5. Berlin Biennale für Zeitgenössische Kunst
5.4. - 15.6.
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| | Caner Aslan 1981, TR |
| Michel Auder 1945, FR |
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| Nairy Baghramian 1971, IR |
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| Pedro Barateiro 1979, PT |
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| Cezary Bodzianowski 1968, PL |
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| Manon de Boer 1965, NL |
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| Marc Camille Chaimowicz 1947, FR |
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| Daniel Gustav Cramer 1975, DE |
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| Thea Djordjadze 1971, GE |
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| Aleana Egan 1979, IE |
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| Haris Epaminonda 1980, CY |
| | Patricia Esquivias 1979, VE |
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| Cyprien Gaillard 1980, FR |
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| Jos de Gruyter 1965, BE |
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| Daniel Guzman 1964, MX |
| | Masist Gül 1947-2003 |
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| Susan Hiller 1940, US |
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| Daniel Knorr 1968, RO |
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| Susanne Kriemann 1972, DE |
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| Gabriel Kuri 1970, MX |
| | Luciana Lamothe 1975, AR |
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| Lars Laumann 1977, NO |
| | Janette Laverrière 1909, CH |
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| Goshka Macuga 1967, PL |
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| David Maljkovic 1973, HR |
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| Babette Mangolte 1941, FR |
| | Jacob Mishori 1952 |
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| Ulrike Mohr 1970, DE |
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| Anna Molska 1983, PL |
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| Melvin Moti 1977, NL |
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| Rosalind Nashashibi 1973, UK |
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| Paulina Olowska 1976, PL |
| | Giulia Piscitelli 1965, IT |
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| Paola Pivi 1971, IT |
| | Hariton Pushwagner 1940, NO |
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| Lili Reynaud Dewar 1975, FR |
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| Pamela Rosenkranz 1979, CH |
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| Kilian Rüthemann 1979, CH |
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| Katerina Sedá 1979, CZ |
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| Paul Sietsema 1968, US |
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| Lucy Skaer 1975, UK |
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| Ettore Sottsass 1917-2007, AT |
| | Zofia Stryjenska 1891-1974, PL |
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| Sung-Hwan Kim 1975, KR |
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| Stefan Thater 1968, DE |
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| Harald Thys 1966, BE |
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| Piotr Uklanski 1968, PL |
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| Mona Vatamanu & Florin Tudor 2000 |
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| Tris Vonna-Michell 1982, UK |
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| Susanne M. Winterling 1971, DE |
| | Kohei Yoshiyuki 1946, JP |
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| Zhao Liang 1971, CN |
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| Ahmet Ögüt 1981, TK |
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When things cast no shadow, the 5th berlin biennial for contemporary art, curated by Adam Szymczyk and Elena Filipovic, brings together artists from different generations and nationalities in an exhibition by day and night that aims to trace the diversity of art practices today.
Eschewing a singular theme, form, or temporality, and determined instead by a critical engagement with artists’ processes, When things cast no shadow could be said to take the form of an open structure in five movements without a plot.
The day part of the 5th berlin biennial will be on view at four distinct venues and include mostly newly commissioned works by 50 artists, while the night part of the show will feature still more artists and cultural producers in 63 nightly events taking place in locations spread across the once-divided city.
The exhibition spaces of KW Institute for Contemporary Art, founded in 1991 in Berlin-Mitte will hold, among other projects, films by Babette Mangolte, Michel Auder, and Patricia Esquivias as well as an intervention by Ahmet Ögüt that comments on state power and its means of control. The attic will be turned into a studio/installation activated by Tris Vonna-Michell’s storytelling.
The iconic glass hall of Mies van der Rohe’s ultra-modernist Neue Nationalgalerie in former West Berlin has inspired various responses from artists. Among them, a film installation by Susanne M. Winterling explores the water condensation that flaws van der Rohe’s masterpiece, while Gabriel Kuri builds up a participatory sculpture that reorganizes one of the building’s regular service operations. Cyprien Gaillard brings an unpretentious public sculpture from a housing project in Paris to the terrace of the museum thus positioning a symbol for one failed social-architectural ideal on the grounds representing an opposed, triumphant architectural ideal.
The outdoor exhibition site of the Skulpturenpark Berlin_Zentrum, in the area formerly adjoining the Berlin Wall, presents, among other works, a new community-based project by Katerina Šedá, who goes over the fences that separate neighbors in her home village of Líšen in the Czech Republic. Lars Laumann screens a film about a woman who married the Berlin Wall, while Ania Molska installs a sculpture used as a prop in her new film.
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