 Artist's arttributes:
|
| • |
Donna |
| • |
Performance |
Luogo delle mostre principali: |
| Paese |
№ |
| USA | 32 |
| Spagna | 5 |
| Regno Unito | 4 |
| Germania | 3 |
Most exhibitions held at: |
| Institution |
№ |
| |
El Museo del Barrio, USA |
2 |
| |
Fundación Antoni Tŕpies, Spagna |
2 |
| |
The Project, USA |
2 |
Dati biografici: 
 |
|
Courtesy by "Elastic Residence", London (England)
|
18.6.1960 nasce a New York City, NY (US)
Collegamenti esterni: | | Mostre (Selezione) 62
fino al 26.5.
Mostre personali 6
2012
| |
| The Empty Plaza / La Plaza Vacia - Alexander Gray Associates, New York, NY |
2008
| |
| Operation Atropos - White Flag Projects, Saint Louis, MO |
| |
| Coco Fusco: "Buried Pig with Moros" - - The Project, New York, NY (closed) |
2006
 |
| Coco Fusco - Operation Atropos - Elastic Residence, Londra (Inghilterra) |
| |
| Coco Fusco - - MC Kunst, Los Angeles, CA (closed) |
2004
| |
| Coco Fusco - - The Project, New York, NY (closed) |
Mostre collettive 55
2012
| |
| Radical Presence: Black Performance In Contemporary Art - Contemporary Arts Museum Houston, Houston, TX |
| |
| re.act.feminism #2. A Performing Archive - Fundación Antoni Tŕpies, Barcellona |
|
| re.act.feminism #2 - a performing archive - Fundación Antoni Tŕpies, Barcellona |
2011
| |
| Voces Y Visiones: Gran Caribe - El Museo del Barrio, New York, NY |
| |
| 8th Bienal do Mercosul - Bienal do Mercosul, Porto Alegre |
2010
 |
| History of Disappearance - Aarhus Kunstbygning - Center for Contemporary Art, Aarhus |
| |
| Lush Life - Collette Blanchard Gallery, New York, NY |
| |
| Lush Life - Shell be Apples - Eleven Rivington, New York, NY |
| |
| The Facebook Show - Museum of New Art - MONA, Pontiac (MI) |
| |
| Lush Life - Chapter One: Whistle - Sue Scott Gallery, New York, NY |
| |
| Self as disappearance - Centre d’art contemporain la Synagogue de Delme, Delme |
2009
| |
| Indomitable Women at BAC 10.0 - CCCB - Centre de Cultura Contemporŕnia de Barcelona, Barcellona |
| |
| Status Report - BRIC Rotunda Gallery, New York, NY |
| |
| 2009 International Incheon Women Artist's Biennale - International Incheon Women Artist's Biennale, Incheon |
|
| ARTE ≠ VIDA - Museo de Arte Carrillo Gil, Messico City |
| |
| live art /levende scene - Kunstnernes Hus, Oslo |
2008
| |
| KISSS - Castlefield Gallery, Manchester (Inghilterra) |
| |
| Nicht alles tun - :emyt, Berlino |
| |
| Nicht Alles Tun - Galerie IG Bildende Kunst, Vienna |
| |
| Cultura Subyugada - Interrupciones y resistencias sobre lo femenino - Museo de Arte Contemporáneo de Rosario (MACRo), Rosario |
|
| Whitney Biennial 2008 - Whitney Biennial, New York, NY |
| |
| Arte Vida: Actions By Artists Of The Americas, 1960-2000 - El Museo del Barrio, New York, NY |
| |
| La mirada Iracunda - Centro Cultural Montehermoso, Vitoria-Gasteiz |
2007
| |
| Cara (a)cara/ Face 2 Face - CCE - Centro Cultural Espańol, Coral Gables (Miami), FL |
| |
| Black Panther Rank and File - Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC |
| |
| Killing Time - - Exit Art, New York, NY (closed, 2012) |
| |
| I am making Art - Chapitre 3 - Identité et Transformation - Centre d´Art Contemporain Geneve, Ginevra |
| |
| La era de la discrepancia - MUCA Roma - Museo Universitario de Ciencias y Arte, Messico City |
| |
| transmediale.07 - Akademie der Künste, Berlino |
2006
| |
| WAITING LIST: Time and transition in Cuban Contemporary Art - Mestna Galerija / City Art Gallery Ljubljana, Lubiana |
| |
| Frontera 450+ - Station Museum of Contemporary Art, Houston, TX |
| |
| History of disappearance. 30° anniversario della Franklin Furnace - neon>fdv, Milano |
| |
| Black Panther Rank and File - Yerba Buena Center for the Arts, San Francisco, CA |
| |
| The Whole World is Rotten - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
2005
| |
| Global Tour - W139, Amsterdam |
| |
| PERFORMA 05 - Performa, New York, NY |
| |
| KISSS (Kinship International Strategy on Surveillance and Supression) - Conical Inc, Melbourne, VIC |
| |
| Day Labor - MoMA PS1, New York, NY |
| |
| NOT A DROP BUT THE FALL - Künstlerhaus Bremen, Brema |
| |
| History of Disappearance - BALTIC Centre for Contemporary Art, Gateshead (Inghilterra) |
| |
| Defence: Body and Nobody in Self-Protection - UCR Sweeney Art Gallery, Riverside, CA |
| |
| The Whole World is Rotten: Free Radicals and the Gold Coast Slave Castles of Paa Joe - Jack Shainman Gallery, New York, NY |
| |
| Collection Remixed - Bronx Museum of the Arts (BxMA), New York, NY |
|
| La costilla maldita - Centro Atlántico de Arte Moderno (CAAM), Las Palmas di Gran Canaria |
2004
| |
| Democracy was Fun - White Box, New York, NY |
| |
| 5th Shanghai Biennale - Techniques of the visible - Shanghai Biennale, Shanghai |
| |
| connect the dots - LeRoy Neiman Gallery, New York, NY |
| |
| Emoçăo Art.ficial - Itaú Cultural Institute, Săo Paulo |
| |
| Nothing If Not Satirical - The Nunnery Gallery, Londra (Inghilterra) |
2003
|
| Strangers: the first ICP triennial of photography and video - ICP - International Center of Photography, New York, NY |
2000
| |
| 3rd Gwangju Biennale - Man+Space - Gwangju Biennale, Gwangju |
1997
| |
| Alt. Use. Media - Shedhalle, Zurigo |
1996
| |
| a/drift - Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, NY |
1993
| |
| Guillermo Gomez-Pena and Coco Fusco: The Year of the White Bear - Ben Maltz Gallery at Otis College of Art and Design, Los Angeles, CA |
1992
| |
| Those Fluttering Objects of Desire - - Exit Art, New York, NY (closed, 2012) |
| Indice dei commercianti 1 |
USA
| | Alexander Gray Associates, New York, NY
|
Collezioni 2
Regno Unito
| | Elastic Residence, Londra (Inghilterra)
|
Spagna
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcellona
|
Cataloghi
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