 Artist's arttributes:
|
| • |
Uomo |
| • |
Performance |
Luogo delle mostre principali: |
| Paese |
№ |
| Paesi Bassi | 29 |
| Germania | 21 |
| USA | 10 |
| Canada | 8 |
| Regno Unito | 7 |
Most exhibitions held at: |
| Institution |
№ |
 |
Art Affairs Gallery, Paesi Bassi |
13 |
| |
Musée d´art contemporain de Montréal, Canada |
4 |
| |
MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgio |
4 |
| |
de Appel arts centre, Paesi Bassi |
3 |
Dati biografici: 
 |
|
Courtesy by "Art Affairs Gallery, Amsterdam"
|
1943 nasce a Solingen, Begisches Land (DE)
Collegamenti esterni: | | Mostre (Selezione) 115
fino al 27.6.
Mostre personali 6
2010
| |
| Great Walk Talk - Ulay - C-Space, Pechino |
2009
| |
| Become - Galerija Skuc, Lubiana |
2004
2000
| |
| Ulay - Performing Light - de Appel arts centre, Amsterdam |
| |
| What is that thing called photography? - Museum het Domein, Sittard |
Mostre collettive 108
2013
| |
| Through A Glass Darkly - Faces Past And Present - Ernst Museum Budapest, Budapest |
 |
| Shakers & Movers - VW (VeneKlasen/Werner), Berlino |
2012
| |
| Second Modernity - Upstream Gallery, Amsterdam |
| |
| Theatre of life - CoCA - Centre of Contemporary Art Torun, Torun |
 |
| Vidéo Vintage 1963-1983 - Centre Pompidou - Musée National d´Art Moderne, Parigi |
2011
| |
| Aboriginal Afterimages - Fotodok, Utrecht |
| |
| Der Weibliche Blick – Part 1 - FOTO-RAUM, Vienna |
| |
| Gravity - Crawford Art Gallery, Cork |
| |
| Polaroid [Im]Possible - WestLicht. Schauplatz für Fotografie, Vienna |
|
| Let the Healing Begin - IMA Institute of Modern Art, Brisbane, QLD |
| |
| Live to Tape. The Mike Steiner Collection at Hamburger Bahnhof - Hamburger Bahnhof - Museum für Gegenwart, Berlino |
2010
| |
| Word for word, without words - Mestna Galerija / City Art Gallery Ljubljana, Lubiana |
| |
| Emporte-moi / Sweep me off my feet - Musée d´art contemporain du Val-de-Marne MAC/Val, Vitry-sur-Seine |
| |
| Tales of the Unexpected - DEK22, Rotterdam |
2009
| |
| Pourquoi Attendre ! - Centre d´Art Contemporain Geneve, Ginevra |
| |
| RECORD>AGAIN! - Kunsthaus Dresden, Dresda |
| |
| Guardami Il volto e lo sguardo nell'arte 1969-2009 - Museo Cantonale d´Arte Lugano, Lugano |
| |
| Emporte-moi/Sweep me off my feet - Musée national des beaux-arts du Québec, Quebec City |
|
| RECORD>AGAIN! 40jahrevideokunst.de - Teil 2 - Ludwig Forum für Internationale Kunst, Aquisgrana |
|
| RECORD > AGAIN! 40jahrevideokunst.de - Teil 2 - ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe |
|
| Oppositions & Dialogues - Kunstverein Hannover, Hannover |
|
| The First Stop on the Super Highway - Nam June Paik Art Center, Yongin-si |
| |
| onderweg - Johan Deumens, Haarlem |
| |
| Opposite Attracts - On dialectics - de Veemvloer, Amsterdam |
2008
|
| The Art of Participation: 1950 to Now - San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA |
| |
| I Am Making Art: 4 estudios sobre el cuerpo del artista - Centro Huarte de Arte Contemporáneo, Huarte |
| |
| 49th October Salon - Oktobarski Salon / October Salon, Belgrado |
| |
| what about power relations? - Galerija Skuc, Lubiana |
| |
| Lifting - Georgia Scherman Projects, Toronto, ON |
| |
| Live Art on Camera - SPACE, Londra (Inghilterra) |
2007
| |
| Gehen bleiben - Kunstmuseum Bonn, Bonn |
| |
| Video Trajectories: Selections from the Pamela and Richard Kramlich Collection and the New Art Trust - MIT List Visual Arts Center, Cambridge, MA |
| |
| True Romance - Allegorien der Liebe von der Renaissance bis heute - Kunsthalle Wien (Museumsquartier), Vienna |
| |
| Lifting. Theft in Art - Peacock Visual Arts, Aberdeen (Scozia) |
| |
| Who’s got the Big Picture? - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
| |
| "File on Ulay" - Johan Deumens, Haarlem |
| |
| Love Addiction: pratiche video dal ‘61 ad oggi - GC.AC - Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone |
| |
| Scenes and Traces - From the collection design, photography & video - Stedelijk Museum Amsterdam, Amsterdam |
| |
| I am making Art - Chapitre 1 - Rituel, Transgression, Endurance, Risque - Centre d´Art Contemporain Geneve, Ginevra |
| |
| Stable – The Balance Of Power - Para/Site Art Space, Hong Kong, SAR |
2006
| |
| Embodied Time - Art Video, 1970 - present - Lewis Glucksman Gallery, Cork |
| |
| Revelation (Uppenbar(a)t) - Kulturhuset Stockholm, Stoccolma |
| |
| SNAFU - Medien, Mythen, Mind Control - Hamburger Kunsthalle, Amburgo |
| |
| 40jahrevideokunst.de - Teil 1 - K21 Ständehaus, Düsseldorf |
2005
| |
| Contenance - Fassung Bewahren - Württembergischer Kunstverein, Stoccarda |
| |
| Power Plays - Para/Site Art Space, Hong Kong, SAR |
| |
| Lynda Benglis, The Center For Land Use Interpretation, Dan Colen, Gino De Dominicis, Jeremy Deller, Sam Durant, Lucio F - Nicole Klagsbrun Gallery, New York, NY |
| |
| Interstate - Nicole Klagsbrun Gallery, New York, NY |
| |
| Willem van Zoetendaal - Marks of Honour - Foam Fotografiemuseum, Amsterdam |
| |
| (my private) Heroes - MARTa Herford, Herford |
| |
| Selected video pogramme from the Collection of New Media, Centre Georges Pompidou - Galerija Miroslav Kraljevic, Zagreb |
2004
|
| A Short History of Dutch Video Art - Shanghai Duolun Museum of Modern Art, Shanghai |
| |
| Tentoonstelling - Museum het Domein, Sittard |
|
| Ambulantes. Cultura portátil - Centro Andaluz de Arte Contemporáneo (CAAC), Siviglia |
| |
| 13AXS - Haus am Lützowplatz, Berlino |
2003
|
| Corpus Christi _ Christus-Darstellungen in der photographie, 1850-2001 - Deichtorhallen Hamburg, Amburgo |
| |
| Pressing Flesh - Skin, Touch, Intimacy - Auckland Art Gallery, Auckland |
| |
| Raum - Zeit - Architektur in der Fotografie - Oldenburger Kunstverein, Oldenburg |
| |
| Collectiepresentatie V - herfst 2003 - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
|
| Gelijk het leven is - SMAK Stedelijk Museum voor Actuele Kunst, Gent |
2002
| |
| Amsterdam Revisited - Adam & Eve: On sex, tolerance - de Appel arts centre, Amsterdam |
|
| Formen der Gewalt - - Galerie Gabriele Rivet, Colonia (closed) |
2001
| |
| Taking over - Bildmuseet, Umeå |
2000
|
| Taking over - an art project by Andreas Gedin - Bildmuseet, Umeå |
| |
| collectie zomer 2000 - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
| |
| Lie of the Land - Arnolfini, Bristol (Inghilterra) |
1999
|
| Stimuli - Witte de With Center for Contemporary Art, Rotterdam |
| |
| Ulay & Abramović - Musée d'Art Contemporain Lyon, Lyon |
| |
| group show - Galerie Kai Hilgemann, Berlino |
| |
| Lie of the Land - John Hansard Gallery, Southampton (Inghilterra) |
1998
| |
| Ulay - Martine Stig - Stedelijk Museum Bureau Amsterdam - SMBA, Amsterdam |
| |
| Ulay - Abramovic. Performances 1976 – 1988 - Tramway, Glasgow (Scozia) |
1997
| |
| Deutschlandbilder - Martin-Gropius-Bau, Berlino |
| |
| Animalities - - NIMk - Netherlands Media Art Institute, Amsterdam (closed, 2013) |
1996
| |
| L'œil du collectionneur - Musée d´art contemporain de Montréal, Montreal, QC |
| |
| Le roi des aulnes - Galerie René Blouin, Montreal, QC |
1995
| |
| Trust - Tramway, Glasgow (Scozia) |
1991
| |
| Marina Abramovic et Ulay, the lovers : la marche sur la grande muraille - Musée d´art contemporain de Montréal, Montreal, QC |
1990
| |
| Marina Abramović och Ulay. The Lovers/De älskande. Den långa vandringen på Kinesiska muren - Moderna Museet, Stoccolma |
| |
| Silhouettes: Prints and Multiples - Amherst Fine Arts Center - University of Massachusetts, Amherst, MA |
1989
| |
| The Arts for Television - Contemporary Arts Museum Houston, Houston, TX |
| |
| Das Verhältnis der Geschlechter - Bonner Kunstverein, Bonn |
| |
| The arts for television - Musée d´art contemporain de Montréal, Montreal, QC |
1988
| |
| Enchantment / Disturbance - The Power Plant, Toronto, ON |
| |
| Gran Pavese, The Flag Project - MuHKA Museum voor Hedendaagse Kunst Antwerpen, Anversa |
1987
| |
| Video and Language/Video as Language - The Renaissance Society at The University of Chicago, Chicago, IL |
| |
| documenta 8 - Documenta, Kassel |
| |
| The Sun and the Moon - San Diego State University Art Gallery, San Diego, CA |
1986
| |
| Foto Cliche - Victoria Miro Gallery, Londra (Inghilterra) |
| |
| Modus vivendi. Ulay & Marina Abramovic 1980-1985 - Castello di Rivoli Museo d'Arte Contemporanea, Torino |
| |
| Choices: Making an Art of Everyday Life - New Museum of Contemporary Art, New York, NY |
1983
|
| Ulay / Marina Abramovic - Positive Zero - de Appel arts centre, Amsterdam |
1982
| |
| Videoart in Germany: 1963-1982 - MoMA - Museum of Modern Art, New York, NY |
| |
| documenta 7 - Documenta, Kassel |
| |
| Livres d'artistes = Books by artists - Musée d´art contemporain de Montréal, Montreal, QC |
Collezioni 13
Australia
| | Art Gallery of New South Wales, Sydney, NSW
|
| | Museum of Contemporary Art Sydney - MCA, Sydney, NSW
|
Finlandia
| | Kiasma - Museum of Contemporary Art, Helsinki
|
Francia
| | Musée d'Art Contemporain Lyon, Lyon
|
Germania
| | Kunstpalais Erlangen, Erlangen
|
Paesi Bassi
| | Stedelijk Van Abbemuseum, Eindhoven
|
| | Museum het Domein, Sittard
|
Spagna
Svezia
| | The Wanas Foundation, Knislinge
|
USA
| | The Progressive Art Collection, Mayfield Village, OH
|
| | San Francisco Museum of Modern Art - SFMOMA, San Francisco, CA
|
Cataloghi
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