Procurez-vous un accès complet!Voir plus d'informations sur Apexart - + 142 Expositions
et accédez à l'ensemble du contenu sur www.artfacts.net
Apexart
291 Church Street
New York, NY 10013
Etats-Unis
plan de ville
réservation hôtel
|
| |
| tel |
+1-(212) 431 5270 |
| fax |
+1-(212) 431 4447 |
|
|
|
| |
heures d'ouverture:
Mar, Mer, Jeu, Ven, Sam 11:00-18:00
|
|
|
|
|
 Institution's artists also shown at: |
| Institution |
№ |
№ |
| |
Galleri Nicolai Wallner, Danemark |
14 |
1 |
 |
Stalke Galleri / Stalke Out Of Space, Danemark |
11 |
1 |
| |
Ronald Feldman Fine Arts Inc, Etats-Unis |
10 |
3 |
| |
MoMA - Museum of Modern Art, Etats-Unis |
8 |
6 |
| |
MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgique |
8 |
2 |
|
| |
Expositions 1
06.01. - 20.02. (dans 41 jours)
|
| |
|
Ligne directrice |
|---|
|
Année de fondation: 1994
|
|
directeur(s): Steven Rand (Founder), Kerri Schlottman, Heather Kouris
|
|
Employées: Sara Hines, Programs and Gallery Manager
|
|
| |
|
Artistes |
|---|
William Anthony 1934, US
Hideaki Ariizumi
Tamy Ben-Tor 1975, IL
Paul Chan 1973, HK
Michael Combs 1970
Thornton Dial Sr. 1928, US
Matt Forderer
Regina Gilligan
David Hammons 1943, US
Ilya & Emilia Kabakov 1933, SU
Peter Land 1966, DK
Melamid McClelland
William McClelland
Laura Nova
Walid Raad 1967, LB
Nancy Spero 1926-2009, US
Art Spiegelman 1948, SE
Kelly Warman 1979, UK
Marie Watt 1967
Olav Westphalen 1963, DE
Paul Zaloom
|
|
| |
Expositions précédentes 142
2009
| |
 | A Way Beyond Fashion |
| |
| Wondermare |
| |
| I can’t get no satisfaction: Contemporary views on the everyday |
| |
| I AM ART |
| |
| Kick My Heart's Ass: Short Films About Love |
2008
| |
| Nameless Science |
| |
| Perverted by Theater |
| |
| Nessie Does New York: Monetizing Myth, Legend & Culture |
| |
| The Blue Print. From The Ground Up. |
| |
| Lots of Things Like This |
| |
 | Thinking in Loop |
2007
| |
| Land Grab |
| |
| Stalking With Stories |
| |
| The Most Curatorial Biennial of the Universe |
| |
| Luc Sante - The Museum of Crime and the Museum of God |
| |
| Don´t Get It Twisted: Violence affects everyone |
| |
| Q.P.M.A.F. (Quick!Pull My Animated Finger!) |
 |
| Let Everything Be Temporary, or When Is The Exhibition? |
2006
| |
| Thanks: Returning the Favor |
| |
| Phantom Captain: Art and Crowdsourcing |
|
| neo-con. Contemporary Returns to Conceptual Art |
| |
| Gifts go in one direction |
| |
| Sweet Taboos: A Mini Tirana Biennale in New York |
| |
| Re_dis_trans Voltage of Relocation and Displacment |
| |
| Neo-Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter |
| |
| One Brief Moment |
2005
| |
| The Last Generation |
| |
| If It`s Too Bad To Be True, It Could be Disinformation |
| |
| the art of 9/11 |
| |
| Philosophical Toys |
| |
| Sacred Wild |
| |
| Afterall |
| |
| Social Democracy Revisited |
| |
| Maurizio Couldn't Be Here |
| |
| Too Much Pollution to Demonstrate: Soft Guerrillas in Tehran's Contemporary Art Scene |
2004
| |
| Drafting Deceit |
| |
| Place for the Self |
| |
| Building the Unthinkable |
| |
| 2004 Summer Program |
| |
| O.K., America! |
| |
| Black Dragon Society |
| |
| The Future of the Reciprocal Readymade |
| |
| Treasure Maps |
| |
| Adaptations |
2003
| |
| Looking Awry |
| |
| Place for the Self |
| |
| To be Political it has to Look Nice |
 |
| Playing with a Loaded Gun: Contemporary Art in Pakistan |
| |
| Playing With a Loaded Gun: Contemporary Art in Pakistan |
| |
| 2003 Summer Program |
| |
| Art After the Age of Mechanical Reproduction |
|
| Undesire |
| |
| Between the Lines |
| |
| An Interest in Life |
| |
| Walking in the City |
2002
| |
| sans an exhibition |
| |
| Time is Free |
| |
| Shadow Cabinets in a Bright Country |
| |
| Second Glance |
| |
| Stardust |
| |
| Public Key |
| |
| The Passions of the Good Citizen |
| |
| Art That Heals |
| |
| Unjustified |
| |
| Gain |
2001
| |
| Revolving Doors: Public Sphere/Private Domain |
| |
| Time is Free |
| |
| SportCult |
| |
| 222-2001 - Erik Wesselo and Clifford LeCuyer |
| |
| 222-2001 - Amy Kao and Sante Scardillo |
| |
| Lost and Found |
| |
| Gesture, Posture and Bad Attitude in Contemporary News Photography |
| |
| In/SITE/Out: Inquiries into Social Space |
| |
| Demonstration Room: Ideal House: Apex Art: 2001 |
| |
| Making the Making |
2000
| |
| Something Happened |
| |
| Chinese Whispers |
| |
| Errant Gestures |
| |
| 222-2000 - Dog Day Afternoon |
| |
| 222-2000 - screenlife |
| |
| Define: context |
| |
| Insertion: Self and Other |
| |
| Block |
| |
| Chispa |
| |
| Double Space |
1999
| |
| Cancelled |
| |
| Building Histories |
| |
| The Production of Production |
| |
| 444-99 - Erwin Redl |
| |
| 444-99 - Sergio Munoz-Sarmiento |
| |
| Michelle Hines |
| |
| 444-99 - Jean Shin |
| |
| 444-99 - Anthony James |
| |
| Arrested Ambition |
| |
| Street Theater |
| |
| Mixology |
| |
| Actual Size |
| |
| Avoiding Objects |
1998
| |
| Harriet Craig |
| |
| Readers Profile |
| |
| Remembering Times Past |
| |
| 444-98 Summer Program - Monica Bonvicini |
| |
| 444-98 Summer Program - Gavin Wilson |
| |
| 444-98 Summer Program - Carey McCorkle |
| |
| Live and Let Die |
| |
| Scattered Affinities |
| |
| The Sound of One Hand |
| |
| Not For Sale: Feminism and Art in the USA during the 1970s |
| |
| Original Scale |
1997
| |
| Deep Skin Excursions: Early Work by Howard Fried |
| |
| 'Pagan' Stories: The Situations of Narrative in Recent Art |
| |
| Dazzle Gradually |
| |
| David McMurray |
| |
| Darryl Graff |
| |
| Colorflex |
| |
| Letter and Event |
| |
| Ornament and Landscape: On the Nature of Artifice |
| |
| SLAD |
| |
| Color Detour |
1996
| |
| Try a Little Tenderness |
| |
| Ceremonial |
| |
| Method and Multiplicity |
| |
| David Tica |
| |
| Kathleen White |
| |
| Valentina Criserà |
| |
| Mike Sale |
| |
| Screaming Heads, Grating Bodies |
| |
| Alice's Looking Glass: A Glimpse at the Non-Linear |
| |
| The Rational Twist |
1995
| |
| All Dressed Up |
| |
| Madeleines: Themes from Marcel Proust's `Remembrance of Things Past' in Recent Art |
| |
| Crossing Borders: THE MYST |
| |
| Dutch Wives, Phone Sex and Other Cheap Thrills |
| |
| Three for Three |
| |
| Three Artists |
| |
| The Uninvited |
| |
| Transformations |
1994
| |
| Athena & Arachne |
| |
| Ethereal Materialism |
| |
| Summershow |
1992
| |
| Landscape...Ideas |
|
| |
|
.jpg "Contemporary Istanbul")
