ICP - International Center of Photography
1133 Avenue of the Americas @ 43rd St.
New York, NY 10036
Etats-Unis
plan de ville
réservation hôtel
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heures d'ouverture:
Mar, Mer, Jeu 10:00-18:00
Ven 10:00-20:00
Sam, Dim 10:00-18:00
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 Institution's artists also shown at: |
| Institution |
№ |
№ |
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MoMA - Museum of Modern Art, Etats-Unis |
62 |
14 |
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Catherine Edelman Gallery, Etats-Unis |
24 |
5 |
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The Art Institute of Chicago, Etats-Unis |
23 |
11 |
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Fraenkel Gallery, Etats-Unis |
21 |
4 |
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The Corcoran Gallery of Art, Etats-Unis |
20 |
13 |
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Ligne directrice |
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Année de fondation: 1974
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Salons d'Art |
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| Photo New York (06) |
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Artistes |
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Berenice Abbott 1898-1991, US
Ansel Adams 1902-1984, US
Robert Adams 1937, US
Shelby Lee Adams 1950, US
Lucien Aigner 1901-1999, HU
Diane Arbus 1923-1971, US
George Arliss
Eugène Atget 1857-1927, FR
Jane Evelyn Atwood 1947, US
Richard Avedon 1923-2004, US
Dmitri Baltermants 1912-1990, RU
Lewis Baltz 1945, US
Rudolf Baranik 1920-1998, US
Tom Baril 1952, US
George Barker
Tina Barney 1945, US
Pablo Bartholomew 1955, IN
Gabriele Basilico 1944-2013, IT
Lillian Bassman 1917-2012, US
Amy Baxter
Sylvia Beach
Lou Bernstein 1911-2005, US
Robert Capa 1913-1954, HU, US
Henri Cartier-Bresson 1908-2004, FR
Bruce Davidson 1933, US
Hai Bo 1962, CN
Maria Martinez-Cañas 1960, CU
Susan Meiselas 1948, US
Shirin Neshat 1957, IR
Joseph Rodriguez , US
Alessandra Sanguinetti 1968, US
David Seymour 1911-1956, PL
Louis Stettner 1922, US
Roman Vishniac 1897-1990, RU
Weegee 1899-1968, US
Xing Danwen 1967, CN
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Expositions précédentes 510
2013
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 | Roman Vishniac Rediscovered |
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| We Went Back: Photographs from Europe 1933–1956 by Chim |
2012
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 | Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life |
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| Christer Strömholm: Les Amies de Place Blanche |
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| Weegee: Murder Is My Business |
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| Gordon Parks: 100 Years |
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| Perspectives 2012 |
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| The Loving Story: Photographs by Grey Villet |
2011
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| Harper's Bazaar: A Decade of Style |
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| Remembering 9/11 |
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| Signs of Life: Photographs by Peter Sekaer |
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| Ruth Gruber, Photojournalist |
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| Elliott Erwitt: Personal Best |
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| Wang Qingsong: When Worlds Collide |
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| Jasper, Texas: The Community Photographs of Alonzo Jordan |
2010
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| The Mexican Suitcase |
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| Cuba in Revolution |
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| Perspectives 2010 |
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| Twilight Visions: Surrealism, Photography, and Paris |
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| Miroslav Tichý |
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| Alan B. Stone and the Senses of Place |
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| Atget, Archivist of Paris |
2009
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| Avedon Fashion 1944–2000 |
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| David Seidner: Paris Fashions, 1945 |
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| John Wood: Quiet Protest |
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| Edward Steichen: In High Fashion, The Condé Nast Years, 1923–1937 |
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| Weird Beauty: Fashion Photography Now |
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| Munkacsi's Lost Archive |
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| This Is Not a Fashion Photograph: Selections from the ICP Collection |
2008
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| Susan Meiselas: In History |
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| Cornell Capa: Concerned Photographer |
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| Living with the Dead: W. Eugene Smith and World War II |
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| Heavy Light: Recent Photography and Video from Japan |
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| Bill Wood |
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| Arbus/Avedon/Model |
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| The Collections of Barbara Bloom |
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| Archive Fever: Uses of the Document in Contemporary Art |
2007
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| This is War! Robert Capa at Work |
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| Gerda Taro |
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| Other Weapons. Photographie and Print Culture during the Spanish Civil War |
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| Francesc Torres - Dark ist the Room We Sleep |
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| The Biographical Landscape: The Photography of Stephen Shore, 1968 - 1993 |
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| Amelia Earhart: From Image to Icon |
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| David Seymour - Chim |
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| Let Your Motto Be Resistance: African American Portraits |
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| Henri Cartier-Bresson's Scrapbook: Photographs, 1932-46 |
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| Martin Munkacsi: Think While You Shoot! |
2006
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| Ecotopia - The Second ICP Triennial of Photographie and Video |
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| Atta Kim |
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| Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt |
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| New Histories 10 - Paris: Eugène Atget and Christopher Rauschenberg |
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| Unknown Weegee |
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| Snap Judgments - New Positions in Contemporary African Photography |
2005
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| The Body at Risk - Photography of Disorder, Illness, and Healing |
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| Ken Light - Coal Hollow |
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| André Kertész |
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| Modernist Photography |
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| El Salvador |
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| Young America - The Daguerreotypes of Southworth & Hawes |
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| Larry Clark |
2004
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| The Mysterious Monsieur Bellocq |
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| White: Whiteness and Race in Contemporary Art |
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| Bill Owens: Leisure |
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| Ralph Eugene Meatyard |
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| JFK for President: Photographs by Cornell Capa |
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| Between Past and Future: New Photography and Video From China |
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| Gustav Klutsis and Valentina Kulagina - Photography and Montage After Constructi |
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| Photography and Montage After Constructivism |
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| Expanding Vision: László Moholy-Nagy’s Experiments of the 1920s |
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| War in Iraq: The Coordinates of Conflict - Photographs by VII |
2003
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| Only Skin Deep |
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| Strangers: the first ICP triennial of photography and video |
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| Cuba on the Verge: An Island in Transition |
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| New histories of photography 4: The Photo League: Harlem Document and Related Wo |
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| How human: Life in the Post-Genome Era |
2002
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| Time of Change: Bruce Davidson, Civil Rights Photographs, 1961-65 |
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| First Photographs: William Henry Fox Talbot and the Birth of Photography |
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| Weegee' Trick Photography |
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| Step Right This Way: The Photographs of Edward J. Kelty |
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| Winogrand 1964 |
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| Aftermath: Reflections on the Anniversary of September 11 |
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| Dreaming in pictures: The Photography of Lewis Carroll |
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| Imaging the Future 3: Dust to DNA: Kevin Clarke and Mikey Flowers 9/11 |
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| George Tice: Urban Landscapes |
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| Two Worlds- MANUAL, The Collaboration of Ed Hill and Suzanne Bloom |
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| Dream Street: W. Eugene Smith's Pittsburgh Photographs |
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| Hidden Truths: Bloody Sunday, 1972 |
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| Another Vietnam: Photographs of the War from the Other Side |
2001
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| Delmaet & Durandelle: The Construction of the Paris Opera |
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| Helmut Newton: Work |
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| Greed and Other Recent Acquisitions |
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| Sebastião Salgado: Migrations: Humanity in Transition |
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| Dear Friends: American Photographs of Men Together, 1840-1918 |
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| Mary Ellen Mark: An American Odyssey |
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| Behind Closed Doors - The Art of Hans Bellmer |
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| Kiki Smith - Telling Tales |
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| Annette Weintraub - Crossroads A digital media presentation |
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| James VanDerZee - Selections from the Sandor Family Collection Gift |
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| Carrie Mae Weems - The Hampton Project |
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| Piotr Szyhalski - Electric Posters Digital Media presentation displayed on Plasm |
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| Imaging the Future 1- Perfecting Mankind: Eugenics and Photography |
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| Andy Warhol - Photography |
2000
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| Collected Visions - An Installation by Lorie Novak |
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| Annie Leibovitz - Women |
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| Eugene Atget - the Pioneer |
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| Martha Rosler - Positions in the Life World |
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| James Nachtwey - Testimony |
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| Picturing Business - The Photography of Fortune |
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| Gary Schneider - Genetic Self-Portrait |
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| Nathan Lyons - Riding First Class on the Titanic |
1999
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| Propagada and Dreams - Photographing the 1930s in the USSR and the US |
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| Bill Brandt - A Retrospective |
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| Sea Change - The Seascape in Contemporary Photography |
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| Myths, Dreams, and Realities in Contemporary Argentine Photography |
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| Newman's Gift - 60 Years of Photography |
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| To the Rescue - Eight Artists in an Archive |
1998
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| Bruce Davidson - The Brooklyn Gang, 1959 |
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| Man Ray - Photography and Its Double |
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| Walker Evans - Simple Secrets |
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| Vik Muniz - Seeing is Believing |
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| Harvey Stein - Coney Island |
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| Mathew Brady’s Portraits - Images as History, Photography as Art |
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| A Bronx Family Album - The Impact of AIDS by Steve Hart |
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| Comparative Concepts |
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| Robert Capa - Photographs |
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| Micha Bar-Am - An Israeli Photobiography |
1997
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| Nelly - From Athens to New York - The Work of Elli Seraïdari |
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| Images from the Machine Age |
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| Weegee |
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| Brett Weston in New York |
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| Marc Riboud: Forty Years of Photography in China |
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| Altered Landscapes: The Photographs of John Pfahl |
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| Fast Forward: Growing Up in the Shadow of Hollywood, Photographs by Lauren Greenfield |
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| Helen Levitt: Crosstown |
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| Art & Science: Investigating Matter-Catherine Wagner |
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| War Story:An Installation of Photographs by Mikael Levin |
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| Written In Memory: Portraits of the Holocaust, photographs by Jeffrey A. Wolin |
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| David Levinthal 1975-1996 |
1996
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| Nine Days in January, 1959: Photographs of the Cuban Revolution by Burt Glinn |
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| Labyrinth: Images of Hong Kong, Photographs by Masahiko Yamashita |
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| All Zones Off Peak: Photographs of Liverpool by Tom Wood |
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| Roadworks: Photographs by Linda McCartney |
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| Berenice Abbott: Portraits, New York Views, and Science Photographs from the Permanent Collection |
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| Brian Weil: In Memoriam |
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| CHIM: The Photographs of David Seymour |
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| Bobby Neel Adams: Photographs from the Land Mines Projects |
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| In Times of War and Peace: The Photographs of David and Peter Turnley |
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| Josef Sudek: The Pigment Prints 1947-1954 |
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| Horst: A Retrospective |
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| Intimate Nature: Ansel Adams and the Close View |
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| Fazal Sheikh: A Sense of Common Ground |
1995
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| Country Beside Itself: Lars Tunbjork |
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| Eve Arnold: In Retrospect |
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| Alfred Eisenstaedt: In Memoriam |
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| Bogot‡ Fragments: Photographs by Bastienne Schmidt |
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| Feeling the Spirit: Searching The World For The People of Africa, by Chester Higgins Jr. |
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| The Garden of Earthly Delights: Photographs by Edward Weston and Robert Mapplethorpe |
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| Nagasaki Journey: The Photographs of Yosuke Yamahata |
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| Eyes on an Era: Photographs by Irving Haberman |
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| Lucky Strikes: Photographs by Toby Old |
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| PhotoDiary: Lynn Goldsmith |
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| Ruth Orkin: A Retrospective |
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| Dorothea Lange: American Photographs |
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| The East Side Story: L.A. Gangs, Photographs by Joseph Rodriguez |
1994
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| A Singular Elegance: The Photographs of Baron Adolph de Meyer |
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| Toni Frissell: Four Decades of Photography |
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| William Klein: In and Out of Fashion |
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| Fred Stein: Views of New York |
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| Appalachian Portraits: Photographs by Shelby Lee Adams |
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| Arthur Rothstein: Documentary Classics |
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| Behind the Scenes: Russia in Transformation by Hans-Jürgen Burkard |
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| Cornell Capa: Photographer |
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| Ferenc Berko: The Discovering Eye |
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| Lotte Jacobi: Old and New Worlds |
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| Robert Capa: The D-Day Photographs |
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| Henri Cartier-Bresson: Hommage |
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| Paradise Outlaws: 50 Years of the Beat Generation, photographs by Mellon Tytell |
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| American Ground Zero: The Secret Nuclear War, A Documentary by Carole Gallagher |
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| Red White Blue and God Bless You: A Portrait of Northern New Mexico by Alex Harris |
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| Two Views of Japan: The Landscape Photographs of Hidekazu Iwase and Soichi Kiyooka |
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| Cocaine True, Cocaine Blue: Photographs by Eugene Richards |
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| Urban Realities: Spot News and Street Photography by Andrew Savulich |
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| Cycles: Photographs by Judy Dater |
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| Hansel Mieth and Otto Hagel: A Love Story in Photography |
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| Cornell Capa: LIFE Magazine Layouts |
1993
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| Beth B: Under Lock and Key |
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| Photographs by Marvin Koner |
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| Robert Smithson: Photo Works |
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| Homeless: Portraits of Americans in Hard Times, Photographs by Howard Schatz |
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| Keepers Of The Spirit: Photographs By Chris Rainier |
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| From Alice To Ocean: Alone Across The Outback, Photographs by Rick Smolan |
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| A Selection of Woks by Important Women Photographers of the 20th Cenury |
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| Outside the Dream: Child Poverty in America, Photographs by Stephen Shames |
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| Intimate Visions: The Photographs of Dorothy Norman |
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| Divine Inspiration: From Benin To Bahia, Photographs By Phyllis Galembo |
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| Joyce Tenneson: Transformations |
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| Manuel Alvarez Bravo |
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| Roman Vishniac: The Platinum Prints |
1992
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| From Sea To Shining Sea: A Portrait of America: Photographs by Hiroji Kubota |
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| Ernst Haas: In Black And White |
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| Karsh: American Legends |
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| Robert Lyons: Egyptian Time |
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| Breaking Bounds: The Photography of Lois Greenfield |
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| The Duane Michals Show |
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| The UPI and LIFE Years, 1941-1971: The Photography of Arthur B. Rickerby |
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| An Enduring Interest: The Photographs of Alexander Gardner |
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| Paul Seawright: Division and Death in Northern Ireland |
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| Comedians: Photographs by Arthur Grace |
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| Grief in an Age of Scientific Advance: A Video Installation by Bill Beirne |
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| The Borders of Science: Photographs by Lennart Nilsson |
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| Variants: Photographs by Penelope Umbrico |
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| The Concerned Video |
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| Dmitri Baltermants: A Soviet Photojournalist's Retrospective 1939–1989 |
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| Lou Bernstein: Five Decades of Photographs |
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| The Response Time: A Look at the Muybridge Influence on Video |
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| Her Gaze: A Video Installation by Katharine Meynell |
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| Moment Before, A: Jews In The Soviet Union |
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| The Sierra Club Outing 1929: by Ansel Adams |
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| About Face: Photographic Portraits from the Permanent Collection, 1900–1991 |
1991
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| Mountains: Sixty Years of Photographs by Bradford Washburn |
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| Sheila Metzner 1991: A Retrospective |
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| Legacy of W. Eugene Smith, The: Twelve Photographers in the Humanistic Tradition |
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| 10,000 Eyes: Asmp's Celebration Of The 150th Anniversary Of Photography |
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| Breaking the Cycle: Survivors of Child Abuse and Neglect |
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| Annie Leibovitz: Photographs 1970–1990 |
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| Mary Ellen Mark: 25 Years |
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| Children of War, Children of Peace: Photographs by Robert Capa |
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| Out of the Shadows: A Photographic Portrait of Jewish Life in Central Europe Since The Holocaust |
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| Evolutions: The Photographs of John Sexton |
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| Kuwait Epilogue: Photographs by Sebastião Salgado |
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| Vanishing Spain |
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| Ilse Bing: A Selection of Recent Acquisitions |
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| Brian Weil: The Aids Photographs |
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| Safe Conduct: The Photographs of Paul Ickovic |
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| Eikoh Hosoe: Meta |
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| Sketchbook II: Photographs and Drawings by Tomiyasu Shiraiwa |
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| An Uncertain Grace: The Photographs of Sebastião Salgado |
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| Lisette Model |
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| Eliot Porter: In Memoriam, 1901–1991 |
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| Powerful Days: The Civil Rights Photography of Charles Moore |
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| Berlin: The Blockade and the Wall, Photographs by Henry Riis |
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| Shadow Hunters: The Nest Gatherers of Tiger Cave |
1990
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| Stay This Moment: The Photographs of Sam Abell |
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| Survivors: A New Vision of Endangered Wildlife, Photographs by James Balog |
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| Leonard Bernstein Remembered |
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| Between Worlds: Contemporary Mexican Photography |
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| Schwarzenegger: Photographs by George Butler |
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| Eisenstaedt: Remembrances |
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| On Stage at Carnegie Hall: A Centennial Celebration |
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| Werner Bischof: 1916–1954 |
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| Louise Dahl-Wolfe: In Memoriam, 1885–1989 |
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| The Power To Heal: Ancient Arts & Modern Medicine |
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| Man Ray/Bazaar Years: A Fashion Retrospective |
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| A Coney Island of the Heart: Five Decades of Photographs by Harold Feinstein |
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| Arnold Eagle's New York: The '30s and '40s |
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| Weston's Westons: Portraits and Nudes |
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| Shu Lea Cheang: Making News/Making History: Live From Tiananmen Square |
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| Marilyn Bridges: The Sacred & the Secular, A Decade of Aerial Photography |
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| Lbj: The White House Years |
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| Sal Lopes: The Wall––Vietnam Remembered |
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| Ernstine Ruben Photographs |
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| Video–Feature: By and About Young Czechs |
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| Lee Miller: Photographer |
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| Yousuf Karsh |
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| Gordon Parks |
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| Marion Post Wolcott: Fsa––1970s |
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| Czech Modernism 1900–1945 |
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| The Indomitable Spirit: Photographers And Artists Respond In The Time Of Aids |
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| Douglas Kirkland's Light Years: Three Decades Photographing Among the Stars |
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| Henry Peach Robinson: Master of Photographic Art, 1830–1901 |
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| Lee Sievan: Photographs of New York in the 1930s and 1940s |
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| Arthur Rothstein's America |
1989
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| Charlie Chaplin at Work: Photographs by Berni Schoenfield |
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| Magnum Founders |
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| Berenice Abbott |
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| Selections |
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| Deeds of War: Photographs by James Nachtwey |
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| Barbara Kasten: Architectural Sites |
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| Alexander Liberman: The Artist in His Studio |
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| Marcia C. Sheer: Kallitype Photographs of Venice & Amsterdam |
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| The Naked Nude: Dorit Cypis |
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| I Dream A World: Portraits of Black Women Who Changed America |
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| Culture Medium |
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| Harry Callahan's Color: The 1978–87 Work and Its Sources |
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| Barbara Morgan : Prints, Drawings, Watercolors and Photographs |
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| Elliott Erwitt: Personal Exposures |
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| Lucien Aigner's Portraits of Albert Einstein |
1988
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| Master Photographs From the "Photography in the Fine Arts" Exhibitions, 1959–1967 |
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| Why Are They Weeping? South Africans under Apartheid |
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| Above New York: Aerial Photographs by Robert Cameron |
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| Jack Sal: Cliché-Verre with Steel Elements, an Installation with Five Parts |
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| About Japan |
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| Hiroji Kubota: Korea, Above The 38th Parallel |
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| Two To Tango: Collaboration In Recent American Photography |
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| Amazon: Self-Portraits by Miep ter Hoeven |
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| 5 Successful Experiments: Solarized Photographs by Chuck Henningsen |
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| Private Enemy–Public Eye: The Work of Bruce Charlesworth |
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| The Art of Persuasion: A History of Advertising Photography |
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| Poetic Localities: William James Stillman |
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| Exiles: Josef Koudelka |
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| Special Effects |
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| 25 From Thirteen: Photographs by Don Perdue |
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| Serra Pelada, Brazil's Klondike: Photographs by Sebastião Salgado |
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| Wu Yinxian: The Yan'an Years, The Birth of Modern China |
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| Carl Chiarenza: Landscapes of the Mind |
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| Chip Lord: Collaborative and Individual Tapes |
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| Bourke-White: A Retrospective |
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| Henri Cartier-Bresson In India |
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| Enzo Ragazzini: Before the Engine |
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| Marc Riboud: Lasting Moments, 1953–1988 |
1987
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| Legacy of Light |
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| Damnation of Faust |
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| Midtown Review: A Look at Photography Books of 1987 |
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| Photographs by Michael Auer |
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| Racing Days: Photographs by Henry Horenstein |
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| André Kertész: Diary of Light, 1912–1985 |
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| The Art of Memory |
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| Tropism: Photographs By Ralph Gibson |
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| Elliot Schwartz: Nocturne For Drums |
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| Bill Burke: I Want To Take Picture |
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| No Man's Land: Photographs of the Iron Curtain by Brian Rose |
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| Barbara Norfleet: All The Right People |
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| David Graham: American Beauty |
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| Contemporary German Photography: Remnants of Authenticity |
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| New Traditions: Thirteen Hispanic Photographers |
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| Westward To Promontory: Photographs by Andrew J. Russell |
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| Manuel Alvarez Bravo: A Retrospective |
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| Stopping Time: The Photographs of Harold Edgerton |
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| Reaching Out: Photographs by Claire Yaffa |
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| Contact: Photojournalism Since Vietnam |
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| Vito Acconci |
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| The Eternal Body: Photographs by Ruth Bernhard |
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| Ellen Carey: Survey 1978–1986 |
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| Thinking Eye by Juan Downey |
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| Helen Levitt: Children's Street Drawings, New York, 1938–1948 |
| |
| Alvin Langdon Coburn: A Retrospective |
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| Rene Burri: An American Dream, Photographs of the U.S. Space Program |
| |
| Return Of Guerilla Television: A Tvtv Retrospective (part Ii) |
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| Images of an Uprising: Hungary, October 1956 |
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| Spanish Civil War: 1936–1939 |
1986
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| Sandi Fellman: The Japanese Tattoo |
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| David Seymour (Chim): The Early Years, 1933–1939 |
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| Alfred Eisenstaedt: Eisie at 88 |
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| David Seymour (Chim): The Post War Years, 1946–1956 |
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| Andreas Feininger: The Educated Eye |
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| Art & Advertising: Commercial Photography by Artists |
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| David Hockney's Photocollages: A Wider Perspective |
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| Contemporary Lithuanian Photographers: Part I, The Photographs of Jonas Kalvelis |
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| Remnants: The Last Jews of Poland |
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| Ralph Steiner: Seven Decades |
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| Todd Webb: Photographs of New York and Paris, 1945–1960 |
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| Light On America: Photographs by Jay Maisel |
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| Large-Format Polaroids |
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| South Africa: The Cordoned Heart |
| |
| Dr. Erich Salomon: Recently Discovered Photographs |
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| Hiroshi Hamaya: Portraits of Japanese Scholars and Artists |
| |
| W. Eugene Smith: Let Truth Be The Prejudice |
| |
| Britons: Neal Slavin |
| |
| Philippe Halsman: A Retrospective |
| |
| Lucien Clergue |
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| Ilse Bing: Three Decades of Photography |
| |
| Photographs by George Tames |
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| Carl Mydans: A Photojournalist's Journey Through War and Peace |
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| Frank Majore: Between Heaven and Earth |
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| Two Views of India: Photographs by Stella Snead and Pablo Bartholomew |
1985
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| On China: Photographs by Hiroji Kubota |
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| Mirror: Photographs by Tomiyasu Shiraiwa |
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| Henri Cartier-Bresson: A Half-Century of Portraits |
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| Robert Capa: A Retrospective, 1932–1954 |
| |
| Kafka's Grave: Photographs by Paul Ickovic |
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| Michael Levine: Harmony in the Big Mix |
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| Manuel Alvarez Bravo |
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| A Selection of Photographs by André Kertész |
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| Nancy Burson: Simulacra/Forms Without Substance |
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| The World of Agustin Victor Casasola, Mexico 1900–1938 |
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| Aaron Siskind: Fifty Years |
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| The Wise Silence: Photographs by Paul Caponigro |
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| James Balog: Wildlife Requiem |
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| Muscle Beach, 1954: Photographs by Larry Silver |
1984
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| Ansel Adams: Twenty-Five Master Prints |
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| Horst |
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| Lucas Samaras: Polaroid Photographs 1969–1983 |
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| Shooting For The Gold: Photographs of America's Olympic Hopefuls by Walter Iooss, Jr. |
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| Julia Pirotte: The Resistance and Liberation of Marseilles, 1941–1945 |
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| Gyorgy Kepes: Light Graphics |
| |
| Lewis W. Hine: Works from the National Research Project, 1936–1937 |
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| Return to Prague: A Personal Sojurn, Photographs by Bedrich Grünzweig |
| |
| People of the Forest: Photographs of the Maya by Gertrude Blom |
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| Arnold Genthe: A Pictorialist and Society |
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| Garry Winogrand, 1928–1984 |
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| David Bailey: The Sixties |
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| Martin Luther King, Jr. and the Montgomery, Alabama Bus Boycott: Photographs by Dan Weiner |
1983
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| Barrett Gallagher: Fifty Years of Photographic Christmas Cards |
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| Roman Vishniac: A Vanished World |
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| Yousuf Karsh: A Fifty-Year Retrospective |
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| Walker Evans: Selected Photographs |
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| Ghost Trains: Railroad Photographs of the 1950s by O. Winston Link |
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| Killing Time: Fun and Leisure in Two American Landscapes by Joe Steinmetz |
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| Lou Stoumen: Forty Years on Times Square |
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| Roy Stryker: U.S.A., 1943–1950 |
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| Photographs by Bill Brandt |
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| Alvin Langdon Coburn: London/New York, 1909–1910 |
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| British Contemporaries: Portraits by Bern Schwartz |
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| Era of Extravagance: Photographs by Len Jenshel |
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| Sarah Moon: Improbable Memories |
1982
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| Captured Moments: Sonja Bullaty and Angelo Lomeo |
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| Bonjour Monsieur Lartigue |
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| Micha Bar-Am: Israel Diary, 1956–1982 |
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| Subway by Bruce Davidson |
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| Beaumont Newhall: Photographs 1928–1982 |
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| Autochromes: Color Photography Comes of Age |
| |
| The Last and First Eskimos: Photographs by Alex Harris |
| |
| Paris/Magnum: Photographs 1935–1981 |
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| Heinrich Kühn: Turn-of-the-Century Master Photographer |
| |
| Hugo Erfurth: Between Tradition and the Avant–Garde (Part I of When Words Fail exhibition series) |
1981
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| Berenice Abbott: The '20s and the '30s |
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| The New Color: A Decade of Color Photography |
| |
| Jane Evelyn Atwood: In a Tradition |
| |
| Hudson River, The 1850–1918: A Photographic Portrait by Jeffrey Simpson |
| |
| Contemporary Clichés-Verre: Four Photographers |
| |
| Frederick Sommer At Seventy-Five: A Retrospective |
| |
| Herbert List: Fotografia Metafisica |
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| Jacob A. Riis/ Photographs, 1888–1898 |
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| I Shall Save One Land Unvisited: Eleven Photographers of the South |
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| Hearts of Darkness: Photographs by Don McCullin |
| |
| Southern Roads/City Pavements: Photographs of Black Americans |
| |
| Bill Beckley: Notes on 12 Works, 1974–1980 |
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| Bill Jones: Ten Years of Multiple Image Narratives |
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| Eisenstaedt: Germany |
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| Spain: 1936–1939: Robert Capa, Gerda Taro, David Seymour (Chim) |
1980
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| Robert Bourdeau |
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| An Overview: Photographs by David Seymour (Chim) |
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| Gjon Mili: Photographs and Recollections |
| |
| Allure: A Selection of Photographs from the New Publication by Diana Vreeland |
| |
| Eye For Elegance: The Photography of George Hoyningen–Huené |
| |
| The Grand Tour: Mid-Nineteenth Century Photographs from the Leonard/Peil Collection |
| |
| Lou Lanzano: Photographs |
| |
| Looking for Picasso: Photographs of the Artist |
| |
| Photography of the Fifties: An American Perspective |
| |
| Robert Flaherty, Photographer/Filmmaker: The Inuit 1910–1922 |
| |
| Judith Turner: Sites/Insights |
| |
| Treasures of the Royal Photographic Society |
| |
| Burk Uzzle: News from Cambodia |
| |
| American Images: New Work by Twenty Contemporary Photographers |
1979
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| Atget's Gardens |
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| Henri Cartier-Bresson: Photographer |
| |
| Recollections: Ten Women of Photography |
| |
| Philippe Halsman ©79 |
| |
| Japan: A Self-Portrait |
| |
| Trade-Off: Lynn Davis & Robert Mapplethorpe |
| |
| Bruce Davidson Photographs |
| |
| The Last Shepards by Julia Lazard |
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| The Painter As Photographer |
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| Lucien Aigner: Glimpses of History |
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| Paul Diamond's Life On Earth |
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| Through My Window by Ruth Orkin |
1978
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| Antarctica |
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| The Outlaw Trail by Jonathan Blair |
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| Marie Cosindas: Moments of Affection |
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| Ray Metzker: Multiple Concerns |
| |
| The Last Jews of Radauti by Laurence Salzmann |
| |
| Long Island Teenagers |
| |
| The Great West: Real/Ideal |
| |
| The Big Apple Circus |
| |
| Photographic Crossroads, The Photo League |
| |
| Pierre Boogaerts |
| |
| Roma by Frederick Cantor |
| |
| Magubane's South Africa |
| |
| City Work, Country Prices |
| |
| Lynne Cohen: Futuric Scientific Place and other Spaces |
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| Trees |
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| Munkacsi: Spontaneity & Style |
1977
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| The End of the Game |
| |
| Night Train at Wiscasset Station |
| |
| Weegee the Famous |
| |
| Dog Day |
| |
| Josef Sudek Retrospective: 1896–1976 |
| |
| Sudek at Home |
| |
| Eastern Shore |
| |
| Portraits of Violet and Al; Timewarp; Regeneration; and the Diary |
| |
| Photographer of a Frontier |
| |
| With Nature's Children |
| |
| Calotype Landscapes |
| |
| Disfarmer of Heber Springs |
| |
| Dennis Stock Retrospective |
1976
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| Masters of the Camera: Stieglitz, Steichen and Their Successors |
| |
| Remembering Casals in Slides, Video, Film and Music |
| |
| Karl Struss: Man with a Camera |
| |
| Andreas Feininger: A Retrospective |
| |
| Thérèse Bonney: Photographs of French Decorative Arts, 1925–1939 |
| |
| Tv Shots: Photo Murals |
| |
| Glimpses of America, 1945–1975 |
| |
| Bicentennial Immigrants: Indiantown Gap, Pennsylvania |
| |
| Gramp: Photographs by Mark and Dan Jury |
| |
| Alaska Gold Rush, The 1897–1901: Historical Photographs by E.A. Hegg |
| |
| Journey Into A Spiritual World |
| |
| American Vernacular |
| |
| Transforming Eye |
| |
| Merce Cunningham: Photographs by James Klosty |
| |
| Lower West Side, U.S.A. |
1975
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| Turn of the Century |
| |
| An American Experience |
| |
| Moments Without Proper Names |
| |
| Minamata: Life Sacred and Profane |
| |
| Kamoinge: Eleven Black Photographers "Acting Together" |
| |
| Turbulent Decades: Against the Odds |
1974
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| Apropos Ussr (1954–1973): Henri Cartier-bresson |
|
| Classics of Documentary Photography |
| |
| The Eye of the Beholder |
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