 Artist's arttributes:
|
| • |
Uomo |
| • |
Installazione |
| • |
Arte concettuale |
Luogo delle mostre principali: |
| Paese |
№ |
| USA | 78 |
| Germania | 58 |
| Spagna | 18 |
| Francia | 14 |
| Austria | 14 |
Most exhibitions held at: |
| Institution |
№ |
| |
Paula Cooper Gallery, USA |
8 |
| |
New Museum of Contemporary Art, USA |
6 |
| |
Generali Foundation, Austria |
5 |
Dati biografici: 
1936 nasce a Köln, Rheinland, NW (DE)
Collegamenti esterni: | | Mostre (Selezione) 246
fino al 8.9.
fino al 22.7.
fino al 26.5.
Mostre personali 23
2012
| |
| Hans Haacke. Castillos en el aire - Museo Nacional Centro de Arte Reina Sofía, Madrid |
2011
| |
| Hans Haacke - Gallery Karsten Schubert, Londra (Inghilterra) |
| |
| Blue Sail 1964-65 - Richard Saltoun, Londra (Inghilterra) |
| |
| Hans Haacke - 1967 - MIT List Visual Arts Center, Cambridge, MA |
2008
| |
| Bundesgartenschau - Galerie Sfeir-Semler - Hamburg, Amburgo |
| |
| HANS HAACKE - Paula Cooper Gallery, New York, NY |
2006
| |
| Hans Haacke - Deichtorhallen Hamburg, Amburgo |
2005
| |
| Hans Haacke - Paula Cooper Gallery, New York, NY |
2001
 |
| Hans Haacke - Mia san Mia - Generali Foundation, Vienna |
2000
| |
| Hans Haacke - Portikus, Francoforte sul Meno |
1995
| |
| Hans Haacke. ’Obra Social’ - Fundación Antoni Tàpies, Barcellona |
1989
| |
| H. Haacke - Centre Pompidou - Musée National d´Art Moderne, Parigi |
1987
| |
| Hans Haacke - Victoria Miro Gallery, Londra (Inghilterra) |
1986
| |
| Hans Haacke: Unfinished Business - New Museum of Contemporary Art, New York, NY |
| |
| Hans Haacke - Les Must De Rembrandt - Le Consortium, Digione |
1985
| |
| Hans Haacke - Nach allen Regeln der Kunst - Kunsthalle Bern, Berna |
1984
| |
| Hans Haacke - Nach allen Regeln der Kunst - Neue Gesellschaft für Bildende Kunst (NGBK), Berlino |
| |
| Hans Haacke - Stedelijk Van Abbemuseum, Eindhoven |
1982
| |
| Hans Haacke / Mobil Observations - The Southern Alberta Art Gallery, Lethbridge, Alberta |
1979
| |
| Hans Haacke - Recent Works - The Renaissance Society at The University of Chicago, Chicago, IL |
1976
| |
| Hans Haacke - Frankfurter Kunstverein, Francoforte sul Meno |
1965
| |
| Hans Haacke. Wind und Wasser - - Galerie Schmela, Düsseldorf (closed, 2008) |
Mostre collettive 220
2013
| |
| Répétition II - Paula Cooper Gallery, New York, NY |
| |
| Liebe Ist Kälter Als Das Kapital - Kunsthaus Bregenz, Bregenz |
| |
| A Stone Left Unturned - Yvon Lambert - Paris, Parigi |
| |
| Répétition: 1960 – 1975 - Paula Cooper Gallery, New York, NY |
| |
| Amazing! Clever! Linguistic! - An Adventure in Conceptual Art - Generali Foundation, Vienna |
 |
| In Deed: Certificates of Authenticity in Art - Weatherspoon Art Museum, Greensboro, NC |
2012
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary Arts London, Londra (Inghilterra) |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - ICA - Institute of Contemporary ArtBoston, Boston, MA |
| |
| Le Frac S'invite Au Consortium - FRAC - Bourgogne, Digione |
| |
| Bilderbedarf. Braucht Gesellschaft Kunst? - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
| |
| Ends of the Earth – Land Art bis 1974 - Haus der Kunst München, Monaco di Baviera |
| |
| A Balea Negra. X Aniversario Do Marco - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Regarding Warhol: Sixty Artists, Fifty Years - The Metropolitan Museum of Art, New York, NY |
| |
| Materializing "Six Years": Lucy R. Lippard and the Emergence of Conceptual Art - Brooklyn Museum of Art, New York, NY |
| |
| Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life - ICP - International Center of Photography, New York, NY |
| |
| Newtopia - Cultuurcentrum Mechelen, Mechelen |
| |
| Ghosts in the Machine - New Museum of Contemporary Art, New York, NY |
| |
| This Will Have Been: Art, Love & Politics in the 1980 - Walker Art Center, Minneapolis, MN |
| |
| Tapis volants - Académie de France à Rome - Villa Médicis, Roma |
| |
| Creative Destruction - The Kitchen, New York, NY |
| |
| Traffic : Conceptual Art In Canada 1965-1980 - Leonard & Bina Ellen Art Gallery, Montreal, QC |
| |
| This Will Have Been: Art, Love & Politics in the 1980s - Museum of Contemporary Art Chicago (MCA), Chicago, IL |
| |
| Spirits Of Internationalism - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
2011
| |
| Ce matin... - Centre d’art contemporain de Quimper - le Quartier, Quimper |
| |
| En Obras. Coleção Teixeira De Freitas. - TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife |
| |
| In DeedCerificates of Authenticity in Art - Fondazione Bevilacqua La Masa, Venezia |
| |
| Atlas. How To Carry The World On One's Back? - Sammlung Falckenberg, Amburgo |
|
| Cambio de paradigma - Colección Serralves años 60-70 - Musac - Museo de Arte Contemporáneo de Castilla y León, Léon |
| |
| nul = 0 - dutch avant-garde in an international context, 1961-1966 - Stedelijk Museum Schiedam, Schiedam |
| |
| In Deed: Certificates of Authenticity in Art - De Vleeshal, Middelburg |
|
| Site Inspection - The Museum on the Museum - Ludwig Museum - Museum of Contemporary Art - Budapest, Budapest |
|
| Beziehungsarbeit – Kunst und Institution - Künstlerhaus Wien, Vienna |
| |
| Locations - Paula Cooper Gallery, New York, NY |
| |
| Die Letzte Freiheit - Von den Pionieren der Land-Art der 1960er Jahre bis zur Natur im Cyberspace - Ludwig Museum im Deutschherrenhaus, Coblenz |
|
| 1979, a Monument to Radical Moments - La Virreina - Centre de la Imatge, Barcellona |
| |
| Sculpture In So Many Words: Text Pieces 1960-75 - ZieherSmith, New York, NY |
2010
| |
| Freedom of Speech - Kunstverein in Hamburg, Amburgo |
| |
| Freedom of Speech - NBK - Neuer Berliner Kunstverein, Berlino |
| |
| Group Show - Paula Cooper Gallery, New York, NY |
| |
| THE BIENNIAL WINTER SALON 2010 - Elga Wimmer PCC, New York, NY |
|
| ATLAS ¿Cómo llevar el mundo a cuestas? - Museo Nacional Centro de Arte Reina Sofía, Madrid |
| |
| Kritische Komplizenschaft / Critical Complicity - WUK - Kunsthalle Exnergasse, Vienna |
|
| LET’S TALK ABOUT HOUSES: When Art Speaks Architecture [Constructing, Deconstructing, Dwelling] / Floor 2, 2A and Sculptu - MNAC - Museu do Chiado, Lisbona |
|
| The Last Newspaper - New Museum of Contemporary Art, New York, NY |
| |
| The Good, The Bad & the Ugly - Cultuurcentrum Mechelen, Mechelen |
|
| Hausbesuche - 175 Jahre Kasseler Kunstverein - Kasseler Kunstverein, Kassel |
| |
| Water - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ |
| |
| Taking Place - Stedelijk Museum Amsterdam, Amsterdam |
| |
| Radical Nature - Dick Institute, Kilmarnock, East Ayshire (Scozia) |
2009
| |
| L'arte è una parola - Galleria Il Ponte, Firenze |
|
| MOCA´s First Thirty Years - MOCA Grand Avenue, Los Angeles, CA |
| |
| 1989. Ende der Geschichte oder Beginn der Zukunft? - Kunsthalle Wien (Museumsquartier), Vienna |
| |
| Kunst und Kalter Krieg – Deutsche Positionen 1945-1989 Art of Two Germanys / Cold War Cultures - Deutsches Historisches Museum - DHM, Berlino |
| |
| Free as Air and Water - The Cooper Union, New York, NY |
| |
| Radical Nature - Art and Architecture for a Changing Planet 1969–2009 - Barbican Art Gallery, Londra (Inghilterra) |
|
| Political/Minimal - Muzeum Sztuki in Lodz, Main Building, Lodz |
| |
| Serralves 2009 - The Collection, 1st Part - Museu Serralves - Museu de Arte Contemporânea, Porto |
|
| On the Tectonics of History - International Studio & Curatorial Program (ISCP), New York, NY |
| |
| Kunst und Kalter Krieg - Deutsche Positionen 1945 - 1989 - Germanisches Nationalmuseum, Norimberga |
| |
| Tiempo como materia. Colección MACBA. Nuevas incorporaciones - Museu d´Art Contemporani de Barcelona - MACBA, Barcellona |
| |
| Be sure to attend very carefully to what I have to say to you - Fri Art - Centre d'Art Contemporain, Fribourg |
| |
| Digitale Gärten - Staatliches Museum Schwerin, Schwerin |
| |
| Sign/Age Part Three: Fight The Power - Armand Bartos Fine Art, New York, NY |
|
| Friends of the Divided Mind - Royal College of Art Galleries, Londra (Inghilterra) |
| |
| Biennale Cuvee 09 - Weltauswahl der Gegenwartskunst - OK Offenes Kulturhaus OÖ, Linz |
| |
| Commentary - Paula Cooper Gallery, New York, NY |
|
| Art of Two Germanys/Cold War Cultures - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
2008
| |
| Political/Minimal - Kunst-Werke Berlin - KW Institute for Contemporary Art , Berlino |
| |
| Happy Together, an american dream - Centre d’Art Bastille - CAB, Grenoble |
|
| The Art of Participation: 1950 to Now - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| German Angst - NBK - Neuer Berliner Kunstverein, Berlino |
|
| 7th Gwangju Biennale - Gwangju Biennale, Gwangju |
| |
| Entre Chien et Loup - - Kent Gallery, New York, NY (closed) |
| |
| That Was Then...This Is Now - MoMA PS1, New York, NY |
| |
| "...einen AUGEN-Blick, bitte!" / "Please cast an eye...!" - Kunstverein Bad Salzdetfurth e.V., Bodenburg |
| |
| Peripheral vision and collective body - MUSEION - Museum für moderne und zeitgenössische Kunst , Bolzano |
| |
| Sol LeWitt x2 - Austin Museum of Art - AMOA, Austin, TX |
| |
| Zerbrechliche Schönheit, Glas im Blick der Kunst - Museum Kunstpalast, Düsseldorf |
|
| Genau + anders - Mathematik in der Kunst von Dürer bis Sol LeWitt - Museum Moderner Kunst Stiftung Ludwig - MUMOK , Vienna |
2007
| |
| New York States of Mind - Queens Museum of Art (QMA), New York, NY |
| |
| Só é possível se formos 2 - Centro de Artes de Sines, Sines |
| |
| MACBA im Frankfurter Kunstverein - Frankfurter Kunstverein, Francoforte sul Meno |
| |
| Forms of Resistance Artists and the desire for social change from 1871 to the present - Stedelijk Van Abbemuseum, Eindhoven |
| |
| New York - States of Mind - Haus der Kulturen der Welt, Berlino |
| |
| Intocable (el ideal de la transparencia) - Patio Herreriano - Museo de Arte Contemporáneo Español, Valladolid |
|
| The Price of Everything… Perspectives on the Art Market - Whitney Museum of American Art, New York, NY |
| |
| Feedback - Laboral - Centro de Arte y Creación Industrial, Gijón |
| |
| For a Special Place: Documents and Works from the Generali Foundation Collection - Austrian Cultural Forum New York, New York, NY |
| |
| ZEIT:ZEIT - Mehdi Chouakri, Berlino |
2006
| |
| Radical Software - Art, Technology, and the Bay Area Underground - CCA Wattis Institute for Contemporary Arts, San Francisco, CA |
| |
| Kapital - - Kent Gallery, New York, NY (closed) |
| |
| Fourteen Artists/Fourteen Years - Mahaffey Fine Art - Portland Art Museum, Portland, OR |
| |
| Zéro - Musée d'Art moderne de Saint-Etienne, Saint-Etienne |
| |
| Here + Now - Elizabeth Leach Gallery, Portland, OR |
| |
| Untouchable - Villa Arson, Nizza |
|
| The Expanded Eye. Sehen - entgrenzt und verflüssigt - Kunsthaus Zürich, Zurigo |
| |
| Und es bewegt sich doch ... - Kunstmuseum Bochum, Bochum |
| |
| ZERO - Internationale Künstler-Avantgarde der 50er/60er Jahre - Museum Kunstpalast, Düsseldorf |
2005
| |
| Zur Tektonik der Geschichte - Forum Stadtpark, Graz |
| |
| Looking at Words - Andrea Rosen Gallery, New York, NY |
|
| Occupying Space - MSU - Museum of Contemporary Art Zagreb, Zagreb |
| |
| Des Deux Cotes Du Rhin -Movement- - Museum Ludwig, Colonia |
| |
| Wie Gesellschaft und Politik ins Bild kommen - Generali Foundation, Vienna |
|
| 50 Jahre - Years documenta 1955 – 2005 - Kunsthalle Fridericianum, Kassel |
|
| Occupying Space - The Generali Collection - Witte de With Center for Contemporary Art, Rotterdam |
| |
| La Colección MACBA - Museu d´Art Contemporani de Barcelona - MACBA, Barcellona |
| |
| OpenSystems - Rethinking Art c.1970 - Tate Modern, Londra (Inghilterra) |
| |
| Behind Closed Doors - Visual Research Centre, Dundee (Scozia) |
| |
| The Last Picture Show - Artists using Photography 1960-1982 - Miami Art Central, Miami, FL |
| |
| Interessi Zero - Galleria Civica di Arte Contemporanea di Trento, Trento |
| |
| Bewegliche Teile - Museum Tinguely, Basilea |
|
| Occupying Space - Sammlung Generali Foundation - Haus der Kunst München, Monaco di Baviera |
| |
| The Transformative Power of Art - Art Gallery of Ontario, Toronto, ON |
2004
| |
| Database Imaginary - The Banff Centre - Walter Phillips Gallery, Banff, AB |
| |
| Suites - From the Permanent Collection - Amherst Fine Arts Center - University of Massachusetts, Amherst, MA |
| |
| 70/90 - Engagierte Kunst - Neues Museum - Staatliches Museum für Kunst und Design in Nürnberg, Norimberga |
| |
| Bewegliche Teile - Kunsthaus Graz, Graz |
| |
| The state of the things. The object in art from 1960 to the present day - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| Systemstörung - Edith-Russ-Haus für Medienkunst, Oldenburg |
| |
| Dependent Objects - Busch-Reisinger Museum, Cambridge, MA |
|
| Beyond Geometry - Experiments in Form 1940s−70s - Los Angeles County Museum of Art - LACMA, Los Angeles, CA |
| |
| Zero - 1958 - 1968 tra Germania e Italia - SMS Contemporanea, ex Palazzo Delle Papesse, Siena |
| |
| The last picture show. Artistas que hacen uso de la fotografía. Tendencias conceptuales de 1960-1982 - MARCO Museo de Arte Contemporánea de Vigo, Vigo |
| |
| A Minimal Future? Art As Object 1958-1968 - MOCA Grand Avenue, Los Angeles, CA |
|
| Behind the facts interfunktionen - Fundación Joan Miró, Barcellona |
|
| The Last Picture Show - Artists Using Photography, 1960-1982 - Hammer Museum, Los Angeles, CA |
| |
| Deurle 11/7/73 - MDD - Museum Dhondt-Dhaenens, Deurle |
2003
| |
| Crimes and Misdemeanors - Politics in U.S. Art of the 1980s - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| |
| Doing Business - Contemporary Art Galleies - UConn School of Fine Arts, Storrs, CT |
|
| The Last Picture Show - Artists Using Photography - 1960-1982 - Walker Art Center, Minneapolis, MN |
|
| Berlin-Moskau Moskau-Berlin 1950-2000 - Neue Nationalgalerie, Berlino |
| |
| no art – no city - Städtische Galerie Bremen im Buntentor, Brema |
|
| A Simple Plan - James Cohan Gallery - New York, New York, NY |
|
| Sammlung - Graham - Ivekovic - Haacke - Kubelka - Farocki - Generali Foundation, Vienna |
|
| Gelijk het leven is - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
| |
| Living with Duchamp - The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY |
| |
| exposition collective - CEAAC - Centre européen d'actions artistiques contemporaines, Strasburgo |
|
| Air - James Cohan Gallery - New York, New York, NY |
2002
| |
| TRANS-POSITIONS - Centre d'Art Passerelle, Brest |
| |
| Klopfzeichen, Kunst und Kultur der 80er Jahre in Deutschland - Museum Folkwang Essen, Essen |
| |
| E.A.T. Experiments in Art and Technology - Henry Art Gallery, Seattle, WA |
| |
| Iconoclash - Jenseits der Bilderkriege in Wissenschaft, Religion und Kunst - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
| |
| Minimal Maximal - National Museum of Contemporary Art Korea, Gwacheon |
2001
| |
| Hellzapopin 1 bis - Mamco - musée d´art moderne et contemporain, Ginevra |
|
| Ingenting / Nothing - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
| |
| A Work in Progress - Selections from the New Museum Collection - New Museum of Contemporary Art, New York, NY |
| |
| Werke aus der Sammlung - Generali Foundation, Vienna |
|
| Antagonismes... - Museu d´Art Contemporani de Barcelona - MACBA, Barcellona |
| |
| Nothing - Contemporary Art Centre (CAC), |
| |
| New York ca. 1975 - David Zwirner, Inc., New York, NY |
| |
| Minimal Maximal - National Museum of Modern Art Kyoto (MOMAK), Kyoto |
| |
| Minimal Maximal - Fukuoka Art Museum, Fukuoka |
2000
|
| Global Conceptualism - Points of Origin, 1950s-1980s - MIT List Visual Arts Center, Cambridge, MA |
| |
| In Process - - Curt Marcus Gallery, New York, NY (closed, 2002) |
| |
| Dinge in der Kunst des XX. Jahrhundert - Haus der Kunst München, Monaco di Baviera |
| |
| Summer Group Exhibition - Paula Cooper Gallery, New York, NY |
|
| Campos de fuerzas - Un ensayo sobre lo cinético - Museu d´Art Contemporani de Barcelona - MACBA, Barcellona |
| |
| Whitney Biennial 2000 - Whitney Biennial, New York, NY |
| |
| WORTHLESS (INVALUABLE).THE CONCEPT OF VALUE IN CONTEMPORARY ART - Moderna galerija Ljubljana, Lubiana |
1999
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
| |
| Originale echt/falsch - Weserburg | Museum für moderne Kunst, Brema |
| |
| Global Conceptualism: Points of Origin 1950s–1980s - Queens Museum of Art (QMA), New York, NY |
| |
| Minimal Maximal - CGAC - Centro Galego de Arte Contemporánea, Santiago de Compostela |
| |
| Minimal Maximal - Staatliche Kunsthalle Baden-Baden, Baden-Baden |
| |
| Impact: Revealing Sources for Contemporary Art - - Contemporary Museum, Baltimore, Baltimore, MD (closed, 2012) |
1998
| |
| Minimal-Maximal - Weserburg | Museum für moderne Kunst, Brema |
| |
| Conceptual Photography from the 60s and 70s - David Zwirner, Inc., New York, NY |
1997
| |
| And then there were none - Meyer Riegger Karlsruhe, Karlsruhe |
| |
| Minimal Politics: Performativity and Minimalism in Recent American Art - Center for Art and Visual Culture, Baltimore, MD |
| |
| Deutschlandbilder - Martin-Gropius-Bau, Berlino |
| |
| Skulptur. Projekte in Münster 1997 - Skulptur Projekte Münster, Münster |
| |
| documenta X - Documenta, Kassel |
1996
| |
| Schwerelos - Skulpturen - Landesgalerie am Oberösterreichischen Landesmuseum, Linz |
1995
| |
| 1965-1975: Reconsidering The Object Of Art - The Geffen Contemporary at MOCA, Los Angeles, CA |
| |
| Pop Art and Minimalism from the Louisiana and the Moderna Museet - - Rooseum Center for Contemporary Art, Malmö (closed, 2006) |
1994
| |
| Portafolio de Estocolmo. Exposición de grabados norteamericanos - MADC Museo de Arte y Diseño Contemporáneo, San José |
1993
| |
| Pieces Au Sol - Le Consortium, Digione |
| |
| Cartographies Imaginaires - LaM - Lille Métropole musée d'art moderne, d'art contemporain et d'art brut, Villeneuve d'Ascq |
1992
| |
| Pour la suite du monde - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| Scandal, Outrage, Censorship - Controversy In Modern Art - Galerie St. Etienne, New York, NY |
1991
| |
| Word As Image: American Art 1960–1990 - Contemporary Arts Museum Houston, Houston, TX |
1990
| |
| L'art conceptuel, une perspective - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| The Decade Show: Frameworks of Identity in the 1980s - New Museum of Contemporary Art, New York, NY |
| |
| 8th Biennale of Sydney 1990 - The Readymade Boomerang - Biennale of Sydney, Sydney, NSW |
| |
| Pharmacy - Jan Kesner Gallery, Los Angeles, CA |
1989
| |
| HfbK Die Letzten 22 Jahre - Kunstverein in Hamburg, Amburgo |
| |
| UNE AUTRE AFFAIRE - Le Consortium, Digione |
1988
| |
| Gran Pavese, The Flag Project - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
1987
| |
| Skulptur. Projekte in Münster 1987 - Skulptur Projekte Münster, Münster |
| |
| documenta 8 - Documenta, Kassel |
1985
| |
| No! Contemporary American Dada - Henry Art Gallery, Seattle, WA |
| |
| 1954-1985 - Kunst in der Bundesrepublik Deutschland - Neue Nationalgalerie, Berlino |
| |
| Difference: On Representation and Sexuality - The Renaissance Society at The University of Chicago, Chicago, IL |
1984
| |
| Difference: On Representation and Sexuality - New Museum of Contemporary Art, New York, NY |
| |
| Von hier aus – Zwei Monate neue deutsche Kunst in Düsseldorf - Halle 13 - Messe Düsseldorf, Düsseldorf |
1983
| |
| Museums by artists - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| Group Exhibition - Rhona Hoffman Gallery, Chicago, IL |
| |
| 1984 – A Preview - Ronald Feldman Fine Arts Inc, New York, NY |
1982
| |
| documenta 7 - Documenta, Kassel |
1980
| |
| Art in Europe after '68 - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
1979
| |
| Eremit? Forscher? Sozialarbeiter? Das veränderte Selbstverständnis von Künstlern - Kunstverein in Hamburg, Amburgo |
1978
| |
| La Biennale di Venezia 1978. From Nature to Art, from Art to Nature - La Biennale di Venezia, Venezia |
| |
| Daniel Buren, Victor Burgin, Braco Dimitrijevic, Hans Haacke, Red Herring, Katharina Sieverding - Galerie m Bochum, Bochum |
1974
| |
| Art into society - society into art: seven German artists - ICA - Institute of Contemporary Arts London, Londra (Inghilterra) |
1972
| |
| documenta 5 - Documenta, Kassel |
| |
| Konzept-Kunst - Kunstmuseum Basel, Basilea |
1971
| |
| The New Curiosity Shop - The Renaissance Society at The University of Chicago, Chicago, IL |
1970
| |
| Conceptual Art and Conceptual Aspects - - New York Cultural Center, New York, NY (closed, 1975) |
1969
| |
| When Attitudes Become Form - ICA - Institute of Contemporary Arts London, Londra (Inghilterra) |
| |
| When Attitudes become Form - Museen Haus Lange / Haus Esters, Krefeld |
| |
| When Attitudes Become Form - Kunsthalle Bern, Berna |
| |
| Earth Art - Herbert F. Johnson Museum of Art, Ithaca, NY |
1968
| |
| Air art - Architectural Association Group - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH |
| Indice dei commercianti 4 |
Germania
| | Galerie Sfeir-Semler - Hamburg, Amburgo
|
USA
| | Paula Cooper Gallery, New York, NY
|
| | Elizabeth Leach Gallery, Portland, OR
|
| | Crown Point Press, San Francisco, CA
|
Collezioni 20
Austria
| | Generali Foundation, Vienna
|
Belgio
| | SMAK Stedelijk Museum voor Actuele Kunst, Gent
|
Canada
| | National Gallery of Canada - Musée des beaux-arts du Canada, Ottawa, ON
|
Croazia
| | MSU - Museum of Contemporary Art Zagreb, Zagreb
|
Francia
| | FRAC - Bourgogne, Digione
|
| | FRAC - Nord-Pas de Calais, Dunkerque
|
| | IAC - Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne
|
Germania
| | Museum für Gegenwartskunst Siegen, Siegen
|
Regno Unito
| | Tate Liverpool, Liverpool (Inghilterra)
|
| | Tate Britain, Londra (Inghilterra)
|
Spagna
| | Museu d´Art Contemporani de Barcelona - MACBA, Barcellona
|
Svezia
| | Moderna Museet, Stoccolma
|
Svizzera
| | Fotomuseum Winterthur, Winterthur
|
USA
| | MIT List Visual Arts Center, Cambridge, MA
|
| | Los Angeles County Museum of Art - LACMA, Los Angeles, CA
|
| | MOCA Grand Avenue, Los Angeles, CA
|
| | MoMA - Museum of Modern Art, New York, NY
|
| | New Museum of Contemporary Art, New York, NY
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
| | Broad Contemporary Art Museum, Santa Monica, CA
|
Cataloghi
|
