 Artist's arttributes:
|
| • |
Femme |
| • |
Video, Installation, Performance |
| • |
Art conceptuel |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 42 |
| Allemagne | 14 |
| Suisse | 7 |
| Autriche | 7 |
| Royaume-Uni | 5 |
Most exhibitions held at: |
| Institution |
№ |
| |
Tanya Leighton Gallery, Allemagne |
3 |
| |
MoMA PS1, Etats-Unis |
3 |
Biographie: 
1970 né à Baltimore (US)
Liens externes: | | Expositions (Sélección) 106
de 1.6.
jusqu'au 20.1.2014
Expositions individuelles 9
2012
| |
| Sharon Hayes: There’s so much I want to say to you - Whitney Museum of American Art, New York, NY |
| |
| Sharon Hayes - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| Elevator Music 20: Sharon Hayes I March In The Parade Of Liberty, But as Long As I Love You I'm Not Free - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
2011
| |
| focus: Sharon Hayes - The Art Institute of Chicago, Chicago, IL |
| |
| In the Near Future - CAG - Vancouver Contemporary Art Gallery, Vancouver, BC |
2008
 |
| Sharon Hayes – In the Near Future - Tanya Leighton Gallery, Berlin |
| |
| Sharon Hayes - In the near future – Warsaw, 2008 - Muzeum Sztuki Nowoczesnej w Warszawie / Museum of Modern Art, Varsovie |
2007
| |
| Sharon Hayes: I March in the Parade of Liberty, But as Long as I love you I'm Not Free - New Museum of Contemporary Art, New York, NY |
2006
| |
| 10 Minutes of Collective Activity - o.T. Raum für aktuelle Kunst, Lucerne |
Expositions de groupe 95
2013
| |
| After My Own Heart - Oakville Galleries, Oakville, ON |
| |
| More Love - Ackland Art Museum, Chapel Hill, NC |
2012
| |
| Schlagwörter und Sprachgewalten - Kunsthaus Baselland, Basel |
| |
| Performing Histories (1) - MoMA - Museum of Modern Art, New York, NY |
| |
| Roesler Hotel # 20 - Lo bueno y lo malo - Galeria Nara Roesler, São Paulo |
| |
| Stage Presence - Theatricality In Art And Media - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| Idea is the Object - D'Amelio Terras, New York, NY |
| |
| Ecstatic Alphabets/Heaps of Language - MoMA - Museum of Modern Art, New York, NY |
| |
| Aleksandra Domanović & Sharon Hayes - Tanya Leighton Gallery, Berlin |
 |
| Found in Translation - - Deutsche Guggenheim, Berlin (closed, 2013) |
| |
| Americans In New York 2 - Galerie Michel Rein, Paris |
| |
| Demonstrationen. Vom Werden normativer Ordnungen - Frankfurter Kunstverein, Francfort-sur-le-Main |
2011
| |
| Performa 11 - Performa, New York, NY |
| |
| Glee - Blum & Poe, Los Angeles, CA |
|
| Biennale di Venezia - 54th International Art Exhibition - La Biennale di Venezia, Venise |
| |
| Communitas Die unrepräsentierbare Gemeinschaft - Camera Austria, Graz |
| |
| The Other Tradition - WIELS - Centrum voor Hedendaagse kunst, Bruxelles |
| |
| The Deutsche Bank Series at the Guggenheim: Found in Translation - Solomon R. Guggenheim Museum, New York, NY |
2010
|
| To the Arts, Citizens! - Museu Serralves - Museu de Arte Contemporânea, Porto |
| |
| As So Ci Ations - Tanya Leighton Gallery, Berlin |
| |
| AS SO CI ATIONS - Kettle's Yard, Cambridge, Cambridgeshire (Angleterre) |
| |
| Públicos y contrapúblicos - Centro Andaluz de Arte Contemporáneo (CAAC), Séville |
| |
| Greater New York - MoMA PS1, New York, NY |
| |
| Invisible Publics - Townhouse Gallery, Cairo |
| |
| THIS STORY IS NOT READY FOR ITS FOOTNOTES - EX ELETTROFONICA, Rome |
| |
| E-Flux Video Rental - Fondazione Giuliani, Rome |
|
| Queer Voice - ICA - Institute of Contemporary Art - University of Pennsylvania, Philadelphie, PA |
| |
| Partizipation. Politik der Gemeinschaft - Salzburger Kunstverein, Salzburg |
|
| Haunted: Contemporary Photography/Video/Performance - Solomon R. Guggenheim Museum, New York, NY |
|
| The 4th Auckland Triennial - Last Ride in a Hot Air Balloon - Auckland Triennial, Auckland |
| |
| Early Years - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlin |
| |
| Whitney Biennial 2010 - Whitney Biennial, New York, NY |
| |
| Monumento A La Transformación - Centro Cultural Montehermoso, Vitoria-Gasteiz |
| |
| Andrea Geyer │ Sharon Hayes - Göteborgs Konsthall, Gothembourg |
|
| Fall Out – Desire and Disengagement in Contemporary Art - Gl Holtegaard, Holte |
2009
| |
| Ecstatic Resistance - Grand Arts, Kansas City, MO |
| |
| Andrea Geyer | Sharon Hayes - Kunstmuseum St.Gallen, St. Gallen |
|
| 11th International İstanbul Biennial - International Istanbul Biennial, Istanbul |
| |
| Conversation Pieces - Cepa Gallery, Buffalo, NY |
| |
| Monument to Transformation 1989-2009 - City Gallery Prague / Galerie Hlavního Města Prahy, Prague |
| |
| Practice, Practice, Practice - Lora Reynolds Gallery, Austin, TX |
| |
| Our Literal Speed - Gallery 400 - University of Illinois at Chicago, Chicago, IL |
|
| Playing the City - Schirn Kunsthalle, Francfort-sur-le-Main |
| |
| No More Reality - Depo, Istanbul |
2008
| |
| 9 Scripts from a Nation at War - REDCAT, Los Angeles, CA |
| |
| OURS: Democracy in the Age of Branding - Sheila C. Johnson Design Center, New York, NY |
|
| Yokohama Triennale 2008 - Time Crevasse - Central and Waterfront Sites in Yokohama, Yokohama |
| |
| The 3rd Guangzhou Triennial - Guangzhou Triennial, Guangzhou, Guangdong |
| |
| Democracy in America—Convergence Center, curated by Nato Thompson, Creative Time - Creative Time, New York, NY |
| |
| Freeway Balconies - - Deutsche Guggenheim, Berlin (closed, 2013) |
| |
| Nicht alles tun - :emyt, Berlin |
| |
| 9 Scripts from a Nation at War - Tate Modern, Londres (Angleterre) |
| |
| Nicht Alles Tun - Galerie IG Bildende Kunst, Vienne |
| |
| Not Quite How I Remember It - The Power Plant, Toronto, ON |
| |
| Experiment Marathon Reykjavik - Listasafn Reykjavikur - Reykjavík Art Museum, Reykjavik |
| |
| On Procession - Indianapolis Museum of Art - IMA, Indianapolis, IN |
| |
| Intimacy - The Fireplace Project, East Hampton, NY |
| |
| War Stories - Galleries at Massachusetts College of Art and Design, Boston, MA |
| |
| voiceoverhead - Smart Project Space, Amsterdam |
2007
| |
| In The Poem About Love You Don't Write The Word Love - Overgaden - Institut for Samtidskunst, Copenhague |
| |
| 25 Years Later: Welcome to Art in General - Art in General, New York, NY |
|
| Documenta 12 - Documenta, Cassel |
| |
| In the Eye of the Storm – Im Auge des Zyklons - Kunstmuseum St.Gallen, St. Gallen |
| |
| In the Poem about love you don´t write the word love - Midway Contemporary Art, Minneapolis, MN |
| |
| Exil des Imaginären - Politik, Ästhetik, Liebe - Generali Foundation, Vienne |
2006
| |
| Media Burn - Tate Modern, Londres (Angleterre) |
| |
| Altered, Stitched & Gathered - MoMA PS1, New York, NY |
| |
| In The Poem About Love You Don't Write The Word Love - Artists Space, New York, NY |
| |
| Knowing you, knowing me - Zu Komplizenschaft mit Bildern - Kunsthaus Graz, Graz |
| |
| knowing you, knowing me - Zur Komplizenschaft mit Bildern - Camera Austria, Graz |
| |
| Cooling Out - Zur paradoxie des Feminismus - Halle für Kunst e.V., Lüneburg |
| |
| Cooling Out - on the paradox of feminism - Lewis Glucksman Gallery, Cork |
| |
| Cooling Out - on the paradox of feminism - Kunsthaus Baselland, Basel |
| |
| WAS WÄRE WENN # 4 - - Jet, Berlin (closed, 2009) |
| |
| When Artists Say We - Artists Space, New York, NY |
2005
| |
| PERFORMA 05 - Performa, New York, NY |
|
| Old News - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
| |
| Patriot - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
2004
| |
| Explosion LTTR: Practice More Failure - Art in General, New York, NY |
| |
| Von grossen und kleinen Erzählungen - gelebte Bedingungen - Kaskadenkondensator - KASKO- Projektraum für aktuelle Kunst und Performance, Basel |
2003
|
| I am a Curator - Chisenhale Gallery, Londres (Angleterre) |
| |
| Charlottenborg Autumn Exhibition 2003 - Kunsthal Charlottenborg, Copenhague |
| |
| Sandwiched (in New York) - Public Art Fund, New York, NY |
| |
| Formen der Organisation - Kunstraum der Leuphana Universität Lüneburg, Lüneburg |
| |
| 2003: Mfa #2 - Broad Art Center - UCLA New Wight Gallery, Los Angeles, CA |
| |
| Formen der Organisation - Galerie der Hochschule für Grafik und Buchkunst Leipzig (HGB), Leipzig |
2002
| |
| ORGANISATIONAL FORM - Galerija Skuc, Ljubljana |
| |
| Secondary Source - Front Room Gallery, New York, NY |
|
| Democracy When? - LACE - Los Angeles Contemporary Exhibitions, Los Angeles, CA |
| |
| Social Sectors - WUK - Kunsthalle Exnergasse, Vienne |
2000
| |
| Special Projects Program, Winter 2000 - MoMA PS1, New York, NY |
1998
| |
| Keeping Track of the Joneses - New Museum of Contemporary Art, New York, NY |
| Répertoire des vendeurs 2 |
Allemagne
| | Tanya Leighton Gallery, Berlin
|
Italie
Catalogues
|
