 Artist's arttributes:
|
| • |
Mâle |
| • |
Photographie, Video, Conceptual photography |
La plupart des expositions sont en: |
| Pays |
№ |
| Etats-Unis | 51 |
| Allemagne | 34 |
| Royaume-Uni | 20 |
| France | 14 |
| Autriche | 11 |
Most exhibitions held at: |
| Institution |
№ |
| |
Paula Cooper Gallery, Etats-Unis |
7 |
| |
Anthony Reynolds Gallery, Royaume-Uni |
4 |
Biographie: 
1967 né à Chbanieh (LB)
Liens externes: | | Expositions (Sélección) 215
de 25.5.
jusqu'au 1.9.
jusqu'au 25.8.
jusqu'au 9.6.
jusqu'au 8.6.
jusqu'au 2.6.
jusqu'au 25.5.
Expositions individuelles 30
2013
| |
| Walid Raad - Préface à la première édition - Musée du Louvre, Paris |
2012
| |
| Walid Raad - Scratching on Things I Could Disavow - Galerie Sfeir-Semler - Beirut, Beirut |
2011
 |
| Walid Raad - Hasselblad Award Winner 2011 - Hasselblad Center, Gothembourg |
| |
| Walid Raad - Miraculous Beginnings - Kunsthalle Zürich, Zürich |
| |
| Walid Raad – Scratching on Things I Could Disavow: A History of Art in the Arab World - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienne |
|
| Walid Raad - Miracolous Beginnings - Bildmuseet, Umeå |
2010
| |
| Miraculous Beginnings - Whitechapel Art Gallery, Londres (Angleterre) |
| |
| We Decided to Let Them Say 'We Are Convinced' Twice. It Was More Convincing This Way - Stevenson, Cape Town |
| |
| Walid Raad - Camera Austria, Graz |
2009
| |
| Scratching on Things I Could Disavow: A History of Art in the Arab World - Galerie Sfeir-Semler - Hamburg, Hambourg |
| |
| Walid Raad - Paula Cooper Gallery, New York, NY |
| |
| Walid Raad- Scratching on Things I could Disavow: A history of Art in the Arab World _ Part I _ Volume 1 _ Chapter 1: - Anthony Reynolds Gallery, Londres (Angleterre) |
| |
| The Atlas Group (1989-2004) Un proyecto de Walid Raad - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| Scratching on Things I Could Disavow: A History of Art in the Arab World - REDCAT, Los Angeles, CA |
2008
| |
| The Dead Weight of a Quarrel Hangs: Selections from The Atlas Group Archive - MFAH - Museum of Fine Arts Houston, Houston, TX |
| |
| A History of Modern and Contemporary Arab Art _ Part I _ Chapter 1: Beirut 1992-2005 - Galerie Sfeir-Semler - Beirut, Beirut |
| |
| Walid Raad - David Winton Bell Gallery, Providence, RI |
2007
| |
| The Atlas Group - Museo Tamayo, Mexico City |
| |
| Walid Raad - Paula Cooper Gallery, New York, NY |
| |
| The Atlas Group (1989-2004) - A Project by Walid Raad - Migros Museum für Gegenwartskunst, Zürich |
2006
| |
| We Decided To Let Them Say “We Are Convinced” Twice. It was More Convincing This Way. - Henry Art Gallery, Seattle, WA |
| |
| Werkraum 21 - The Atlas Group - Hamburger Bahnhof - Museum für Gegenwart, Berlin |
| |
| Walid Raad - Galerie Sfeir-Semler - Hamburg, Hambourg |
| |
| We Can Make Rain But No One Came To Ask: Documents from The Atlas Group Archive in collaboration with Walid Raad - Leonard & Bina Ellen Art Gallery, Montreal, QC |
| |
| Walid Raad / The Atlas Group - The Kitchen, New York, NY |
2005
| |
| The Atlas Group - Anthony Reynolds Gallery, Londres (Angleterre) |
| |
| I Feel A Great Desire To Meet The Masses Once Again: A project by Walid Raad and The Atlas Group - Agnes Etherington Art Center, Kingston, Ontario |
2004
| |
| The Atlas Group and Walid Raad - AGYU / Art Gallery of York University, Toronto, ON |
|
| The Atlas Group - Walid Raad - Institute of International Visual Arts - iniva, Londres (Angleterre) |
2003
| |
| The Atlas Group / Walid Raad - The Complete Fakhouri File - Anthony Reynolds Gallery, Londres (Angleterre) |
Expositions de groupe 178
2013
| |
| Still Life/Work Life - Hasselblad Center, Gothembourg |
2012
| |
| Walid Raad & David Diao - Paula Cooper Gallery, New York, NY |
| |
| More Real? Art in the Age of Truthiness - Site Santa Fe, Santa Fe, NM |
| |
| Documenta (13) - Documenta, Cassel |
| |
| Fotografie Total - Werke Aus Der Sammlung Des Mmk - Museum für Moderne Kunst (MMK), Francfort-sur-le-Main |
| |
| All That Fits: The Aesthetics of Journalism - QUAD Gallery, Derby (Angleterre) |
| |
| Fremde Überall – Foreigners Everywhere - Zeitgenössische Kunst aus der Pomeranz Collection - Jüdisches Museum Wien, Vienne |
| |
| Making History - Museum für Moderne Kunst (MMK), Francfort-sur-le-Main |
| |
| Wunder - Kunsthalle Krems, Krems |
| |
| Abstract Possible: The Stockholm Synergies - Tensta Konsthall, Spanga |
| |
| Group Exhibition - Paula Cooper Gallery, New York, NY |
2011
| |
| The Collection in Action - Media works from Vito Acconci to Simon Starling - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| En Obras. Coleção Teixeira De Freitas. - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
| |
| Situation Z - art-cade - Galerie des grands bains douches de la Plaine, Marseille |
| |
| Atlas. How to carry the world on one's back? - Deichtorhallen Hamburg, Hambourg |
| |
| Hauntings – Ghost Box Media - Kunstverein Medienturm, Graz |
| |
| Museum Show Part 1 - Arnolfini, Bristol (Angleterre) |
|
| Wunder - Kunst, Wissenschaft Und Religion Vom 4. Jahrhundert Bis Zur Gegenwart. - Deichtorhallen Hamburg, Hambourg |
| |
| 4th Moscow Biennale of Contemporary Art - Moscow Biennale of contemporary art, Moscou |
| |
| In camera and in public - CCP - Centre for Contemporary Photography, Melbourne, VIC |
| |
| Wild Sky - Edith-Russ-Haus für Medienkunst, Oldenburg |
| |
| Image in the Aftermath - Beirut Art Center, Beirut |
| |
| El intervalo luminoso: The D.Daskalopoulos Collection - Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao |
| |
| Antiphotojournalism - Foam Fotografiemuseum, Amsterdam |
| |
| SERIOUS GAMES - Krieg – Medien – Kunst - Mathildenhöhe, Darmstadt |
| |
| Abstract Possible: The Tamayo Take - Museo Tamayo, Mexico City |
 |
| Sharjah Biennial 10 - Plot for a Biennial - Sharjah Biennial, Sharjah |
| |
| SORTING DAEMONS - Art, Surveillance Regimes and Social Control - Art Gallery of Mississauga, Mississauga, ON |
|
| Blink! Light, Sound & the Moving Image - Denver Art Museum, Denver, CO |
2010
|
| 21st Century: Art in the First Decade - Queensland Art Gallery / Gallery of Modern Art, Brisbane, QLD |
|
| ATLAS ¿Cómo llevar el mundo a cuestas? - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| Ground Level - Oriel Mostyn Gallery, Llandudno (Wales) |
|
| LET’S TALK ABOUT HOUSES: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] / Floor 2, 2A and Sculptu - MNAC - Museu do Chiado, Lisboa |
| |
| Ground Level - Hayward Touring Curatorial Open II - QUAD Gallery, Derby (Angleterre) |
| |
| The future of tradition – the tradition of future - Haus der Kunst München, Munich |
| |
| Watchmen, Liars, Dreamers (Erudition concrete 3) - FRAC - Ile-de-France Le Plateau, Paris |
| |
| The 6th Seoul International Biennale of Media Art - Media City Seoul - International Biennale of Media Art, Seoul |
| |
| Antifotoperiodismo - La Virreina - Centre de la Imatge, Barcelone |
| |
| Ground Level - John Hansard Gallery, Southampton (Angleterre) |
| |
| Alles anders? - Kunsthalle wien project space karlsplatz, Vienne |
| |
| La revanche de l'archive photographique - Centre de la photographie, Genève |
| |
| A Vernacular Of Violence - Invisible-Exports, New York, NY |
| |
| E-Flux Video Rental - Fondazione Giuliani, Rome |
| |
| Reprise - Paula Cooper Gallery, New York, NY |
| |
| In-Book/Out-Book/If-Book - Museo della Città, Perugia |
| |
| Substitute Teacher - Atlanta Contemporary Art Center, Atlanta, GA |
| |
| Sorting Daemons: Art, Surveillance Regimes and Social Control - Agnes Etherington Art Center, Kingston, Ontario |
2009
| |
| Assume the Position - Townhouse Gallery, Cairo |
| |
| Photography - Paula Cooper Gallery, New York, NY |
| |
| Taswir – Islamische Bildwelten und Moderne - Martin-Gropius-Bau, Berlin |
| |
| DARKSIDE II - Fotografische Macht und fotografierte Gewalt, Krankheit und Tod - Fotomuseum Winterthur, Winterthur |
| |
| I Like The Truth, I Never Liked Fiction (and vice versa) - Rodeo Gallery, Istanbul |
| |
| Monument to Transformation 1989-2009 - City Gallery Prague / Galerie Hlavního Města Prahy, Prague |
| |
| Den Frie Forårsudstilling - Den Frie Centre of Contemporary Art, Copenhague |
| |
| Traum und Wirklichkeit. Zeitgenössische Kunst aus dem Nahen Osten - Zentrum Paul Klee, Berne |
| |
| Commentary - Paula Cooper Gallery, New York, NY |
| |
| Essential Works - Galerie Gabrielle Maubrie, Paris |
2008
| |
| I Might Die Before I Get A Rifle - Heidelberger Kunstverein, Heidelberg |
| |
| La vidéo, un art, une histoire 1965 - 2007 - Musée Fabre, Montpellier |
|
| The Greenroom: Reconsidering the Documentary and Contemporary Art - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
| |
| Éclats de frontières - FRAC - Provence-Alpes-Côte d’Azur, Marseille |
|
| Here Is Every. Four Decades of Contemporary Art - MoMA - Museum of Modern Art, New York, NY |
|
| U-TURN Quadrennial for Contemporary Art - U-TURN Quadrennial for Contemporary Art, Copenhague |
| |
| Summer Screen - Spacex, Exeter (Angleterre) |
| |
| Quiet Politics - - Zwirner & Wirth, New York, NY (closed, 2009) |
| |
| OÙ ? Scènes du Sud – Volet 2 - Carré d´art - Musée d´art contemporain de Nîmes, Nîmes |
| |
| Not Quite How I Remember It - The Power Plant, Toronto, ON |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| 2MOVE: Ireland - Belfast Exposed, Belfast (Irlande du Nord) |
| |
| nothing to declare - Künstlerhaus Palais Thurn & Taxis BV:BKV, Bregenz |
| |
| Nothing to declare - 4. Triennale zeitgenössischer Kunst Oberschwaben - Triennale zeitgenössischer Kunst Oberschwaben, Friedrichshafen |
| |
| 2MOVE / Migratory Aesthetics - Stenersenmuseet, Oslo |
| |
| Art Now in Lebanon - Darat al Funum, Amman |
|
| Color Chart: Reinventing Color, 1950 to Today - MoMA - Museum of Modern Art, New York, NY |
| |
| Esto no es una exposición - Centro Huarte de Arte Contemporáneo, Huarte |
| |
| Word into Art: Artists of the Modern Middle East - British Museum, Londres (Angleterre) |
| |
| Archive Fever: Uses of the Document in Contemporary Art - ICP - International Center of Photography, New York, NY |
| |
| Car Culture - Scottsdale Museum of Contemporary Art - SMoCA, Scottsdale, AZ |
| |
| Lügen.nirgends - Kunsthalle Münster, Münster |
2007
| |
| In The Poem About Love You Don't Write The Word Love - Overgaden - Institut for Samtidskunst, Copenhague |
| |
| Centre Pompidou Novos Media 1965-2003 - MNAC - Museu do Chiado, Lisboa |
| |
| Brave New Worlds - Walker Art Center, Minneapolis, MN |
| |
| 100 Tage 100 Videos - Kunstforeningen GL Strand, Copenhague |
| |
| 6ª Bienal do Mercosul: A Terceira Margem do Rio - Bienal do Mercosul, Porto Alegre |
| |
| Dark Matters: Artists See the Impossible - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| shooting back - T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienne |
| |
| Her(his)tory - Museum of Cycladic Art, Atenas |
| |
| Forschen unf Erfinden - Die Recherche mit Bildern in der zeitgenössischen Fotografie - Fotomuseum Winterthur, Winterthur |
| |
| In the Poem about love you don´t write the word love - Midway Contemporary Art, Minneapolis, MN |
| |
| The Shapes of Space - Solomon R. Guggenheim Museum, New York, NY |
| |
| Last News - LAZNIA - Centre for Contemporary Art, Gdansk |
|
| Cross-Border. Fotografie und Videokunst aus dem MUMOK Wien - Kunstmuseum Stuttgart, Stuttgart |
| |
| L'oeil-Écran Ou La Nouvelle Image - Casino Luxembourg - Forum d'art contemporain, Luxembourg |
| |
| 3rd Auckland Triennial - Auckland Triennial, Auckland |
| |
| 2move. Movimiento Doble: Estéticas migratorias - Sala Verónicas, Murcia |
| |
| Deutsche Börse Photography Prize 07 - The Photographers' Gallery, Londres (Angleterre) |
| |
| System error - War is a force that gives us meaning - SMS Contemporanea, ex Palazzo Delle Papesse, Sienne |
2006
| |
| Drapeaux gris - CAPC - Musée d'art contemporain, Bordeaux |
| |
| Centre Pompidou Video Art - 1965-2005 - Museum of Contemporary Art Sydney - MCA, Sydney, NSW |
| |
| Ah, les belles images - in SITU/FABIENNE LECLERC, Paris |
| |
| In The Poem About Love You Don't Write The Word Love - Artists Space, New York, NY |
| |
| Mapping Sitting: On Portraiture and Photography - Perlman Teaching Museum, Northfield, MN |
| |
| Ghosts In The Machine - SF Camerawork, San Francisco, CA |
| |
| DEFINING THE CONTEMPORARY - Whitechapel Art Gallery, Londres (Angleterre) |
| |
| Video: An Art, A History 1965 - 2005 - Miami Art Central, Miami, FL |
| |
| 100 Tage=100 Videos - Heidelberger Kunstverein, Heidelberg |
| |
| Territory - Artspeak, Vancouver, BC |
| |
| Why Pictures Now - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienne |
| |
| Photo-Trafic - - Centre pour l'image contemporaine Saint-Gervais Genève, Genève (closed, 2008) |
| |
| Biennale of Sydney, Zones of Contact - Art Gallery of New South Wales, Sydney, NSW |
|
| 15th Biennale of Sydney 2006 - Biennale of Sydney, Sydney, NSW |
| |
| Word into Art - ArtSchool Palestine, Londres (Angleterre) |
| |
| Out of Beirut - Modern Art Oxford, Oxford (Angleterre) |
| |
| Grey Flags - SculptureCenter, New York, NY |
| |
| NEW MEDIA 1965-2005 Selected works from Centre - Taipei Fine Arts Museum, Taïpeh |
| |
| Arquivar Tormentas - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| SNAFU - Medien, Mythen, Mind Control - Hamburger Kunsthalle, Hambourg |
| |
| Vidéos Séquence 2 - Maison des Arts de Malakoff , Malakoff |
| |
| When Artists Say We - Artists Space, New York, NY |
| |
| Without Boundary - Seventeen Ways of Looking - MoMA - Museum of Modern Art, New York, NY |
| |
| Neo-Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter - Apexart, New York, NY |
| |
| Une vision du monde - La Maison Rouge, Paris |
| |
| Sichtbarkeiten - Edith-Russ-Haus für Medienkunst, Oldenburg |
2005
| |
| Screening War - Zur Repräsentation von Krieg in der Videokunst - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Faith - Real Art Ways, Hartford, CT |
|
| Tiempos de Vídeo 1965-2005 - Colección Nouveaux Médias del Centre Pompidou - CaixaForum Barcelona, Barcelone |
| |
| Information/Transformation - Extra City - Kunsthal Antwerpen, Anvers |
| |
| Mapping Sitting - On Portraiture and Photography - The Douglas F. Cooley Memorial Art Gallery, Portland, OR |
| |
| Go Between - Magazin4 - Bregenzer Kunstverein, Bregenz |
| |
| In Absentia - Centre d'Art Passerelle, Brest |
| |
| Mirage - Alexander and Bonin, New York, NY |
| |
| On Difference #1 - Lokale Kontexte - Hybride Räume - Württembergischer Kunstverein, Stuttgart |
| |
| Reprocessing Reality - Château de Nyon, Nyon |
|
| What’s New Pussycat? - Museum für Moderne Kunst (MMK), Francfort-sur-le-Main |
|
| Greater New York 2005 - MoMA PS1, New York, NY |
| |
| Interessi Zero - Galleria Civica di Arte Contemporanea di Trento, Trento |
| |
| RISK: Creative Action in Political Culture - Centre for Contemporary Arts (CCA), Glasgow (Écosse) |
|
| Beyond East and West - Seven Transnational Artists - Williams College Museum of Art, Williamstown, MA |
| |
| Incorporated - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| Truer Than The Truth - Anthony Reynolds Gallery, Londres (Angleterre) |
|
| Mapping Sitting - Grey Art Gallery, NYU, New York, NY |
2004
| |
| Tapei Biennial 2004 - Do you believe in reality? - Taipei Biennial, Taïpeh |
| |
| The Young Artists’ Biennial - Images of Violence/ Violence of Images - The Young Artists’ Biennial, Bukarest |
| |
| Beyond East and West: Seven Transnational Artists - Hood Museum of Art, Hanover, NH |
| |
| Minority Report - Aarhus Festival of Contemporary Art, Aarhus |
|
| Transcultures - National Museum of Contemporary Art - EMST, Atenas |
|
| The Interventionists: Art in the Social Sphere - Massachusetts Museum of Contemporary Art - MASS MoCA, North Adams, MA |
| |
| Mapping Sitting - On portraiture and photography - - Centre pour l'image contemporaine Saint-Gervais Genève, Genève (closed, 2008) |
| |
| Je m'installe aux Abattoirs - La collection d'art contemporain d'Agnès b. - les Abattoirs de Toulouse, Toulouse |
| |
| The Future of the Reciprocal Readymade - Apexart, New York, NY |
| |
| Documentary - Fictions - CaixaForum Barcelona, Barcelone |
| |
| Beyond East And West - Seven Transnational Artists - Krannert Art Museum, Champaign, IL |
2003
| |
| Die Sehnsucht des Kartografen - Kunstverein Hannover, Hannover |
|
| Synopsis 3-Testimonies: Between Fiction and Reality - National Museum of Contemporary Art - EMST, Atenas |
| |
| A Short History of Performance - Part II - Whitechapel Art Gallery, Londres (Angleterre) |
| |
| X- Lands/Extended - - Kunstraum B/2, Leipzig (closed, 2004) |
| |
| Fresh Meat - Cepa Gallery, Buffalo, NY |
| |
| Haupt-und Nebenwege - Galerie Christian Nagel - Köln, Cologne |
|
| 50th International Art Exhibition Venice Biennale / Biennale di Venezia - La Biennale di Venezia, Venise |
| |
| a respeito de SITUAÇÕES REAIS - Paço das Artes, São Paulo |
|
| DisORIENTation - Contemporary Arab Artists from the Middle East - Haus der Kulturen der Welt, Berlin |
|
| Contemporary Arab Representations: Beirut/Lebanon - Bildmuseet, Umeå |
| |
| Substream - Kunstnernes Hus, Oslo |
|
| M_ARS - Art and War - Neue Galerie Graz - Universalmuseum Joanneum, Graz |
2002
| |
| This is Then - Real Art Ways, Hartford, CT |
| |
| images/codes - Medienkunstpreis 2002 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Contemporary Arab Representations, Beirut/Lebanon - Witte de With Center for Contemporary Art, Rotterdam |
|
| Documenta 11 - Documenta, Cassel |
| |
| Whitney Biennial 2002 - Whitney Biennial, New York, NY |
2001
| |
| 9e Biennale de l’Image en Mouvement - Biennale de l'Image en Mouvement, Genève |
| |
| Rhethorics of surveillance from Bentham to Big Brother - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| 4e Manifestation Internationale Vidéo et Art Électronique - champ libre, Montreal, QC |
| |
| D>Art.01 - dLux media arts, Sydney, NSW |
2000
| |
| Whitney Biennial 2000 - Whitney Biennial, New York, NY |
| |
| Mediterranean Metaphors III - - Borusan Sanat Galerisi / Borusan Art Gallery, Istanbul (closed, 2006) |
| Répertoire des vendeurs 4 |
Allemagne
| | Galerie Sfeir-Semler - Hamburg, Hambourg
|
Etats-Unis
| | Paula Cooper Gallery, New York, NY
|
Libanon
| | Galerie Sfeir-Semler - Beirut, Beirut
|
Royaume-Uni
| | Anthony Reynolds Gallery, Londres (Angleterre)
|
Collections 8
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Etats-Unis
| | Solomon R. Guggenheim Museum, New York, NY
|
| | MoMA - Museum of Modern Art, New York, NY
|
Grèce
| | National Museum of Contemporary Art - EMST, Atenas
|
Italie
| | MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano
|
Royaume-Uni
| | Tate Britain, Londres (Angleterre)
|
Suède
| | Hasselblad Center, Gothembourg
|
Catalogues
|
