 Artist's arttributes:
|
| • |
Mâle |
| • |
Installation |
| • |
Postminimalism |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 34 |
| Mexique | 24 |
| Espagne | 20 |
| Brésil | 12 |
| Royaume-Uni | 11 |
Most exhibitions held at: |
| Institution |
№ |
| |
kurimanzutto, Mexique |
7 |
| |
Galeria Fortes Vilaça, Brésil |
5 |
| |
White Cube - Hoxton Square, Royaume-Uni |
4 |
| |
Museum of Contemporary Art Chicago (MCA), Etats-Unis |
3 |
| |
Museu Serralves - Museu de Arte Contemporânea, Portugal |
3 |
Biographie: 
1967 né à Mexico D.F. (MX)
Liens externes: | | Expositions (Sélección) 150
de 15.9.
jusqu'au 24.11.
jusqu'au 29.9.
jusqu'au 1.9.
Expositions individuelles 22
2012
| |
| DamiÁn Ortega - Belo Horizonte Project - SCAD Museum of Art , Savannah, GA |
| |
| Damián Ortega - Traces of gravity - White Cube - Mason´s Yard, Londres (Angleterre) |
2011
| |
| Damián Ortega - kurimanzutto, Mexico City |
| |
| Tool Bit - PinchukArtCentre, Kiev |
2010
| |
| Damián Ortega - Barbican Art Gallery, Londres (Angleterre) |
2009
| |
| Damian Ortega - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Damián Ortega - CAPITAL Less - Gladstone Gallery - New York - 24th Street, New York, NY |
| |
| Damián Ortega - Materialista - Galeria Fortes Vilaça, São Paulo |
2008
| |
| Damian Ortega - Centre Pompidou - Musée National d´Art Moderne, Paris |
2007
| |
| Damián Ortega - Being - Ikon Gallery, Birmingham (Angleterre) |
| |
| Damián Ortega: Nine Types of Terrain - White Cube - Hoxton Square, Londres (Angleterre) |
| |
| Damián Ortega - New Work - White Cube - Hoxton Square, Londres (Angleterre) |
| |
| Obelisco Transportable - Public Art Fund, New York, NY |
| |
| Damián Ortega - Incide/Inside - Galeria Fortes Vilaça, São Paulo |
2005
| |
| Damían Ortega - The Beetle Trilogy and Other Work - REDCAT, Los Angeles, CA |
 |
| Damian Ortega - The Beetle Trilogy and Other Works - MOCA Grand Avenue, Los Angeles, CA |
| |
| Damián Ortega - The Uncertainty Principle - kurimanzutto, Mexico City |
|
| Damián Ortega The Uncertainty Principle - Tate Modern, Londres (Angleterre) |
2004
| |
| Moby Dick - kurimanzutto, Mexico City |
2002
| |
| Cosmic Thing - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphie, PA |
| |
| Damián Ortega: New Work - D'Amelio Terras, New York, NY |
Expositions de groupe 124
2013
| |
| Collection Sandretto Re Rebaudengo: A Love Meal - Whitechapel Art Gallery, Londres (Angleterre) |
| |
| SERRALVES COLLECTION: RECENT WORKS - Museu Serralves - Museu de Arte Contemporânea, Porto |
2012
| |
| Unsaid/spoken, Selections From The Ella Fontanals–cisneros And Cifo Collections - CIFO - Cisneros Fontanals Art Foundation, Miami, FL |
| |
| A Balea Negra. X Aniversario Do Marco - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Unfinished Journeys - Kunstforeningen GL Strand, Copenhague |
| |
| Gravity and Disgrace Ep. 2 - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| 11th Havana Biennial - La Bienal de La Habana, Havane |
| |
| Kadist: Pathways Into A Collection - Minsheng Art Museum, Shanghai |
2011
| |
| La persistencia de la geometría - CaixaForum Madrid, Madrid |
| |
| En Obras. Coleção Teixeira De Freitas. - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
| |
| Now: Obras De La Colección Jumex - Instituto Cultural Cabañas, Guadalajara |
| |
| Distant Star - kurimanzutto, Mexico City |
| |
| Distant Star - Regen Projects, Los Angeles, CA |
| |
| Before The Hangover: A Slice Of The Nineties From The Muac Collection - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City |
|
| Car Fetish. I drive, therefore I am. - Museum Tinguely, Basel |
| |
| As Long As It Lasts... - Arratia, Beer, Berlin |
| |
| Life: A User´s Manual - The Israel Museum, Jérusalem |
| |
| Mexico: Expected / Unexpected - Molaa Museum of Latin American Art, Long Beach, CA |
| |
| Mexico: Expected/Unexpected - Museum of Contemporary Art San Diego - MCASD La Jolla, La Jolla, CA |
2010
| |
| Ordinary Madness - Carnegie Museum of Art, Pittsburg, PA |
|
| LET’S TALK ABOUT HOUSES: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] / Floor 2, 2A and Sculptu - MNAC - Museu do Chiado, Lisboa |
| |
| Going International - FLAG Art Foundation, New York, NY |
| |
| Where Do We Go From Here? Selections from La Colección Jumex - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| México : esperado/inesperado - B.P.S.22 - Espace de Création Contemporaine, Charleroi |
|
| Kupferstichkabinett: Between Thought and Action - White Cube - Hoxton Square, Londres (Angleterre) |
| |
| The Concrete Show - Galleria Franco Noero, Turin |
| |
| MODELOS PARA ARMAR. Pensar Latinoamérica desde la Colección MUSAC - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
|
| XIV Biennale Internazionale di Scultura di Carrara - Biennale di Sculture di Carrara, Carrara |
| |
| ARTE Y POLITICA : CONFLICTOS Y DISYUNTIVAS - Museo de Arte de Culiacán, Culiacán |
| |
| Like Tears in Rain - Palácio das Artes, Fábrica de Talentos, Porto |
| |
| CUE: Artists’ Videos - Vancouver Art Gallery, Vancouver, BC |
2009
| |
| Where Do We Go From Here? Selections from La Colección Jumex - Bass Museum of Art, Miami, FL |
| |
| Mexico: Expected/Unexpected. Collection Isabel and Agustín Coppel - Stedelijk Museum Schiedam, Schiedam |
 |
| Moby Dick - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| la importancia del pez cebra, the importance of the zebrafish - Parra & Romero, Madrid |
| |
| 31º Panorama da Arte Brasileira - mam - Museu de Arte Moderna de São Paulo, São Paulo |
| |
| Mexico: Expected / Unexpected - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
|
| Private Universes - Dallas Museum of Art, Dallas, TX |
|
| Escultura Social - Nasher Museum of Art, Durham, NC |
2008
| |
| exposición inaugural del nuevo espacio - kurimanzutto, Mexico City |
| |
| La invención de lo cotidiano - Museo Nacional de Arte - MUNAL, Mexico City |
| |
| Recursos incontrolables y otros desplazamientos naturales - Museo Universitario de Arte Contemporáneo - MUAC, Mexico City |
|
| Collection Agustín et Isabel Coppel, Mexico: Expected/Unexpected - La Maison Rouge, Paris |
| |
| Zonas de riesgo. Colección de Arte Contemporáneo Fundación ”la Caixa” - CaixaForum Barcelona, Barcelone |
| |
| A stake in the Mud, A hole in the Reel. Land Art's Expanded Field 1968–2008 - CA2M - Centro de Arte Dos de Mayo, Móstoles |
| |
| An unruly history of the readymade - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
| |
| That Was Then...This Is Now - MoMA PS1, New York, NY |
| |
| Procedente – MAP: New Acquisitions - Museu de Arte da Pampulha, Belo Horizonte, MG |
| |
| Pasións Privadas, Visións Públicas - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Las Implicaciones de la Imagen (The implications of image) - MUCA Roma - Museo Universitario de Ciencias y Arte, Mexico City |
| |
| A stake in the mud, a hole in the reel - Museo Tamayo, Mexico City |
| |
| Space Is the Place - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| Brasil desFocos [o olho de fora] - Paço das Artes, São Paulo |
2007
| |
| Só é possível se formos 2 - Centro de Artes de Sines, Sines |
| |
| Principio de intertidumbre - Centro de las Artes, Monterrey, NL |
| |
| Viva Mexico! - Zacheta - National Gallery of Art, Varsovie |
| |
| Preis der Nationalgalerie für Junge Kunst 2007 - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Brasil desFocos [o olho de fora] - Centro Cultural Banco do Brasil - CCBB - Rio de Janeiro, Rio de Janeiro, RJ |
| |
| Atlas Americas - Oi Futuro, Rio de Janeiro, RJ |
| |
| Escultura Social: A New Generation of Art from Mexico City - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Space Is the Place - Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ |
| |
| Mapas, Cosmogonias e Puntos de Referencia - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Shimabuku / Ortega, Damian - daadgalerie, Berlin |
2006
| |
| Forms of Classification: Alternative Knowledge and Contemporary Art - CIFO - Cisneros Fontanals Art Foundation, Miami, FL |
| |
| Taipei Biennial 2006 - Dirty Yoga - Taipei Biennial, Taïpeh |
| |
| 27° Bienal de São Paulo - Bienal de Sao Paulo, São Paulo |
| |
| The Exotic Journey Ends - kurimanzutto, Mexico City |
| |
| el equilibrio y sus derivados - Casa del Lago, Mexico City |
| |
| Emergency Biennale in Chechnya - Centre A - Vancouver International Centre for Contemporary Asian Art, Vancouver, BC |
| |
| Dark Matter - White Cube - Hoxton Square, Londres (Angleterre) |
| |
| Group show (opening exhibition) - Ellipse Foundation, Alcoitão |
|
| 15th Biennale of Sydney 2006 - Biennale of Sydney, Sydney, NSW |
| |
| SLAPstick - Lora Reynolds Gallery, Austin, TX |
| |
| Ai confini della realtà - ARCOS - Museo di Arte Contemporanea del Sannio, Benevento |
| |
| Metro Pictures, part two - Museum of Contemporary Art - North Miami (MOCA), Miami, FL |
| |
| Real spaces, fictitious spaces - - Fundación Centro Ordóñez-Falcón de Fotografía - COFF, San Sebastián (closed) |
|
| 4. Berlin Biennale für Zeitgenössische Kunst - berlin biennale für zeitgenössische kunst, Berlin |
| |
| Passion/Provocation: Photography and Video in the collection of Teófilo Cohen - Centro de la Imagen, Mexico City |
2005
| |
| The Fluidity of Time - Selections from the MCA Collection - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| T1 Torino Triennale Tremusei - Torino Trienniale, Turin |
| |
| Tableaux Vivants - Serralves Foundation Collection - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| Imagem & Ação - Galeria Fortes Vilaça, São Paulo |
| |
| Emergency Biennal 2005 - Emergency Biennal, Bolzano |
| |
| El Eco - kurimanzutto, Mexico City |
| |
| come closer/video festival - Künstlerhaus Bethanien, Berlin |
| |
| Desenhos A-Z - Porta 33, Funchal |
|
| Col·lecció Fundació "LaCaixa" 20 anys amb l'art contemporani - CaixaForum Barcelona, Barcelone |
| |
| Exposición de Apertura - Espacio 1414, Santurce |
2004
|
| Dedicated to a Proposition - Extra City - Kunsthal Antwerpen, Anvers |
|
| Specific Objects - The Minimalist Influence - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA |
|
| Sólo los personajes cambian - Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, NL |
| |
| El final del eclipse - Centro Fundación Telefónica, Lima |
| |
| Paisaje y Memoria - Centro Atlántico de Arte Moderno (CAAM), Las Palmas de Gran Canaria |
|
| Made in Mexico - Hammer Museum, Los Angeles, CA |
| |
| La Colmena - Galeria de Fundaciíon/Coleccion Jumex, Mexico City |
| |
| Coletiva - Galeria Luisa Strina, São Paulo |
|
| Made in Mexico - ICA - Institute of Contemporary ArtBoston, Boston, MA |
2003
| |
| A Nova Geometria - Galeria Fortes Vilaça, São Paulo |
| |
| El final del eclipse - Museo Nacional de Bellas Artes - MNBA, Buenos Aires |
|
| José Damasceno | Contato / Damián Ortega | A Matéria, A Energia - Galeria Fortes Vilaça, São Paulo |
|
| El final del eclipse - Museo de Arte Contemporáneo de Monterrey MARCO, Monterrey, NL |
|
| Basic Instinct: Minimalism Past, Present, and Future - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Video Screening 04 - Galerie Martin Janda, Vienne |
|
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venise |
| |
| El final del eclipse - Sala de Arte Fundación Telefónica Chile, Santiago De Chili |
| |
| Our Mutual Friend - Bloomberg Space, Londres (Angleterre) |
2002
| |
| El final del eclipse - Museo de Arte Moderno de Mexico City, Mexico City |
| |
| Sublime artificial. Nou art de Mèxic - Institut de Cultura de Barcelona, La Capella, Barcelone |
| |
| 7 dilemas - Museo de Arte Moderno de Mexico City, Mexico City |
| |
| El final del eclipse - Museo Extremeño e Iberoamericano de Arte Contemporáneo MEIAC, Badajoz |
2001
| |
| El final del eclipse - Palacio de los Condes de Gabia, Granada |
| |
| ARS 01 Unfolding Perspectives - Kiasma - Museum of Contemporary Art, Helsinki |
| |
| 1st Tirana Biennale 2001 - Tirana Biennial, Tirana |
| |
| El final del eclipse - Fundación Telefónica, Madrid |
|
| Squatters #1 - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Squatters / Ocupacoes - Museu Serralves - Museu de Arte Contemporânea, Porto |
2000
| |
| Supermodernismo (improvisado) - Ex Teresa Arte Actual, Mexico City |
|
| Guarene Arte 2000 - Fondazione Sandretto Re Rebaudengo, Turin |
| |
| Kurimanzutto - Galerie Chantal Crousel, Paris |
1999
| |
| Dobles vidas - La Virreina - Centre de la Imatge, Barcelone |
1998
| |
| Propositions 2 - Musée Départemental d'Art Contemporain de Rochechouart, Rochechouart |
| |
| Yesterday Begins Tomorrow - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
1997
| |
| Lines of Loss - Artists Space, New York, NY |
| Répertoire des vendeurs 7 |
Belgique
| | Gladstone Gallery - Brussels, Bruxelles
|
Brésil
| | Galeria Fortes Vilaça, São Paulo
|
Etats-Unis
| | Gladstone Gallery - New York - 21st Street, New York, NY
|
| | Gladstone Gallery - New York - 24th Street, New York, NY
|
Mexique
| | kurimanzutto, Mexico City
|
Royaume-Uni
| | White Cube - Hoxton Square, Londres (Angleterre)
|
| | White Cube - Mason´s Yard, Londres (Angleterre)
|
Collections 8
Brésil
| | Inhotim Centro de Arte Contemporânea, Brumadinho, MG
|
Etats-Unis
| | MOCA Grand Avenue, Los Angeles, CA
|
| | CIFO - Cisneros Fontanals Art Foundation, Miami, FL
|
| | Hirshhorn Museum and Sculpture Garden, Washington, DC
|
France
| | Kadist Art Foundation, Paris
|
Italie
| | Villa Manin. Centro d'arte contemporanea, Codroipo (UD)
|
| | Fondazione Morra Greco, Neapel
|
Portugal
| | Ellipse Foundation, Alcoitão
|
Catalogues
|
