogalleriet, Oslo |
| |
| Best of Austria. Eine kunstsammlung - Lentos Kunstmuseum Linz, Linz |
2008
| |
| CHOOSING - Galerie Sfeir-Semler - Hamburg, Hambourg |
| |
| La invención de lo cotidiano - Museo Nacional de Arte - MUNAL, Mexico City |
| |
| 27 november - 21 january 2009 - Dépendance, Bruxelles |
| |
| Are you all right? You look so...orange. - Galleri Erik Steen, Oslo |
| |
| Kunst Im Heim - Capitain Petzel Gallery, Berlin |
|
| The order of things - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anvers |
| |
| An unruly history of the readymade - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
| |
| INDEX: CONCEPTUALISM IN CALIFORNIA FROM THE PERMANENT COLLECTION - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Quiet Politics - - Zwirner & Wirth, New York, NY (closed, 2009) |
| |
| Not So Subtle Subtitle - Casey Kaplan Gallery, New York, NY |
| |
| Vertrautes Terrain – Aktuelle Kunst in und über Deutschland - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Blasted Allegories - Werke aus der Sammlung Ringier - Kunstmuseum Luzern, Lucerne |
| |
| Photography on Photography: Reflections on the Medium since 1960 - The Metropolitan Museum of Art, New York, NY |
|
| Color Chart: Reinventing Color, 1950 to Today - MoMA - Museum of Modern Art, New York, NY |
| |
| P2P - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| "WAKO WORKS OF ART: 15 Years / Part III" - Wako Works of Art, Tokyo |
| |
| Brasil desFocos [o olho de fora] - Paço das Artes, São Paulo |
2007
|
| Performa 07 - The Second Biennial of New Visual Art Performance - Performa, New York, NY |
| |
| Angelegenheiten, die sich daraus ergeben - Künstlerhaus Bremen, Bremen |
| |
| Been Up So Long It Looks Like Down To Me - Presentation House Gallery - PHG, North Vancouver, BC |
| |
| Brasil desFocos [o olho de fora] - Centro Cultural Banco do Brasil - CCBB - Rio de Janeiro, Rio de Janeiro, RJ |
| |
| Make Your Own Life: Artists In and Out of Cologne - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
| |
| Conditions of Display - Locust Projects, Miami, FL |
| |
| What does the jellyfish want? - Museum Ludwig, Cologne |
| |
| Die Wörter, die Dinge - Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Düsseldorf |
| |
| les temps modernes - Domaine de Kerguéhennec - Centre d'Art Contemporain, Bignan |
| |
| Carniceria / Stasis - - Meat Market Gallery, Washington, DC (closed) |
| |
| Make Your Own Life - Artists in & out of Cologne - Henry Art Gallery, Seattle, WA |
2006
| |
| Kunst aus Los Angeles der 60er bis 90er Jahre - Kunstverein Braunschweig, Braunschweig |
| |
| Into a Journey - Meyer Riegger Karlsruhe, Karlsruhe |
| |
| Peintres de la vie moderne Modern-life painters - Donation - Caisse des Dépôts' photograph collection - Centre Pompidou - Musée National d´Art Moderne, Paris |
| |
| Make Your Own Life - Artists In & Out of Cologne - The Power Plant, Toronto, ON |
| |
| Keep passing the open windows or Happiness - Galerie Gisela Capitain, Cologne |
| |
| Strange Drugs - Galerie Rodolphe Janssen, Bruxelles |
| |
| Surprise, Surprise - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| |
| The Swan Is Very Peaceful - Richard Telles Fine Art, Los Angeles, CA |
| |
| Why Pictures Now - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienne |
| |
| Make Your Own Life - Artists In and Out of Cologne - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphie, PA |
| |
| Los Angeles 1955-1985 The birth of an art capital - Centre Pompidou - Musée National d´Art Moderne, Paris |
|
| Whitney Biennial 2006 - Day for Night - Whitney Biennial, New York, NY |
| |
| Motore Immobile - The Greene Naftali Gallery, New York, NY |
2005
| |
| Christopher Williams & Jeroen de Rijke / Willem de Roij - Wiener Secession, Vienne |
| |
| Early Work - David Zwirner, Inc., New York, NY |
| |
| 100 Artists See God - Virginia Museum of Contemporary Art (MOCA), Virginia Beach, VA |
| |
| DER KUNST IHRE RÄUME - Bonner Kunstverein, Bonn |
2004
|
| 100 Artists See God - ICA - Institute of Contemporary Arts London, Londres (Angleterre) |
| |
| Last One On is a Soft Jimmy - Paula Cooper Gallery, New York, NY |
| |
| Quodlibet - Galerie Daniel Buchholz - Köln, Cologne |
| |
| Für die Konstruktion des Unmöglichen - European Kunsthalle, Cologne |
| |
| Im Rausch der Dinge - Fotomuseum Winterthur, Winterthur |
|
| Im Rausch der Dinge – Vom funktionalen Objekt zum Fetisch in Fotografien des 20. - Fotostiftung Schweiz (Schweizerische Stiftung für die Photographie), Winterthur |
| |
| Garten Eden - Galerie Bärbel Grässlin, Francfort-sur-le-Main |
|
| Documentary Evidence - Galerie Chez Valentin, Paris |
| |
| Before the end - Part I - Le Consortium, Dijon |
| |
| H2O (x) + 6 - Margo Leavin Gallery, Los Angeles, CA |
| |
| Lodz Biennale 2004 - Lodz Biennale, Lodz |
2003
| |
| Adorno - Die Möglichkeit des Unmöglichen - Frankfurter Kunstverein, Francfort-sur-le-Main |
|
| Fast Forward - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Photographs - Wako Works of Art, Tokyo |
| |
| Photographs - James Welling, Christopher Williams - Wako Works of Art, Tokyo |
| |
| Unreal Estate Opportunities - PKM GALLERY| Bartleby Bickle & Meursault - Seoul, Seoul |
| |
| Raid the Icebox - Margo Leavin Gallery, Los Angeles, CA |
| |
| Matando el tiempo y escuchando entre las líneas - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
2002
|
| Solitudes - Galerie Michel Rein, Paris |
| |
| Landscapes - Wako Works of Art, Tokyo |
| |
| Transform the world 2002 - Wako Works of Art, Tokyo |
2001
| |
| Detourism - The Renaissance Society at The University of Chicago, Chicago, IL |
| |
| I Love NY Benefit - David Zwirner, Inc., New York, NY |
| |
| Seeing or Believing - Margo Leavin Gallery, Los Angeles, CA |
| |
| Take Two - Ottawa Art Gallery, Ottawa, ON |
| |
| Vom Eindruck zum Ausdruck - Grässlin Collection - Deichtorhallen Hamburg, Hambourg |
| |
| In The Rough - Museu Serralves - Museu de Arte Contemporânea, Porto |
2000
| |
| Library - Margo Leavin Gallery, Los Angeles, CA |
|
| Christopher Williams, Fabrice Gygi, Michael Smith, Gary Panter - MAGASIN-Centre National d’art Contemporain de Grenoble, Grenoble |
| |
| American Photographs - Wako Works of Art, Tokyo |
1999
1998
| |
| Travel and Leisure - Paula Cooper Gallery, New York, NY |
| |
| 90069 - Margo Leavin Gallery, Los Angeles, CA |
1997
| |
| Places that are Elsewhere - David Zwirner, Inc., New York, NY |
1996
| |
| Exposure - Luhring Augustine Gallery, New York, NY |
| |
| Comme un oiseau - Fondation Cartier pour l'art contemporain, Paris |
1995
| |
| 25 Years: An Exhibition of Selected Works - Margo Leavin Gallery, Los Angeles, CA |
| |
| Album: The photographic collection of Museum Boijmans-van Beuningen Rotterdam - Museum Boijmans van Beuningen, Rotterdam |
| |
| Untitled (Reading Room) - Margo Leavin Gallery, Los Angeles, CA |
| |
| People - Monica De Cardenas - Milano, Milan |
1994
| |
| temporary translations - Sammlung Schürmann - Deichtorhallen Hamburg, Hambourg |
| |
| In the Field: Landscape in Recent Photography - Margo Leavin Gallery, Los Angeles, CA |
| |
| Notational Photographs - Metro Pictures Gallery, New York, NY |
| |
| Die Orte der Kunst - Sprengel Museum Hannover, Hannover |
1993
| |
| Kontext Kunst- The Art of the 90's - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
1992
| |
| Mehr Licht - Galerie Chantal Crousel, Paris |
| |
| Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams - Margo Leavin Gallery, Los Angeles, CA |
1991
| |
| Carnegie International - Carnegie Museum of Art, Pittsburg, PA |
| |
| Vanitas - Galerie Chantal Crousel, Paris |
1990
| |
| De Afstand (Distance) - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Group Show - - Luhring Augustine Hetzler Gallery, Santa Monica, CA (closed, 1992) |
| |
| Group Show - - Luhring Augustine Hetzler Gallery, Santa Monica, CA (closed, 1992) |
1989
| |
| UNE AUTRE AFFAIRE - Le Consortium, Dijon |
1988
| |
| Group Exhibition - Galerie Chantal Crousel, Paris |
1987
| |
| Nothing Sacred - Margo Leavin Gallery, Los Angeles, CA |
|
| CalArts - Skeptical Belief(s) - The Renaissance Society at The University of Chicago, Chicago, IL |
1985
| |
| The Art of Memory / The Loss of History - New Museum of Contemporary Art, New York, NY |
1984
| |
| Jenny Holzer / Stephen Prina / Mark Stahl / Christopher Williams - de Appel arts centre, Amsterdam |
1982
| |
| American Painting and Sculpture 74th Annual - The Art Institute of Chicago, Chicago, IL |
| Répertoire des vendeurs 6 |
Allemagne
| | Galerie Kienzle & Gmeiner, Berlin
|
| | Galerie Gisela Capitain, Cologne
|
Etats-Unis
| | David Zwirner, Inc., New York, NY
|
Italie
| | Galleria Lia Rumma - Naples, Neapel
|
Japon
Royaume-Uni
| | David Zwirner, Londres (Angleterre)
|
Collections 11
Allemagne
| | Kunstraum Grässlin, St. Georgen
|
Autriche
| | Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienne
|
Canada
| | Carleton University Art Gallery, Ottawa, ON
|
Etats-Unis
| | Hammer Museum, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | Hirshhorn Museum and Sculpture Garden, Washington, DC
|
Italie
| | MAMbo - Galleria d'Arte Moderna di Bologna, Bologne
|
Royaume-Uni
| | Tate Britain, Londres (Angleterre)
|
Suisse
| | Fotomuseum Winterthur, Winterthur
|
Catalogues
|
